Donald F Is there a connection between these shorts? Do they take place in the same universe? No. Do they share a theme? No. Are they all sci-fi? Well, two are, but the first one isn't. The first two take place at night, but the last mostly during the day. Nothing on the surface is shared, although they each have a similar style and sense of imagination.There's not much to say about this short movie. The stories are quite simple, although one is silent and vague. They're just quick glimpses into other worlds. But I liked each one of them. They're interesting, mysterious, and well-animated. There are better anthology films, but this is perfectly fine for a watch. If it interests you, give it a shot. There aren't too many movies like it.

Perception_de_Ambiguity A 1987 science fiction anthology film written and directed by three big names in the Anime world before they got big. Yoshiaki Kawajiri would go on to make 'Vampire Hunter D: Bloodline' and 'Ninja Scroll', Katsuhiro Ôtomo 'Akira' and Rintaro 'Metropolis'.Story #1: "Labyrinth-Labyrintos", which starts and ends the film and of which #2 and #3 are sort of a part of, is a whole lot of random stuff that is at least dark, moody and excellently animated. I take it its aim is to simulate the experience of a child walking through this wondrous world, especially in the context of the ending, which has the kid sitting in front of a TV set, supposedly after watching what we just watched, making the film itself part of this world out of a kid's perspective, a film that could be described as exaggerated and excessive. "Labyrinth-Labyrintos" is fun for the time lasting - which isn't too long - it certainly doesn't overstay its welcome.#2: "The Running Man" made by Yoshiaki Kawajiri - it's the name that I watched 'Neo Tokyo' for - and the segment didn't disappoint. Naturally the plot is thin, but the narrative style is all the more complex. There is close to none backstory about the main character but in my interpretation of the story the racer got so obsessed with racing and his will power got so strong that he developed supernatural powers. The other option would be that he always had supernatural powers and that's how he survived the races successfully for so long, but I much prefer the first scenario. The sheer plasticity on display in a race that seems suspended in time is exciting to look at. Also atmospherically "The Running Man" succeeds, it feels wonderfully cinematic in that it isn't just a succession of sequences without rhythm. The multi-perceptual style and the content accommodate each other well in that the magical occurrences of the story remain just that, magical and unexplainable.#3: "The Order to Cease Construction" is an interesting reimagining of 'Apocalypse Now'. Especially in the beginning that's what it looks like and at least the atmosphere maintains throughout and the Francis Ford Coppola film hovers like a shadow over the whole segment, even if after the beginning the literal journey for the main character ends, but the fantastically frightening discoveries never end. Although undoubtedly most viewers will think "2001" when a robot fails to comply the orders of the man because it is programmed to finish the project at all costs, and the robot even threatens the man's life to succeed in doing so.The animation of #1 and #2 are especially impressive for its age but also #3 is full of details in the depicted technology hullaballoo. Superbly rich and satisfying for its short running time of 50 minutes it is recommended viewing for all fans of moody Animes and technology freaks.

db215 I really enjoyed this. It had everything that Robot Carnival did not – vibrancy, humour, charm, originality, and something interesting to offer. It also does not make the mistake of being too long. Though I wouldn't really call the majority of this OAV "experimental", this style of films, with quirky, avant-garde direction tend to get boring and repetitive over time. The three shorts that make up this collection keep it snappy, and sacrifice none of their brilliance for doing so.The opening feature, directed by the infamous Rintaro, sets the scene for a child's fantasy, only to twist in a morbid direction near the end to present the following two, darker tales.What is it about cats and anime/manga? They must surely be the most common animal/sidekick. The fat black example in this piece reminds me of the bad-ass star of the Legend of the Galactic Pirates, not to mention the brilliant What's Michael manga by Makoto Kobayashi. The piece presents a dreamy neko-fantasy world of childhood imagination and modern art. I was reminded of more of Rintaro and Madhouse's work, for example Doomed Megalopolis or CLAMP's Tokyo Babylon. I liked it a lot, though it did almost seem out of place in light of the second two episodes.The middle piece is easily the weakest, though not without it's charm. A well-used scenario in manga and anime forms the basis of Yoshiaki Kawajiri's (The Cockpit, Barefoot Gen) effort – high-speed, deadly races. Think Battle Angel Alita/Ashen Victor, Venus Wars, etc. It is good, however. In fact it is almost terrifying in places. The plot revolves around a seasoned pilot of superstar status. He has stayed alive longer than most, and suffers terrible stress as a result. He also just happens to have extraordinary mental abilities. The idea is stupid and the plot is tired, but bear in mind that this is more than 20 years old now, and the scenery designs are poetic Japanese visions of the future at their best. Characters resemble the best aspects of The Legend of the Four Kings or Golgo 13, and the music is fitting, and good.Katsuhiro Ōtomo's short finishes the OAV. A lot of people go mental about this film from what I've read. It is indeed good, but comments like "a shorter Akira!!!" are wrong. The only real similarities are in the designs, and that's what happens when an anime director makes two films, dumbass.The Order to Stop Construction, as it is called, concerns another well used concept in Japanese media – the tool becoming independent. Robots are employed to construct an immense complex in inhospitable climes, but someone gets their wires crossed (get it?) and the robotic interpretation of commands is not up for negotiation. Again, the scenery designs are fantastic – intricate and gritty in typical Ōtomo style, and the characters and robots also carry his trademark blocky look. Scenes of rainforest are not often featured in Ōtomo's work, preferring as he does visions of the concrete jungle, but here they are beautiful, and sit comfortably with the huge structures of the project as the endless process of growth and regrowth characterized by the dumb robots as well. So beautiful, in fact, that I'm reminded of Kunihiko Yuyama's awesome Windaria. No small praise indeed.I was reminded of the existence of Neo Tokyo whilst researching Robot Carnival. Both are supposed to be "experimental anime" of a similar variety. That is wrong. The only thing the two anthologies have in common is the involvement of Katsuhiro Ōtomo. Robot Carnival sucks.Something else which Neo Tokyo achieves which Robot Carnival cannot, is that it hasn't aged. Whilst Robot Carnival had a soundtrack of 80s disco and designs of frumpy 80s Japan, Neo Tokyo has managed to avoid such rubbish, despite being made before the former. One thing it didn't get right, or rather we in the West didn't, was the dubbing. It's bloody awful, and I was thankful for the dual-language file. The acting is bad, and the actors are miscast. Douchebags.

mxb598 I was lucky enough to obtain this film off an online auctions. And this is my review the film displays three short stories all extremely trippy.The first one involves a girl, a circus, a cat and a mirror and a parade of very odd animals. This one makes you feel like your on acid at one point.The second on is called the running man about a psionic race car driver who pushes his limits. Very Cool.The third one contains probaly the most talking out of all three. itis a grim sardonic comedy about a man who can't stop a robot crew from working. it has a very ironic ending.