No Way to Treat a Lady

1968 "...or is it?"
7| 1h48m| NR| en| More Info
Released: 20 March 1968 Released
Producted By: Paramount
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

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edwagreen Rod Steiger was sensational in this 1968 film. His ability to disguise himself and play so many different parts as an insane killer was just fabulous to watch.Yes, the film was definitely an eerie one but you never know what's coming next.Eileen Heckart was just fabulous as the Jewish mother of her son-the police officer, played so well by George Segal.You just wonder when Heckart, Segal and girlfriend, Lee Remick, will be drawn into the web of this serial killer who seems to strike without reason.Who can ever forget his first venture into killing disguised as a priest?Rod Steiger had a definite field day with this film. Dealing with the macabre, it was truly a memorable film.
MARIO GAUCI As far as I know, this was only ever shown once on Italian TV; I had always wanted to watch it, due to Leonard Maltin's ***1/2 rating but also because I find the subject matter of a serial killer using a number of disguises fascinating, so when Paramount's bare-bones DVD (why, not even the theatrical trailer is included!) was on sale at "DVD Empire", I decided to order it - along with about 15 other titles from the same studio...Though somewhat patchy and verbose, the plot (adapted by John Gay from a novel by William Goldman) is undeniably compelling and the performances of the entire cast - including George Segal, Lee Remick and Eileen Heckart - are faultless; still, Rod Steiger as the flamboyant murderer (this is no spoiler, since the killings start from the very first scene!) dominates the proceedings and obviously relishes the opportunity of sinking his teeth into such a juicy role: his disguises - including a priest, a plumber, a gay hairdresser, a police officer, a chef and, at one point, he even turns up in drag! - also incorporate various accents and imitations, among them that of W.C. Fields, whom Steiger would eventually play in a biopic of the great comic some years later! Diminutive actor Michael Dunn has a hilarious bit in which he shows up at Segal's police station and confesses to the crime spree.While the film displays no particular evidence of technique (Jack Smight was, at best, a journeyman director), it emerges unequivocally as a product of the late Sixties with the added qualities of good location photography and an effective score by Stanley Myers (best known for composing the "Cavatina" theme utilized in THE DEER HUNTER [1978]); as a matter of fact, it reminded me of PRETTY POISON (1968), another black comedy I watched only recently for the very first time - but also of EXPERIMENT IN TERROR (1962), a classic black-and-white film noir I caught up with during the past few weeks which also features Remick as a potential victim of a formidable villain (who, like Steiger's character here, is not above adopting a female disguise in order to get what he wants!).Among the film's most successful elements is the murderer's relationship with flustered Jewish cop Segal, whom he phones and teases prior to each killing. Also notable is the climax set in a theatre, where the fatally wounded Steiger goes into each one of his 'personalities' before expiring, as well as the subtle contrast the film creates between the two characters' mothers: Segal's is a typically nagging Jewish woman who always puts him down while praising her other businessman son, whereas Steiger's late mother (who is only shown in portraits) had been a great theatrical actress - whose talent for larger-than-life roles was adopted to its extremes by her unbalanced son!
KyleFurr2 This is an amazing movie that is a dark comedy and a thriller at the same time. This was directed by Jack Smight and stars Rod Steiger, Lee Remick and George Segal. Segal is a Jewish detective who still lives with his mother and Steiger is a serial killer who had some problems with his mother and now goes around killing middle aged woman and leaving lipstick on their forehead. Remick is a witness who briefly saw Steiger but didn't get a good look and Segal and Remick begin dating. Steiger begins to call Segal and talk to him and also at his home and the captain tries to take Segal off the case. It's a really great movie that has some very funny scenes.
whpratt1 During a hot Summer day in New York City, in the Theatre District around 44th Street, I noticed a large crowd and decided to find out what was going on. I noticed a man getting his hair brushed and make-up being applied to his face and it was Rod Steiger who was getting ready to walk into a theatre as (Christoper Gill),"W.C.Fields & Me",'76. Steiger played a very mentally disturbed actor who was abused by his mother and decided to perform perfect murders, playing roles as Priest, Plumber and many other roles, using plenty of lipstick. Lee Remick,(Kate Palmer)," Days of Wine & Roses",'62, looked very charming and sexy. Kate meets up with detective Morris Brummel,(George Segal),"For the Boys",'91, who is investigating all these murders. This film has comedy between Kate and Morris and it is a great entertaining film.