Geoffrey Dover A romantic comedy tailored for Glen Campbell and Kim Darby, at the time popular co-stars of TRUE GRIT. Darby is the better actor of the two, but gets the worst lines and her character is unbelievable; Campbell is barely adequate in an undemanding role of a would be country and western singer who criss crosses the country chasing $70 that Joe Namath owes him. Namath's film debut is forgettable and negligible. In fact, the whole movie drips away from the memory as it plays out. A few good moments, with fun cameos appearances by Pat Hingle and a deliciously foul mouthed Carol Lynley. Meredith McRae provides the appropriate attitude of bubbly fun that seems lost on the other players, and director Jack Haley Jr. just lets the movie putter out. Jack Haley Sr. appears in a few scenes in his final movie role. A few decent pop tunes were written by Mac Davis. Campbell stopped making movies after this, thank goodness.

inspectors71 I just wrote a long, long review of Sam Peckinpah's The Getaway and I have just about ten lines of blathering left in me, so here goes! I saw Norwood over thirty years ago on ABC and I still have a fond memory of it. I barely remember the plot, but I do know I thought the story of a just-back-from-Vietnam soldier (Glen Campbell) on some sort of road trip was a pleasant use of my time.The film has an interesting cast including Kim Darby, Joe Namath, and Tisha Sterling. There is a moment where Campbell says the "S" word and Darby scolds him for his bad language (ABC bleeped out the word, but you could tell exactly what he said).I won't fool you--this is all I remember, but I intend to add it to my mail-order movie rental queue--not super high on priority, but above The Notebook!

stuligross Glen Campbell once said that he was so bad as an actor that he made John Wayne's performance in True Grit seem Oscar worthy (Wayne's only Best Actor award). In Norwood, Glen Campbell does not have any real talent around him to overcome his weaknesses. Lets face it, the chicken that is carried around provided the most credible performance in the movie.While there is some talent in the movie, none if it surfaces. Some reviewers suggest that simply buying the Norwood soundtrack would be better for those who like Glen Campbell's music. I would point out that there may be a reason that the Norwood soundtrack tanked on the charts while almost all of Campbell's records were selling at the time. There may be a reason. (If you do want the Norwood soundtrack, try to find the "I'll Paint You A Song" album, which has the Norwood soundtrack as well as the Theme from True Grit).So, why 8 stars? First, Glen Campbell gets 8 stars as a starting point because he was a true icon at the time. Second, the movie is really so bad that it becomes good. The jokes fall flat, but the serious parts are hilarious. It is worth watching when you just want some mindless humor and mind-numbing music.

Hollywoodcanteen1945 Glen Campbell and Joe Nameth, both in their career primes, give surprisingly creditable acting performances about two Marines just back from the Viet-Nam War finding their places back in society. The theme of this film is somewhat out-dated, yet with the current war in Iraq raging on, maybe it's not as out-dated as I think. Campbell is Norwood and has the major role, while Joe Nameth has more like a guest staring part. Campbell embarks on a road trip and meets a host of different people. Trish Sterling looks beautiful, but is really wasted here. Coogan's Bluff still rates as her best on-screen role. I saw this film as a young teenager at the Cinema Theater on Miami Beach. I remember liking it a lot and sort of wondering if I would one day be living this type of experience myself. With the draft and the war, this film was very realistic for the times, now not so much. Yet, it's an enjoyable film on the same take as Bus Riley's Back in Town.