JLRMovieReviews As Tahiti inhabitant Esther Williams is getting restless to go, former schoolteacher Howard Keel has arrived at the island to live at the plantation he has inherited. But when he gets there, he sees it's no plantation. Through an assumption and mix-up, he tries to hire Esther to be his housekeeper, but Rita Moreno and her man are the hired help instead. "Pagan Love Song" is the shortest film in Ms. Esther's repertoire and therefore has no lulls, being full of colorful dances, moody songs and the beautiful Tahitian waters. Of course, they form an animosity at one point. Will they make up? If this film doesn't make you feel like you're on a deserted island, in the middle of a heat wave and jumping in the ocean, even when you're in deep-freeze winter days when watching this, nothing will. A more romantic, exotic, and soothing film experience you will not find. A must-see film for Esther Williams fans!

MartinHafer "Pagan Love Song" is an enjoyable film. However, I heartily agree with other reviewers that point out that the film really has little in the way of plot. Instead, it's just an excuse to feature Esther Williams in a swimming suit and hear Howard Keel belt out a few tunes. Oddly, however, quite a few of the songs seem to have little to do with the thin plot--like they randomly tossed in a few tunes.The film is set in Tahiti, but I strongly suspect that the thing was filmed in Hawaii, as the extras all seemed to speak English and lacked French Polynesian accents. It begins with Hazard (Howard Keel) arriving on the island to take possession of a plantation. One of the first persons he meets is Mimi (Esther Williams) and he stupidly assumes she cannot speak English and is some simple native--not realizing she's well educated and from an excellent family. Now you KNOW that eventually the two will fall in love and marry but in between is a lot of nonsense--none of which seems particularly important. Additionally, there are the obligatory song and dance numbers. Overall, it's a pretty piece of fluff and no more. A pleasant diversion and no more.

Hunt2546 Generally considered the worst of the films created by MGM's legendary "Freed Unit," and probably not helped by the ineptitude of its inexperienced and temperamentally unsuited director, Robert Alton, it still boasts the incredible radiance of Esther Williams, and baby, can that gal radiate. Beautiful wet or dry, she's perfect for fluff of this pitch and though disparaged by Stanley Donen and Gene Kelly for her lack of talent (which they encountered in "Take Me Out to the Ball Game," she's still consummately professional. Would you want to see a film this dopey starring a Meryl Streep? I don't think so. Williams projects vitality, sexuality, life-force and intelligence as the Tahitian-American aristocrat mistaken for a local peasant by island newcomer Howard Keel. A better script might have toyed with this classic musical mix-up for its entire length, but this one disposes of it by Minute 25, leaving it nowhere else to go. What follows is beautiful scenery (Maui standing in for Tahiti), some unmemorable songs (mostly by the great Arthur Freed himself), a lot of racial condescension which will set your teeth to grinding, an underused 17-year-old Rita Moreno, plus somebody's idea of "native dancing" with color co-ordinated hula skirts. Keel is sunny. broad-shouldered and shallow, but Esther's buoyancy keeps the thing afloat and watchable. I have to say at one time Keel fantasizes about her, and imagines her in a water ballet. Hmmm, I know if I fantasized about her, it wouldn't be in no stinkin' water ballet!

Neil Doyle It's safe to say that PAGAN LOVE SONG contains the thinnest wisp of a plot, even for an ESTHER WILLIAMS movie and barely a hint of conflict which only separates her briefly from HOWARD KEEL after a stormy argument over coconuts.But MGM wisely uses Hawaii to substitute for Tahiti and filmed the whole fluffy romance in gorgeous Technicolor, provided songs for Keel to belt out in his robust baritone manner, and kept things moving nicely for a brief running time of 76 minutes. Result? One of the most attractive looking of all Esther's films, including a couple of dream sequences that have her appearing like a mermaid among the colorful coral reef backgrounds underwater. There's also a dreamy swimming scene set in the clouds, as Keel daydreams about the luscious swimmer.It's a pity that none of the songs have much distinction and they are dropped into the proceedings with hardly any preparation--in other words, at the drop of a hat someone begins to sing with all the choreography intact. Keel's version of "The House of Singing Bamboo" is the best of the lot. It's only his second film, but he's already the pro when it comes to strutting his stuff for the camera.He and Esther perform with a naturalness that seems to fit the faux Tahitian settings and seem completely well-matched as a screen couple under Robert Alton's smooth direction.Summing up: An easy to take minor musical with enough eye candy to keep you pleasantly entertained even though there's almost no attempt at providing any real conflict in the easy-going storyline of a schoolteacher (Keel) who inherits a coconut plantation in Tahiti.