dbdumonteil It's arguably his least accessible work.And probably his more boring too.Like in "Oedipe" ,or in "teorema" ,there is a mix of contemporary scenes and a tale of long ago ,which could happen anywhere ,in the Middle Ages or the antiquity -which Pasolini broached with his Gospel,Medea and Oedipe-."Porcile" bears the appropriate scars of the time .All the scenes between Jean-Pierre Léaud (fortunately,he is dubbed ,so the French -speaking do not have to hear his affected voice)and Anne Wiazemsky are terribly stodgy.The two "intellectual" "actors" epitomize ,as far as I'm concerned,the nadir of French acting.These interminable dialogs recall the dreadful rhetoric of GOdard's "La Chinoise" .Things go better when Pasolini directs the fathers: one of them,a former Nazi has A skeleton in the closet and the other one's son is a zoophilist (check the title).As for the Pierre Clementi sequences -in an undefined past,which deal with cannibalism (I killed my father/I eat human flesh),the connection with the main plot escapes me,I fear.A young person who wants to discover Pasolini should not begin with "Porcile" (or ,worse "Salo" )."Mamma Roma" "Il vangelo secondo Matteo" or "Medea" are wiser choices.

jackroberts2000 Yet again Passolini at its second best. Two stories , one movie and a lack of continuity. If you are in a depressing- poetic mood let yourself be manipulated by this euro flick . I mostly recommend this movie to fans of neorealism. Do not try to read into the stories. They are just twinkles, strange , powerful , disturbing : cannibalism , gratuitous nudity , desolation, hypocrisy, patricide. As with most of Passolini's works , here politics, religion and philosophy meet to throw up nonsense. Do not watch this movie with your date. If you have the stomach for this picture than you should watch : Salo 120 Days of Sodom (1975) by the same director – now that's a movie for you!

KGB-Greece-Patras I haven't seen too many Pasolini films. Hardly is there any humour thrown in this one. Unlike, say, Decameron which I really loved, which featured comical shorts, this one, is obscure and hard to explain. I feel no need for explaining any metaphors, or finding 'what the poet wanna say', the two parallel stories have nothing obvious in common, and while one of them has no dialogues at all (visually impressive, though) the other one is full of it. Interesting dialogues, for love, lust, passion, politics.For desert there are (for once more) two or three bits of Pasolini's denial of God. I can't help but like such statements! Recommended only to Pasolini fans and fans of old, 'arty' euro-films...

Olly-4 Porcile is one of those films that gets under your skin, and you're not sure why. The storyline unfolds in a style that is typically atypical of Pasolini; the tale of a college-aged son of a former Nazi isolating himself from everyone else (while encountering feelings that lend the film its title) is intertwined with that of a cannibalistic hermit from the Middle Ages. What results is a parallelistic criticism of modern society, not unlike Pasolini's earlier Teorema. The ending, which leaves an impact (although the actions take place off camera), is understated but undeniably chilling. Overall: 9/10