TheLittleSongbird 'Reaching for the Moon' is interesting for being one of the few talkies/sound pictures that silent star Douglas Fairbanks, and for seeing singing/crooning legend Bing Crosby in a very early role.It is a decent, at its best great, film in its own right. But in serious need of a restoration other than the shoddy DVD it's presently got, with its crackling and sometimes muffled sound quality and haphazard and lacking in sharpness picture quality, that does cheapen an otherwise good-looking film. It does stick out like a sore thumb when the production values of the actual film look great and like real care went into them, but the DVD looks like it was made in haste and with limited technology.There is not an awful lot wrong with the film itself. The storytelling is a little jumpy and incomplete at points early on, which does suggest heavy editing and cuts. Fairbanks is a mixed bag, he is fun and charming with envious athleticism but he also does try too hard in some of his line delivery and a few facial expressions and his voice doesn't fit his persona, one would expect one more muscular rather than the anaemic one here, an example of a transition from silent to talkie being less than smooth.Despite the DVD quality, 'Reaching for the Moon' does look as though it was made with love and care. The costumes are lavish and the photography skillful and often luminous but the biggest star is the incredible art-deco sets, a masterpiece of art-deco design. The music is melodious, romantic and beautifully orchestrated, while Irving Berlin's "When the Folks High Up Do the Mean Low-Down" is the highlight of the film, so much so that one does really wish that there were more songs as apparently intended. The script is witty and romantically heartfelt, while a vast majority of the story goes at a snappy pace and entertains and moves.Very nicely directed too, and apart from reservations about Fairbanks the cast are uniformly good. Edward Everett Horton's very funny performance is particularly great, while Claud Allistair also has fun. Bebe Daniels is a beguiling screen presence and sings a dream. Even so early on in his career, Crosby's voice still makes one want to listen to him for hours and still can't get enough of, just wish that he had more than one song.Overall, interesting early talkie and a nice film, but desperately needs restoration. 7/10 Bethany Cox

MartinHafer "Reaching for the Moon" is a love story about a rather obnoxious millionaire (sort of like Tony Stark of the 1930s) and a woman's attempts to hook him. Despite his playboy reputation, it seems the guy is pretty indifferent to women up until Bebe Daniels sets her sights on him. A far cry from real life, as Fairbanks was quite the playboy.This is a very rough film, as the plot seemed a bit flat (similar stuff was done much better a few years later--such as the films of Astaire and Rogers) and Douglas Fairbanks' voice was a bit thin. Plus, his advancing years made him a little less believable as the male stud-muffin that he played here. He was frankly a very far cry from his handsome leading man days of the silent era. It also didn't help that the copy on Netflix's on-demand feature was terrible. The print looked very degraded and I am surprised they featured a film in this condition. Frankly it's not a bad movie but in this condition it's really not worth the trouble except for silent film fans wanting to see one of Fairbanks' few sound films.

calvinnme This movie was supposed to be a musical, but by 1930 audiences had tired of at least the "All Singing" part of "All Talking, All Singing, All Dancing" movies. Virtually everyone's first talking picture was a musical, and there just wasn't enough good music to go around. Theaters were even putting up signs in the cases of movies that sounded like they might be musicals with statements that read "This is not a musical" so as not to repel audiences. This situation lasted until 1933.In this case, the movie probably would have been much better if it had gone through with the originally planned musical format. The introductory titles show that the music was written by Irving Berlin, and the cast even includes crooner Bing Crosby, who was so good in "The King of Jazz" that came out that same year. Instead, there is only one musical number two-thirds of the way into the film, and that is the only place we get to see or hear Bing Crosby. On top of that, Bebe Daniels, the lead actress, was a much better singer than she was an actress. Thus making this a romantic comedy of sorts really took away from all that she could have brought to the movie.What you're left with is a little bit more than a shell of a movie. It seems like nobody bothered to fill in the blanks left by the depletion of the would-have-been musical numbers. I give this movie six stars instead of five mainly because of the historical value. Douglas Fairbanks would make only two more movies after this one. Someone else has already mentioned the factor his voice played in the end of his talkie career. It is worth mentioning that his voice isn't outright bad, but it just doesn't match the swashbuckling image he had developed during the silent era. It's a higher pitch than what you're expecting. It is great fun to see him doing some of his trademark acrobatic moves during the film, and it's hard to believe a man of almost 50 could still be so agile and have such a youthful and vigorous appearance. Particularly entertaining is Edward Everett Horton as the valet. He had a good career in silent films, but he would do even better as a character actor in the age of talking pictures where dialogue really allowed him to shine as a well-meaning if somewhat befuddled character in a myriad of films. Also, various sets in the film show off some fine and interesting examples of 1930 architecture, and it is interesting to see how the early stages of the depression were interpreted by people at the time. In 1930 the stock market sell-off is still portrayed as a "panic" and a temporary set-back that has merely bankrupted a few high-rolling financiers.

irvthom1-1 While this film was apparently issued as a musical, there is really only a single musical performance in the entire 66-minute version that I saw, lasting only about 4 or 5 minutes. The original issue apparently had more in it, and considering that it was Irving Berlin material, it's a great pity that more of it didn't remain.That being said, however, the single production number that does come along, 45 minutes into the film, is easily worth the price of admission. Not only is it the earliest extant film version of a Bing Crosby performance (and I swear he was wearing a toupee, even then!), but his solo piece was wonderfully supported by a second from Bebe Daniels, and yet a third, from a sultry-voiced woman who is no longer recalled, and all of it given life by a jazzy dance troupe — not as performers, but as actual dancers. It projects the storied Jazz Age with marvelous resonance, and is a joy to watch.