clanciai For once a Don Juan comedy and with a vengeance - it's a delightful entertainment all the way sugared and spiced with witty ironies galore, where the great Douglas Fairbanks takes the prize in a final victory over the legend of both himself and Don Juan by surviving both with even the crown of a happy ending. The film is studded with a generosity of festivity scenes, each one transcending the other, while the irony celebrates triumphs all the way, especially at Don Juan's own great funeral enjoyed by himself and the final great theatre scene, when he explains to the audience that he really is Don Juan with only roars of laughter for a response. This is magnificent entertainment of the 30s at its best, a feast for the eyes as well as for the intelligence, the script is a wonder of ingenious innovations, the dialogue outwits itself all the time sustaining the comedy vein at a high level with constantly new surprises, and the music isn't bad either. Don Juan is at last allowed to celebrate his ultimate victory!

drjgardner "The Private Life of Don Juan" is a 1934 comedy from Alexander Korda and is notable as the swan song of screen legend Douglas Fairbanks. The Don Juan character comes from a 14th Century Spanish play, several books and plays (including works by Byron and Moliere) and the Mozart opera Don Giovanni (1787). The first film was in 1926 starring John Barrymore. Don Juan would be played later by Errol Flynn (1949) and Johnny Depp (1995).Douglas Fairbanks Sr. was one of the biggest stars in the early years of Hollywood, referred to as "The King" of Hollywood. Along with Chaplin, DW Griffith, and Fairbank's wife, Mary Pickford, he founded United Artists (1919). He founded the Motion Picture Academy (1927) and was its first President, was the first to put his hands and feet in the cement at Grauman's Chinese Theatre, and hosted the first Oscar ceremony in 1929.Fairbanks virtually invented the swashbuckler film and appeared in such classics as "The Three Musketeers" (1921), "Robin Hood" (1922), and "The Thief of Bagdad" (1924). He wasn't really known for his lothario roles, which were more the focus for his contemporaries Valentino and Barrymore.Fairbanks was in England along with his son, looking for work, when he came upon Alexander Korda and hence this film. Korda loved film biographies - "The Private Life of Henry VIII" (1933), "The Private Life of Helen of Troy" (1927), "Rembrandt" (1936), "That Hamilton Woman" (1941), and "Bonnie Prince Charlie" (1948) – and while the character Don Juan is more fiction than fact, he was so well known it does take on an historical toneMerle Oberon plays one of Fairbank's love interests. She started in films in 1928 but it was her role as Anne Boleyn opposite Charles Laughton in Korda's "The Private Life of Henry VIII" (1933) that brought her to stardom. She was nominated for an Oscar for "The Dark Angel" (1935) but is probably best remembered for her role as Cathy in "Wuthering Heights" (1938). Oberon appeared in several Korda films and eventually they married in 1939 and then divorced in 1945 when she married cinematographer Lucien Ballard.Binnie Barnes plays a maid. Barnes was a major star of the 30s, appearing in "Private Life of Henry VIII" (1933), "Diamond Jim" (1935), "Last of the Mohicans" (1936) and "3 Musketeers" (1939). Her philosophy was - "I'm no Sarah Bernhardt. One picture is just like another to me as long as I don't have to be a sweet woman."French born Georges Perinal (1897-1965) is the photographer. He worked often with Korda (Henry VIII, Rembrandt, Catherine the Great) and won an Oscar for "The Thief of Bagdad" (1940) and was nominated for "Four Feathers" (1939).The NY Times called the film "a visually attractive costume comedy" but disliked Fairbanks' performance noting - "the microphone is ruthlessly unkind to him. Neither in voice nor theatrical skill is he gifted to read lines."1934 was an OK year for films. The top box office slots went to "Viva Villa", "Cleopatra" and "The Barretts of Wimpole Street" and "It Happened One Night" was the big Oscar winner. That year "The Thin Man" series began, Karloff and Lugosi appeared in "The Black Cat", Fred Astaire and Ginger Rogers danced in "The Gay Divorcée", Laurel and Hardy laughed it up in "Babes in Toyland", and Howard Hawks' "Twentieth Century" came out.The aging Fairbanks is marvelous as the aging lothario, and one can't help but make comparisons with John Wayne's "The Shootist" (1976), Edward G Robinson's "Soylent Green"(1973), Errol Flynn's "Too Much too Soon" (1958) or John Barrymore's "The Great Man Votes" (1939). Fairbanks is particularly good when philosophizing about the vagaries of fame and the problems of growing old.This isn't the best film, but it is an opportunity to see the famous Douglas Fairbanks in a talkie and in a role that requires acting rather than swashbuckling alone. His voice is a bit disappointing and his acting skills are not terrific, though they are certainly acceptable. He is surprisingly agile as the 52 year old demonstrates throughout the film. Although his contemporaries were disappointed, the passage of time lets us evaluate him more appropriately.

Jimmy L. Don Juan, the great lover, is now middle-aged and finds he no longer has the same appeal with the ladies. Meanwhile a young impostor keeps the Don Juan legend alive by kissing women all over town. When trying to make a comeback, the real Don Juan can't live up to his own legend.This is a very funny movie and an interesting take on the Don Juan character. We see him forced to adhere to a strict diet, as his good looks are "his only asset", and balcony-climbing has become a chore. It's a tale about aging and clutching to one's youth.The cast is great for this witty Alexander Korda film. Young Merle Oberon is very beautiful as a dancer whose celebrity profits from being kissed by the great Don Juan. Benita Hume is lovely as the one woman who understands Don Juan - his wife. And it's a rare treat to see Douglas Fairbanks Sr. in a sound film, playing Don Juan in what would be his final role. The movie's a lot of fun, and even the opening credits are full of wit.

wes-connors Legendary lover Douglas Fairbanks (as Don Juan) feels the fatigue of advancing years; so, the ageing lady-killer takes advantage of a misunderstanding, and fakes his own death. After a rest, Mr. Fairbanks tries to return to his amorous ways; but, nobody believes he's the real Don Juan. Through it all, Fairbanks fans both new (Merle Oberon as Antonita) and old (Benita Hume as Dona Dolores) flames.A look at the credits of "The Private Life of Henry VIII" (1933) will reveal what filmmaker Alexander Korda had in mind - obviously, with "Don Juan", he hoped to duplicate the success of the earlier "Henry VIII". Unfortunately, this similarly staged "Private Life" found itself coming up short, and is significantly more lowly regarded. Indeed, it is a flat film. Moreover, the supporting cast is introduced in a confusing manner; it's difficult to keep track of who's who.In his last film role, Fairbanks is terrific as an ageing "Don Juan". Interestingly, he succeeds in eliciting the feeling he memorably portrayed "Don Juan" sometime during his 1920s box office reign. Not so, the famed womanizer was played, in fact, by John Barrymore; and, in spirit, by Rudolph Valentino. Still, Fairbanks makes the role personal; undoubtedly, his status as an fading film superstar helped.Fairbanks' best scene occurs about a half hour in, when he is informed of his character's "death" via the sword of Gibson Gowland (as Don Alfredo). Fairbanks pretends to be his character's mourning steward; then, he offers some interesting, likely personal, observations on fame. This is followed by a nice funeral sequence, revealing much about the famed lady-killer's escapades. Barry Mackay's deftly inept portrayal as a wannabe Juan is worth noting; his "inability" to leap effectively contracts Fairbanks' ageing gracefulness. ******* The Private Life of Don Juan (8/28/34) Alexander Korda ~ Douglas Fairbanks, Merle Oberon, Benita Hume