Horst in Translation ([email protected]) "Salome" is a British black-and-white short film from 1973, so this one has its 45th anniversary this year and it runs for approximately 18 minutes and was the first filmmaking credit by Clive Barker who went on to have a successful career afterward and who was around the age of 20 when he made this. The basic story is from a play by Oscar Wilde (that Barker adapted), but I must admit I really had no clue what was going on here at all. Quite strange. Some nudity in here too, so not for young audiences, but they probably would not be interested in this anyway given the plot, tone and general take by Barker. It is somewhat disturbing this comes from such a young man. Anyway, I guess the last decades show that he managed to step things up. Back to this one here, the audio side, i.e. the music, was maybe slightly better than the video, but nothing special either. I can only say I was quite underwhelmed by this one and it is even worse than the mediocre "The Forbidden" Barker made a few years later and these two are often shown together. Anyway, I must give this one here a huge thumbs-down and I am glad it was this short. Only good thing is you can watch it without subtitles in any case as nobody's talking regardless what languages you speak. But why would you? It's the opposite of an aesthetic means and it also is never as shocking as you want a horror film to be. Skip this one and go for one of Barker's later and better works instead.

Smoreni Zmaj Clive Barker is multi-talented horror artist. Mainly writer, but also screen writer, director, producer, actor, painter, illustrator... Although most of you know him as author of Hellraiser movies, for me his life achievement will always be a collection of short stories Book of Blood and video game Undying. Salome from 1973. is first cinematography attempt of then 20 years old future king of horror. This is short 18 minutes black and white silent film. Maybe more of visual performance than real movie. This low- budget, or more accurately no-budget film is made in some basement with just a few friends. Using just one light source in complete darkness Barker concentrates more on building an atmosphere than telling a story. Considering when it is done, his age and budget and fact that this is his first amateur attempt of film making, it is very ungrateful to try to rate it objectively. For true Barker fans and film students this is must watch film, that will almost surely leave positive impression. For the majority of the rest this will probably be unwatchable crap. To me, this is<3 Barker <3 /10

Michael_Elliott Salome (1973) * (out of 4) Early film from Barker tells the story of a beardless John who is loved and tortured by the mysterious Salome. At least I think this film is trying to tell the story from the Bible as it's rather hard to tell because I had a really hard time following the film. I think it's very safe to say that Barker hadn't yet gained his talent for constructing a story that the viewer is able to follow but I guess you can't really blame him considering how young he was. The film was shot on 8mm, which makes the visual look of the film very grainy but this actually works well and leads to some fairly well crafted scenes. Some of the lighting effects are also well handled but in the end the film is still a major drag to get through.Forbidden, The (1978) ** 1/2 (out of 4) Second film from writer/director Barker is somewhat based on the tale of Faust but it certainly goes in its own way. The movie was shot on a 16mm negative, which gives it an overexposed look, which adds to the surreal nature of the film. I'm really not sure what Barker was going for expect to come up with some very strange and he certainly captures that here. The movie has a nice music score to go with it and the film really captures the mood of doom and death. There's an extremely bizarre sex scene and an even stranger scene where a man with an erection dances to something that I'm not quite sure what it is. Pete Atkins and Doug Bradley, both from Barker's Hellraiser appear in the film as well. I doubt horror fans are really going to jump all over this film but if you enjoyed Luis Bunuel's early "art" films then this might be more for you.

OLAF21 Seen several times (what it takes, I think, to get used to the strange mood of the movie), it never gets rid of its inherent "malhabilities",but one cannot deny that it gives a very strong insight in what the director/writer would do once famous. Visually and narratively weird and unsettling, it has a violent and memorable visual identity, which makes it instantly recognizable. This does not make it good (I don't think anything can), but it is nevertheless a must-see for any Barker fan. Treat yourself, it is available on video and DVD !