Horst in Translation ([email protected]) "Das Rätsel der roten Orchidee" (sucks this isn't in color doesn't it?) or "The Secret of the Red Orchid" is a West German black-and-white film from the early 1960s, so this one is already over 50 years old. It is a fairly early addition to the famous German-language Edgar Wallace series. Director Helmut Ashley has not worked on other films from the franchise, so I believe this is probably his biggest achievement. Writer Egon Eis is a name I have not heard before, but he has a fairly decent body of work, also including titles that may still be somewhat famous over half a century later. And the cast includes a couple decent names too, mostly Christopher Lee playing the lead detective in here. And the best thing is, he was fluent in German and we really hear his voice. Adrian Hoven and Eddi Aren't may be known too to German audiences. The biggest female character is played by the stunning, tragically short-lived Marisa Mell. And last but not least, Klaus Kinski plays a mysterious antagonist(?) as he does in some other Edgar Wallace movies. In any case, he is a scene stealer. But all these talented actors are not enough if the script and story in here is so underwhelming as it is here. What a disappointment. This film had potential for so much more. I cannot say if it's Eis' or Wallace's fault, but the plot was just never interesting and the reference in the title (not yet the antagonist as later on) feels pretty random. I have to give this one a thumbs down. Not recommended and I am glad it runs for only slightly over 80 minutes.

MARIO GAUCI This is yet another "Krimi" pairing Christopher Lee and Klaus Kinski; the hero this time around is, like them, a Jess Franco regular i.e. Adrian Hoven, and the leading lady future "Euro-Cult" starlet Marisa Mell. The film, however, is not only inferior to THE DEVIL'S DAFFODIL (1961) – which preceded this viewing – but only marginally a genre entry…as, rather, than a sadistic masked killer (the German "Krimis" were obvious precursors to the Italian "Gialli") we get rival gangs of Chicago hoodlums who improbably relocate to London to first extort and then dispatch various wealthy elders when they invariably turn to Scotland Yard for protection! Why this is done is never quite clear, especially since they never get to collect; incidentally, we start off with one mobster eliminating his opponents – but the only survivor, Kinski, soon sets up his own unit of gun-happy thugs whilst retaining an ostensibly respectable front as a tobacconist. One of the victims bequeaths his fortune to his secretary (Mell) rather than his sole ne'er-do-well relative (who has a propensity for orchids, the only link to the title – that is to say, extremely cursory – provided by the narrative!); still, he proves to be not what he seems – with his final trapping of the heroine inside a bank vault one of the very few scenes pertaining to the form's recognizable style (another highlight has a car going off the rails after a large mirror set up along the road gave the illusion to the bewildered driver of an imminent head-on collision).Lee does not have much of substance to do as an F.B.I.(!) agent, but he at least gets to display his quick two-gun draw in a shoot-out with one of the baddies. Somewhat more prevalent, regrettably, is a comic-relief butler who happens to have served each of the murdered parties immediately prior to their untimely demise…and, ultimately, even offers his would-be expert services to both one of the perpetrators – who promptly winds up dead himself – and the Police!

MartinHafer Terrible Dubbing Alert!! This DVD of MYSTERY OF THE ORHCID is terrible, as it only has the very poorly dubbed English version. The original German dialog is not an option and this is a shame, as I would have loved to hear Christopher Lee speaking German. Plus, the dubbing was done so badly I just hated the film. Oddly, while Lee and Klaus Kinski speak English, neither does their own dubbing and voices that sound nothing like theirs are used instead. Often, the silliest voices are used--sounding very fake and stupid. However, take note--my review is ONLY for this dubbed version. The original film might be a lot better and worth seeing--especially since some dubbings actually change around the plot and even produce a very different movie from the original.The film is a gangster flick--just the sort of thing you wouldn't expect to see with Christopher Lee--especially since he plays an American FBI man. It begins with one gang of mobsters wiping out another. Then, the mobster who was responsible is shown being deported. Soon after, various rich folks start receiving extortion letters--they either must pay or die! Oddly, in a mistranslation, they call it 'blackmail'--a slightly different crime.Frankly, this is an incredibly dull film from start to finish--despite its extortion plot. With lousy dubbing, bad music and lousy writing, I can't see much reason to waste your time with this one.

Scarecrow-88 The lieutenant of a Chicago crime syndicate shot down by rival gangster boss Kerkie Minelli's(Eric Pohlmann)hoods, Gunner Steve(Klaus Kinski)sets up new roots in London and is suspected of blackmailing wealthy aristocrats threatening through the use of mailed letters written in block newspaper/magazine clippings not to report to the police or else. Minelli himself, along with his gangster clan, decide to take up residence in London themselves splitting the city in two. Scotland Yard Inspector Weston(Adrian Hoven)convinces his superiors to join forces with American(!)FBI agent Captain Allerman(Christopher Lee),a cunning investigator who understands the methods of these Chicago crime families and their history offering a brand of expertise needed to take down these hoodlums who have possibly led to the murder of several wealthy citizens already. But, are these crime families really responsible for the blackmailing and murders of those aristocrats? Or, are they merely the perfect cover for another schemer? In an important sub-plot, Lilian Ranger(Marisa Mell)watches with her buffoon butler, Parker(Eddi Aren't, the comedy relief of this crime thriller..a running gag has him labeled the "death butler" for he winds up under the employ of every single aristocrat murdered by the blackmailing killer)as her employer, Elias Tanner(Fritz Rasp)is gunned down by hoods in his own home passing themselves off as Scotland Yard guards. His bachelor nephew, Edwin(Pinkas Braun), one known for being quite the playboy and ne'er-do-well, comes home supposedly from Brazil to hopefully receive an inheritance from his uncle's will. Edwin is known as an orchid hunter/enthusiast and often drops by to see Lilian, even after he finds out that his uncle has left the entire inheritance to her. Can Edwin be trusted? Or, is he possibly secretly plotting something? He always brings a unique orchid for Lilian when he visits her.To be honest, this crime/gangster thriller is only notable for it's cast, particularly Lee and Kinski. But, they can not save themselves from the rather dull plot or the atrocious dubbing which causes one to wince..whoever was responsible for the voice-work, which is indeed a travesty to listen to, shouldn't have been paid a dime. It's interesting seeing Mell in this before she'd go on to become an icon in Italian cinema. One thing that just drove me bonkers was the way hoods would shoot people and the camera would close in to show that the victims of bullet-fire had no wounds or even a hint of blood..the effect of Minelli's fate, for instance, is ruined because of a close-up showing not the slightest hint of bodily damage. The film itself is rather a bore, I must admit. But, seeing Lee and Kinski opposite each other, even if for just one scene, is quite a thrill. The film's main mystery is practically ruined by the title!