The Eddy Duchin Story

1956 "There Never Was a Guy Like Eddy!"
6.8| 2h3m| NR| en| More Info
Released: 21 June 1956 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The life story of the famous pianist and band-leader of the 1930s and 1940s.

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Claudio Carvalho In the late 20's, the talkative newly graduated in pharmacy and aspirant piano player Eddy Duchin (Tyrone Power) comes from Boston to New York expecting to play with the orchestra of Leo Reisman (Larry Keating) at fancy New York's Central Park Casino. However he had misunderstood the invitation of the maestro and while leaving the place, he meets the wealthy socialite Marjorie Oelrichs (Kim Novak) that asks Leo Reisman to give a chance to Eddy. He plays in the intermission and becomes a successful piano showman. Two years later, Marjorie and Eddy get married and in the Christmas, Marjorie has a baby, Peter, but she dies after the delivery. Eddy rejects Peter blaming him for the death of Marjorie and only five years later he meets his son. With the World War II, Eddy Duchin breaks up his band and enlists to fight in the war. With the end of the war, Eddy returns to New York with the intention of getting closer to Peter but he sees the boy connected to his friend Chiquita (Victoria Shaw). When Eddy discovers that he has a terminal disease, he proposes Chiquita and they get married. When we see the biography of a personality by Hollywood, we are never sure that it is a true story or a fairy tale created by the cinema industry. Despite of that, the melodramatic "The Eddy Duchin Story" is a nice story of a man's life surrounded by music, beautiful ladies and tragedies. The forty-two year-old Tyrone Power has good performance and he really seems to be playing the piano, but it is funny to see him in the role of a newly graduated man. Kim Novak shines with her beauty, elegance and her sweet voice. Victoria Shaw is also gorgeous. The cinematography and the music score are awesome and deserved the nomination to the Oscar. My vote is seven.Title (Brazil): "Melodia Immortal" ("Immortal Melody")
MARIO GAUCI A popular branch of the musical genre during the 1940s and 1950s was the biopic of composers (of both classical pieces and popular tunes), singers or musicians/bandleaders; this belongs to the latter category. I can't say I was familiar with Duchin's history or style and, in any case, despite numerous musical numbers (where star Tyrone Power's piano-playing is obviously dubbed by a professional), the film seems much more concerned with the man's turbulent and tragic life. Ironically, both the star and his subject would suffer an untimely death – for the record, when Power's passing was announced, the film under review was (belatedly) on general release locally! He does O.K. in eliciting both Duchin's wholesomeness (which endeared him to audiences) and his ambivalent feeling towards a son he blamed for the death of beloved first wife Kim Novak. Nudged by manager James Whitmore, however, Duchin's ready to make it up to the boy following his war service in the Pacific; here, he also meets, falls for and marries young war orphan Victoria Shaw (following some initial sparring when Duchin Jr. is seen preferring her company!). Just when it seems that his domestic problems could be surmounted comes a fatal blow: he's diagnosed with a neurological condition which even curtails his career. At the end of the day, THE EDDY DUCHIN STORY is far from a highlight of its subgenre or, for that matter, the filmography of its matinée idol star; nonetheless, it was deemed serviceable enough to garner 4 Oscar nominations (not to mention landing director Sidney a surprising DGA nod).
jofcleve I saw this movie for the first time when I was a teenager in 1956. I loved the music and had to have the album. "Manhattan" and "Brazil" are still my favorites. I just watched the movie again on TV (TCM). I enjoyed it again. It appears that Peter is born on or about Christmas and is still in the hospital when his mother dies. In reality, Peter Duchin was born in July 1937. Why the discrepancy? The movie does not explain the cause of the mother's death; only that it was not caused by Peter's birth. Kim Novak didn't even look tired when she died. Eddie Duchin looked pretty good too, except for a "sore" hand.Leukemia was never mentioned in the movie. Why?
Lolly2222 If you like to watch actors who are skilled, have on screen chemistry to die for (and they do) and enjoy cinematography that might make you want to take a stroll in Central Park, then rent, buy, borrow this CD and sit back and watch it over and over and over again. This is a well adapted screen play that moves through a life, tells the story well and makes this love story very believable and of course tragic. Watch the life of an extraordinary talent and sit back and enjoy. Tyrone Power never disappoints and if you can capture his voice and keep it in a bottle, you would And Kim Novak is stunning, sweeping and is well cast. As Marjorie Oelrich she couldn't be more perfect. Also, besides being an exceptional beauty, she, too, has a lovely voice. In a very understated way, you want her to go on and on and on. James Whitmore always delivers. All cast members are charming. You'll love the actor who plays Lou Reisman, the orchestra leader at the Central Park Casino. Enjoy folks. This one is a keeper. OHHHHHHHHHHH, you'll be amazed at how well Tyrone Power plays the piano, or seemingly appears to be playing. The music!!!! Oh, the music.Now to the truth. There are many changes to the real story of Eddy Duchin. Peter Duchin was raised by Marie (he called Ma) and Averell Harriman. Peter's mother, Marjorie Oelrichs, died in July. Not as depicted in the film after Eddy Duchin's radio show from the Central Park Casino in the Winter, Christmas. The Harriman's are portrayed as the Wadsworth's. Why? I don't know why but if you read Peter Duchin's book "A Ghost of a Chance", you will get more of the inside scoop. Still a wonderful film. I don't believe the young actor Rex Thompson was even close to Peter Duchin's persona. But that's my story.