benovite Watching this on TCM as I type this. I recorded it to my DVR from TCM's airing last night- 3/12/10, in case anyone wants to get technical about it;)My impression of this 1974 movie "Shanks"?IT'S THE ONLY MOVIE CREATED FOR PEOPLE OVER 90.It's dreadful. Extremely slow and needless to say, boring. The humor, or rather attempts at humor fall very, very flat. So flat in fact that what should be construed as humor comes across as mean-spirited, creepy and obviously to my eyes not funny. I mean trying to import Marcel Marceau's unique brand of French humor to U.S. audiences? Who thought this was going to work? William Castle apparently.Poor Marcel. Watch him proudly strut about the American? countryside looking utterly and completely out of place. This debonair older sophisticate should be strolling the streets of Paris in his trendy euro fashions. Instead he's playing Uncle Creepy to a young blonde girl, who apparently has no friends or family even though she lives in a charming house with perfectly blooming flowers. The American kids just outside her door feign interest in Marcel Marceau, I think they merely humor the old creepy French guy into making him think that he's entertaining them.Throughout the movie Marcel is stuck with an angry, confused look of "why the hell did I decide to make this movie again when I could have stayed in Paris drinking Absinthe?" And speaking of drinking, this movie is awash in Bombay Gin®. The product placement incidents actually out-number the cast members. No really. In one scene at a general store there's a shelf fully stocked with Bombay Gin®. So as clearly as the gin itself, this movie fueled by gin. Which explains a lot actually.Oh god. I just watched a scene that involved the brother of Marcel's character being attacked by a reanimated rooster.To illustrate this scene here I will provide makeshift screen captures to get across the immense lunacy of this movie:http://img205.imageshack.us/img205/8048/image030g.jpg http://img37.imageshack.us/img37/7955/image029a.jpg http://img371.imageshack.us/img371/4836/image028s.jpg http://img532.imageshack.us/img532/1905/image027n.jpg http://img532.imageshack.us/img532/9040/image026k.jpg http://img215.imageshack.us/img215/9454/image025ww.jpg http://img96.imageshack.us/img96/1715/image024qk.jpg http://img37.imageshack.us/img37/2791/image023ck.jpg http://img37.imageshack.us/img37/2702/image031bt.jpgShortly after this scene the be-wigged mother is struck down and killed in a hit-and-run accident in which the driver asks the important question of Marcel's brother Barton; "You didn't see anything did ya?"I certainly wish I hadn't!This is one of those movies in which I would have LOVED to have sat with a paying audience as they watched this thing unfold before them when it first came out. I dare say their reactions, most likely followed by their stampeding to the exits, would have made the price of admission worth it.So I'm going to go back to giving my full attention to Shanks because I don't want to miss one priceless moment..However, I still maintain the masterstroke in Marceau's (brief)film career was his brief appearance in Mel Brooks' 1976 movie "Silent Movie". It was such a brilliant thing too because Brooks made a silent movie for (then)modern cinema. And guess who had the only line of dialogue? Of course: Marcel Marceau.So I will echo his one word utterance from that brilliant and funny 1976 Brooks' film to describe this 1974 experiment titled "Shanks":NO!

The_Void Shanks is the final film of director William Castle; a man famous for his gimmicky horror films. This film breaks away from many norms and that has lead to it being called 'weird' by many that have seen it - but to me, this is Castle doing what he always does, namely making a film full of gimmicks...only this time the gimmicks don't work so well and the film is not much better than passable. Apparently Castle was going for a sort of grim fairy tale feel; but unfortunately he wasn't able to capture it, partly due to some truly lacklustre performances, but also because of the dull script and plotting. The film focuses on Malcolm Shanks; a deaf and mute puppeteer who lives with his sister and her boyfriend who abuse him. He is forced to get a job, and finds one with a mad doctor who is doing experiments on the dead in which he attempts to bring them back to life. Our hero's job is to move the corpses like he does his puppets. However, when the doctor turns up dead; the puppeteer seeks revenge on those he dislikes.The first gimmick featured is the casting of the central character - Marcel Marceau, a famous mime. Secondly, Castle tells his story via the use of storyboards which gives the film a silent movie type atmosphere. This fits the central character as he's a mute and thus doesn't speak; but it doesn't really serve any relevance to plot and feels like weirdness simply for the sake of it. The lead character is also really difficult to get into, which is a huge flaw because the plot isn't nearly interesting enough to carry the film on its own. The idea of reanimating the dead is about as morbid as it gets; but it's all done in a kind of pantomime fashion and this saps all the horror from the story; leaving the audience with nothing much to do other than roll their eyes at most scenes. The film is very difficult to find (unsurprisingly it hasn't been given a wide release like most of Castle's oeuvre) and I'm not really surprised at that. I can give plaudits to the film for some of the ideas on display, the originality and the score which is excellent; but really this is far too uneven to be successful and I can't say it's really worth going to the trouble of tracking down.

adriangr This must surely be one of the most neglected fantasy films of all time. By all accounts a flop at the time of it's release, it has become the hardest to see of all William Castle's movies. It's also in colour, which is another rarity from this director. French mime/actor Marcel Marceau plays the title role of Malcolm Shanks, a deaf mute puppeteer who scratches out a living putting on shows for children, while bearing the brunt of a miserable home life with his money grabbing brother and sister-in-law, who take all the money he earns for themselves. One day, an elderly professor (also played by Marceau in a dual role) sees his puppet show and offers Shanks a job - to come to his home to assist him is some experiments involving the artificial stimulation of dead animals via electricity, or something...why or how it actually works is not expanded on, but it involves small implants being attached to the muscles and these are then activated by means of a small control box.Due to his background with puppets, Shanks proves to be very adept at controlling the movement of his first animals (a dead frog, and later a rooster). However things take an unexpected turn when he turns up for work one day only to find the professor dead in his armchair, seemingly from natural causes. Shanks has all but been hounded out of his own home by his cruel relatives, and he realises that desperate measures are needed to avoid going back there...and so the professor becomes the first human subject for re-animation.What follows is the beginning of a macabre and dreamlike fantasy. The "awakening" of the dead professor is one of the most ghoulish things I have ever seen. Marceau is famous as a physical performer, and his depiction of a dead body being artificially roused into movement is very skillful. With a shock of white hair, sunken face and glazed white eyeballs, the professor's body jerks up off the ground and begins to wobble around the laboratory, as Shanks perfects his manipulation of the control box. It isn't long before he feels confident enough to take his new puppet on a stroll into the streets outside, and this is the start of an escalation of events that you really need to watch to get the full enjoyment out of.This is almost a silent movie for much of it's running time, with long scenes involving no dialogue whatsoever, but the film is so effective in holding your attention that you will barely even notice the fact that nobody is talking. Shanks himself never speaks at all, but the support character all talk naturally when required - except for when they are dead of course! And some rather charming silent movie-style subtitle boards on the screen fill in any required exposition. The acting in this film is amazing, I suspect that Marceau is not the only performer to have a background in mime or theatre, as when he has to animate other dead characters, the movements are always effectively creepy.If I have any criticism, it would be that Castle - as he has often done before - stays shy of making the film as truly horrific as it could have been. He never exploits the "yuk" factor of the dead bodies, and there is no allusion to bloodshed or decomposition at any time. William Castle is an oddity among horror directors in that he always puts on the brakes before his subject matter goes to deep into unpleasant territory, whereas others would gleefully revel in the more gruesome aspects of a story like this, Castle seems to prefer to keep things suitable for family viewing! Plus, the movie even ends with a tacked on "it's only make-believe" epilogue that completely squashes the very dark ending of the real story...it's something he has done before, and it seems a shame that the films of William Castle are often sabotaged from being truly horror by the directors very own sensibilities.That notwithstanding, I would call "Shanks" a success, as it holds your attention constantly throughout. If any one thinks Marcel Marceau's talents end with a white made-up face and leotard, they should see him in this...he is perfect for the part, effective in bringing his whole character to life without speaking a single word. The film is a true oddity, but almost impossible to classify. Ultimately, it's just a unique and bewildering experience, and I think everyone should see it.

Earl Roesel (Sanguinaire) And that's not an exaggeration. I searched for this movie for a long time, and I'm glad I found it. Marcel Marceau plays Shanks, a deaf puppet maker, and Walker, an old scientist who has discovered the secret of reanimating the dead. He plays both beautifully, using his pantomime skills to achieve silent movie style acting. In fact, that's what this movie reminds me of - a silent fairy tale (the use of title cards to introduce scenes further suggests this), with a little George Romero thrown in! It's incredible that something this abstract and individualistic was made; I wish more movies would be as bold. The opening credits sequence, with tinted photos of kids watching Shanks' puppet show while the weird Oscar nominated (!) music plays is incredibly strange, memorable, and disturbing.William Castle, of all people, directed. This movie shows, more than any other, that he was more than just the "King of Gimmicks". To see such an expressionistic and disturbing vision.......is to regret that this was his final film as director.