José Luis Rivera Mendoza (jluis1984) Many reviews give this movie 1 or 2 stars. Many of those label it as "not scary", "stupid" or worse... While maybe the movie does earn those adjectives, it is not because of the stupidity of it's creators, on the contrary; the cast & crew made it stupid on purpose. This is not a common slasher. It's a spoof on everything cheesy about horror films.Director Brian Katkin and writers Dan Acre & John Huckert crafted a very funny comedy that parodies the cheesy 80's B-slashers while paying homage to the cheesy 50's sci-fi horrors. The beginning sequence sets the tone of the story: Young filmmaker Steve discovers that Slaughter Studios, the place where his favorite B-Movies were filmed, is going to be demolished; so he gets a crew and decides to make a cheap horror film like those he loves in the night before the demolition. Strange things begin to happen and they wonder if the place was cursed after the event that led to it's closure 20 years before: the death of a young star while shooting a scene.Sure, the movie is predictable, but that's the idea. It follows every rule established by 80's slashers like "Slumber Party Massacre"(1983) or "Sorority House Massacre"(1987): silly jokes, lots of gore, and lots of nudity. There is plenty of eye-candy that undresses by every possible excuse, and the killings are unnecessarily bloody. Everything that made those 80's slashers both enjoyable & silly at the same time.The initial sequence and the scene when Steve tells the story of the 70's murder at the Slaughter Studios is very original. It's the crew's very personal homage to producer Roger Corman(the 70's director is named "Roman") and the names of Steve's favorite films are parodies of those of the likes of Corman's classics like "Attack of the Crab Monsters"(1957), "The Wasp Woman"(1960) or "Humanoids from the Deep"(1980).Also, the character of Steve has that Ed Wood spirit, the director that is so convinced that his movie is good that can't see the HUGE flaws in it. I'm sure that many aspiring filmmakers will find themselves identified with him.The acting for the most part is OK, they play the slasher stereotypes to the letter. Lorissa McComas is particularly funny in it's take on the actress obsessed with the 70's murdered star; and Amy Shelton-White steals the show, she could be more than a b-movie queen.Something worth the mention is the very good lighting and camera-work showed in the film. While the SFX are very very poor, the direction makes good use of them and makes them work in the context of the movie. Although there were scenes that look as if they had been shot with a DV while in post-production, most of the film is very well done.Overall it is a funny spoof on everything that made lovable those cheesy 80's B-movies. Worth a rent.7/10

Dr. Gore *SPOILER ALERT* *SPOILER ALERT*Low budget filmmakers make a low budget movie about low budget filmmaking. Steve Berg, (Peter Stanovich), wants to make his magnum opus, "Naked Sex Kittens meet the Giant Praying Mantis" or something like that. The only place to film it is at the hallowed grounds of Slaughter Studios. So much low budget horror was churned out there that Berg's masterpiece has to be a part of that tradition. The geeky guys and busty girls break in to shoot their cheapie epic. Oh drat. There's a killer on the loose. Who will survive this shoot? Cut! That's a wrap.It's very important that you approach this movie as a comedy and not as a horror flick. If you come in thinking you're going to be scared, you'll be crying. The gore is plentiful but it all looks fake. The victims are covered in red paint. The blood was a little too bright. The scares were non-existent as well. Somebody was stalking the cast but no one seemed to care until the last twenty minutes. Weak horror film.However, the first hour or so is a fairly funny comedy about low budget filmmaking. I was enjoying myself. You had the horny Ollie ogling and fondling the girls. The director tries to placate one of his demanding actresses, "You're a fine actress. You're even better than.Madonna." I also thoroughly enjoyed the tremendous amount of unnecessary nudity. Almost all of the women get naked and there are some fantastic sights to see. The improvised sex scene between the two girls was great. Steve Berg was a genius. The shower scene was the sweet cherry on top.Unfortunately, the movie decides to try to be some sort of slasher/action flick in its last twenty minutes. It should have stuck to being a bloody comedy. "This script is bulletproof! Get the girls...and some actresses too if you want." Funny stuff.

Collins315 I am sorry but this movie was so horrible. First of all, if you want to make a good horror movie, cut down on some of the nudity and sex. I know, I know, that every horror movie has the obligatory nude shot but this movie went over the top. The lines were so corny that at some points they didn't even make sense. There are some B-Movies that are fun to watch but don't even think about this being one. I got so bored during it. The music was so bad it didn't even set the mood for a good horror movie. If you ask me, I could make a better movie than this.

max-133 What a delight! Finally, someone has made a send-up of 'b' horror movies that is both hysterically funny and scary at the same time. The premise is simple: A group of young film makers (think hot, scantilly clad babes) break into a dilapidated movie studio hours from the wrecking ball (the studio was closed years before after the tragic accidental death of a teen idol)to make the last movie ever there. Through the course of the night, the actors and crew are picked off one by one by a killer. Is it a ghost, or one of their own doing the horrific deeds? The fact that this was THE last film ever shot at Roger Corman's famous Venice studio is not lost, in fact the flim makers play up Corman's history with aplomb. Director Brian Katkin stylishly designs scenes to play off the no-budget elements and raises the bar. Clever, well directed, Katkin keeps his tongue firmly in cheek as he takes material that could have been pedestrian and adds both wit and silliness to make it come alive. But don't let this fool you. The film is genuinely scary, walking a tight-rope between farce and fear. Murder and mahem abound as freely as do the breasts. Again, playing off 'b' movie stereotypes, the audience is treated to an enjoyable romp. Producer Damian Akhavi (Shakedown) who had a hand in the script, show a sure hand and eye for this material. The ensemble cast of mostly unknowns create funny, memorable characters that the audience genuinely cares about and their untimely deaths are certainly felt. Kuddos also to composer Christopher Farrell (a long time Katkin collaborator) whose effective score guides the viewer from laughter to fear and back to laughter with ease.