susanmichaud A school teacher comes to a farm land to earn a living and educate their children, as well. She marries a farmer and has a son, she calls "So Big" for asking him how big his love is for her. She dreams for him a life driven by passion and creativity or farming as opposed to a quest for money. Her son strives for the dollar. Yet, after finally finding love in a girl ( a young Bette Davis) a painter, she sets him straight and points out the true beauty of life, including his own mother (played by the magnificent Barbara Stanwyck), who is aged and worn. Bette makes it clear to "So Big" that beauty, wealth and love are written all over his mother's face and he finally sees it himself.

Michael_Elliott So Big! (1932) ** (out of 4) Disappointing adaptation of Edna Ferber's novel about a young woman (Barbara Stanwyck) with big plans who have to put them on hold after the death of her father. She ends up traveling to a small town where she fulfills her dream of becoming a teacher but she then puts this on hold to marry a farmer. After he dies the woman makes her life goal to raise her son the best she can and make sure he has a place in the future. SO BIG! was apparently one of Stanwyck's favorite roles and I think it's easy to see why but the end result is a real mess and never has any spark or imagination. I was really surprised to see how flat the movie was but I think it's safe to say that this material certainly wasn't right for Wellman. I know he worked in many different genres but it really seems like he's struggling to get any of the emotions on the screen and I'm sure sure of this has to do with the screenplay. The screenplay is a major mess because it never really gives the viewer any time to get to know the characters or start to feel for them. The first forty-five minutes of the movie just seem to go on and on and for no reason because at the end of them you realize that everything you've just seen could have been told in less than twenty. The problem is that everything happens so quick that you simply don't have time to connect with any of it. One minute Stanwyck is married and the next thing you know the husband is dead. One moment Stanwyck is going to live her dream of teaching but then that falls apart without any explanation. Stuff happens at various times without any reason so one has to wonder if the film had a lot taken out before being released or perhaps the screenplay was simply trying to capture various aspects of the novel and just came out very sloppy. Another major problem is that Stanwyck ages about a total of forty-years but there's never an added wrinkle to her. The only thing that changes is her hair color and this simply doesn't work because she looks very silly at age 70 or whatever and seeing that she pretty much looks the exact same as when she was a teenager. Stanwyck is good in her role but the screenplay lets her down. George Brent, Dickie Moore and a young Bette Davis have small parts scattered throughout the film. Stanwyck and Davis appear in the final sequences yet they're never shown in the same frame, which should tell you something. SO BIG! isn't a complete disaster but at the same time there's very little to recommend.

whpratt1 There is no doubt in my mind after viewing this picture from way back in the early 30's, that this is a great Classic with great actors. Most of these actors, Barbara Stanwyck,"Dynasty" '85 TV series, were just starting their careers along with Bette Davis, (Miss Dallas O'Mara),"The Old Maid",'33 and George Brent, (Roelf Pool),"The Spiral Staircase",'46. In this picture Stanwyck plays a woman who was very close to her dad, who was a gambler and once he died, she had no choice but to take on a teaching position in Kansas and wound up married to a farmer. This is a wonderful story of a woman who raises her children against all the set backs that life has to offer and how she deals with each problem that seems to face her, which she calls Velvet. Barbara Stanwyck and Bette Davis never got a long together when making a film and they both made very few. Stanwyck was always outgoing with the stage hands and crew and Bette Davis just did her acting job and no socializing with the regular people. I must say that Bette Davis looked fantastic in this picture and of course she was a great actress.

Ursula 2.7T Well-off, motherless Selina is raised by her father, who teaches her to find beauty and joy in all aspects of life. When the father dies, a friend of the family arranges for Selina to move from the city to "High Prarie", a rural town where Selina is to live with a farm family and teach in the local schoolhouse.Selina arrives all wondrous at her new surroundings, even commenting on how beautiful the cabbage field is. The boobs in the farm family all laugh at her, except 12 year old Roelf who agrees that the cabbages are beautiful and even makes a drawing of the field for Selina. Roelf is a kindred spirit, and sees beauty all around him, and wants to be an artist. While a teenager, he runs away and goes to Europe where he eventually becomes a well-known sculptor.Back home, Selina marries local farm-boy Purvis de Jong and has a son with him, Dirk, nicknamed "So Big" (Selina says to little Dirk, "How big is my big boy?" and little Dirk spreads his arms wide and answers "Soooooo big!") Selina is widowed while Dirk is still young, and Selina keeps her little family together by maintaining the farm, even growing a special variety of asparagus dubbed the de Jong asparagus.Flash forward to Dirk's adulthood. He is bored with his entry-level architect job, ashamed to admit he's *THAT* de Jong of the de Jong asparagus fame, and he hangs out with a married woman (the details of their relationship are not delved into). Selina wants her son to appreciate the beauty in life, much the way her own father encouraged her when she was a child. Dirk, however, has only dollar signs in his eyes, and he quits his architect position to become a bonds-trader in the stock market.Dirk meets a young (and extremely lovely) Bette Davis, who is making some advertising drawings for his firm. Dirk falls in love with her, but she doesn't return that love. She tells him she can only love a man who works with his hands and appreciates art, someone whose beauty shines from the inside (unlike Dirk who clearly doesn't have any of these qualities). Bette goes to Paris, meets Roelf and returns to High Prairie with Roelf who very much wants to see Selina again. The reunion between Roelf and Selina is sweet and may make you reach for a hankie. While the four of them -- Selina, Roelf, Dirk, Dallas (the Bette Davis character) -- are visiting in Selina's home, Dallas watches Selina and Roelf at the window. Dallas remarks to Dirk how beautiful his mother is (although at this point in the movie Stanwyck is made up to be an older woman with near-white hair). Dallas sees the beauty radiating from within Selina and wants to paint her. It's a beautiful but also sad ending ... sad because of the contrast between Selina, Roelf and Dallas who are able to see and appreciate beauty all around them, versus Dirk who cannot see it even when he's surrounded by it. It made me sad for Selina that her son could not see the things she and Roelf and Dallas could.