ebeckstr-1 Within the context of 1970s made for TV horror (a category unto itself among horror fans), The House That Would Not Die has never attained the status of "classic," as have Don't Be Afraid Of The Dark (a classic among horror movies as a whole, whether TV or theatrical) and The Night Stalker; nor the cult following of Gargoyles (1972); nor even the minimal honor of a DVD release, as bestowed upon of one of the lesser-known 70s TV supernatural thrillers, Horror At 30,000 Feet (a comparably good, overlooked TB horror in its own right). Nonetheless, House That Would Not Die is a decent little TV ghost story which happened to air before any of the aforementioned. It does not pretend to have a complex plot, and the story is anything but original. That's not the point, though. The movies goes for a comfortable, familiar kind of supernatural suspense and achieves it. The actors are solid and earnest, all of them taking their tasks seriously, and the production design includes liberal use of ghost- induced wind effects, all of which elevates the simple story. But because it is not as compelling as the other movies noted above, nor the 1981 made for TV classic, The Dark Night Of The Scarecrow, which perhaps marked the end of the cycle of greats TV horrors of the decade prior, House That Would Not Die usually goes unmentioned even among fans of that period. You can find House That Would Not Die streaming online, or as of 2015, included in DVD multi-paks of otherwise sub-par horror movies sold on Amazon.

christopher-underwood Somewhat uneven and even at only 80 minutes begins to outstay its welcome. But I don't wish to be too harsh for there is a marvellous performance by Barbara Stanwyck which helps to hold this together and if only Richard Egan could have been half as good this might have a been a great picture. It's a TV movie with minimal budget but even without special effects the possession scenes are most effective.This starts as a haunted house movie but swiftly moves into the possession business and in these scenes Egan acquits himself well and Kitty Winn (who would have a role in The Exorcist three years later) is particularly good and indeed is the main reason for those shivers down the spine more than once during this modest but successful little film.

Putzberger As any fan of classic film and cheeseball TV knows, Barbara Stanwyck was one durable dame. The woman who conquered the corporate world in 1933's "Baby Face" and blasted gun-toting outlaws on "The Big Valley" is more than a match for the wind machines and bad actors who challenge her in this cheapo 1970 made-for, which is why it's ultimately not that scary or suspenseful. It's also hampered by a cobwebbed ghost story plot -- a maiden aunt and her dewy young niece move into an old house only to learn (oh no!) that it's haunted. Still, it's always fun to hang out with Babs, so "The House that Wouldn't Die" isn't a complete waste of time. It's like decaffeinated coffee, a short, mild indulgence that won't keep you awake at night.Miss Stanwyck plays Ruth, a career Washington bureaucrat who takes a sabbatical (Civil Service rules must have been a lot more relaxed during the Nixon administration) and moves to a late distant relative's house near where her fluttery niece Sarah, played by Kitty Wynn, plans to attend college. If Stanwyck is above this sort of downmarket Gothic, Wynn is perfect for it since she seems born to play wide-eyed, helpless young ingénues -- the only time her voice rises above a quivering whisper is when she screams, which she does enough to wake the dead. The dead, however, don't seem to appreciate the intrusion so they start possessing various characters and making them act homicidal. Having apparently exhausted the budget on Babs' salary and nifty wardrobe (the cranberry pantsuit she dons toward the end of the flick is particularly chic), the producers could only afford a single special effect -- a megawatt wind machine which gets switched onto high every time one of the undead makes an appearance. This motif is a bit too indicative, but it's also the only way you'll know that Richard Egan, who plays Babs' romantic interest, has transformed from gentlemanly anthropology professor next door to malevolent spirit. His facial expression doesn't change otherwise. Rounding out this intrepid quartet is someone named Michael Anderson Jr. as Professor Egan's swishy grad student and Kitty's chaste love interest. The movie could be unwatchably dull but isn't, thanks to Babs' stalwart presence. However, it could be atmospherically creepy but isn't, thanks to Egan's granite stiffness and a script that sounds like it was penned by the "Scooby Doo" staff during a prime time writers' strike ("try and open up this old writing desk . . . these things are usually crammed with old letters and papers" declares Babs, perhaps unaware that she's channeling Velma Dinkley). Still, Miss Barbara Stanwyck offers a primer on how to maintain your dignity during the twilight of your career. Someone should have forced Bette Davis to watch this movie.

Phill-13 The house That Would Not Die is one of the all-time great ghost stories ever filmed. In fact, the only thing wrong about it is that it's total running time was only about 75 minutes to fit into a 90-minute time slot. It should have been a full ninety minutes or longer and released to theaters. Ruth Bennett (played by the great Barbara Stanwyck who hands off scene after scene to her younger co-stars to let them shine in their own right) inherits a centuries-old house built before the Revolutionary War, in the Amish Country of Pennsylvania. The original owner, General Douglas Campbell, was suspected of collaborating with the British during the war. His daughter, Amanda (Ammie) and her boyfriend, American Soldier Anthony Doyle, confront him, and they disappear shortly after, ostensibly eloping. For the rest of his life, Old General Campbell roams the countryside calling: "Ammie, come home!", a cry heard two hundred years later by Stanwyck and her young niece, Sara Dunning (played by the pretty and very talented Kitty Wynn, after they move into the house. Aided by Stan Whitman (played by Michael Anderson, Jr., another very talented actor), and Professor Pat McDougal (played by another great actor, Richard Egan) they endeavor to discover the reason why the general is still searching for his long-lost daughter after two hundred years. The resolution and climax of this exciting ghost story will have one and all riveted to the edge of their seats, especially if properly viewed at midnight, Saturday night, during a thunderstorm with howling winds and crashing thunder.