Submission

2018 "He read her story. Then he became part of it."
5.7| 1h46m| R| en| More Info
Released: 09 March 2018 Released
Producted By: Mighty Engine
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A well-respected professor who is a celebrated novelist and loving husband loses himself when he becomes obsessed with an ambitious and talented student.

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meimeinovnov Im sorry its just,..its so unconditional. and i wish professor remember his condition not just his selfish
adonis98-743-186503 A cynical college professor takes a keen interest in a talented young writing student. Despite good perfomances from both Stanley Tucci (Transformers: The Last Knight, Easy A) and Kyra Sedgwick (Born on the Fourth of July) never truly seems to reach the potentials that it has. The characters are interesting and the perfomances quite good and even charming but the storyline and the pacing? were truly lackluster to begin with and something that we have seen alot of times before of a professor being interested in a student of his (sexual and not) and this movie is no different and even tho the concept is very easy the film makes it like it's a freaking puzzle and Tucci deserved better. (3/10)
jtncsmistad The games are dirty and the stakes are high in the new drama "Submission". Stanley Tucci (sporting a toupee that doesn't look half-bad) is as solid as ever as Ted Swenson, a dispirited college English lit professor in desperate search of a follow-up to a successful debut novel. Addison Timlin is Angela Argo, an admiring and enigmatic student who persuades her prof to critique chapters of her own go at a book. At first Angela projects as timid and unsure of herself and her craft with Ted. But we watch as she transforms from a seemingly scattered coed into a poised and purposeful young woman, and all the while shrewdly laser-focused on a prize she covets above all else. As the mentorship develops matters inevitably become increasingly complicated between teacher and student. Eventually the relationship makes a volatile shift from nurturing common bond to flashpoint cataclysmic intimacy. Screenplay writer and director Richard Levine presents a dynamic in which it becomes increasingly difficult to discern who is in fact playing whom in the quest for literary fame and fortune.The supporting cast are quite good across the board in "Submission". The multi-gifted Janeane Garofalo-one of my all-time faves-brings a sense of humor and pathos to the story as Magda, professional cohort and personal confidante of Ted who must help determine a wrenching verdict regarding her friend late in the film. The routinely reliable Kyra Sedgwick makes an impression as Sherrie, a dutifully supportive working wife who has her comfy world shaken upside down in the wake of devastating disclosure. The pivotal restaurant dinner scene between husband and wife is powerful stuff from both of these pros. But it is Sedgwick's performance in particular that infuses these emotionally jarring moments with searing sorrow and strength. "Submission" opens in New York City on March 2 and in Los Angeles along with other markets nationwide March 9.
grantiworden This past weekend, I was fortunate enough to attend the 2017 Denver Film Festival premiere "Submission." In a quick summary, writer/director, Richard Levine adaptation of Francine Prose 2006 novel, "Blue Angel," is a bold conversation starter. I found myself laughing at Stanley Tucci performance as the drowning, some-what famous college professor. Laughing in a sense, of relatability. Tucci delivery of the film's narration and in-head page reads were on point. The entire movie Tucci's character deals with an inner struggle of feeling CLICHÈ and washed-up. His performance comes off very personable. You trust this character... As the movie progress and the lines of student and teacher relations become blurred, actor, Addison Timlin begins to steal the show. Her performance is not just mesmerizing, but manipulative. Without saying any more about the overarching story, the scenes between Tucci and Timlin were designed in a way to create a conversation. Sexual harassment, the power within that situation and becoming the clichè you don't think you are, are discussed on screen in several different lights. I thoroughly enjoyed the experience of the Denver Film Festival screening and would suggest this film to most moviegoers. Enjoy!