Surf Nazis Must Die

1987 "The Beaches Have Become Battlefields... The Waves Are A War Zone!"
Surf Nazis Must Die
3.7| 1h23m| R| en| More Info
Released: 03 July 1987 Released
Producted By: Troma Entertainment
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Budget: 0
Revenue: 0
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Synopsis

When the grandson of a gun wielding woman is murdered by neo-nazi surf punks in the post-apocalyptic future, this grandma hunts them down for some bloodthirsty revenge.

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Scott LeBrun The "Surf Nazis" are a gang, except that they rule the waves, not the streets, and they regularly battle with other "surfing gangs". The SN leader, appropriately named Adolf (Barry Brenner), makes his fatal mistake when he guns down a black man named Leroy (Robert Harden). That's because Leroy's tenacious-as-Hell Mama (Gail Neely) vows to avenge his death, and kill as many of the SNs as possible.There's not much of a story here, but director Peter George handles this cult / exploitation picture with more *restraint* than many viewers will expect - or be able to tolerate. Yes, you do expect that a movie with such a title will be more outrageous. In that sense, it *is* a letdown, but it's not without its pleasures. It does have a sense of humour, and some pretty amusing characters, some of whom are named after notorious real life Nazis. (Michael Sonye plays a creep named Mengele, Dawn Wildsmith a vicious female gang member named Eva, etc.) Joel Hile, looking like a reject from "A Clockwork Orange", plays a one handed guy named Hook who's always searching for the next cool gadget to attach to his arm.The cast features a number of B movie perennials such as Sonye, Wildsmith, Bobbie Bresee, and Ted Prior. Lead actor Brenner was a real-life doctor whose three other credits are all in William Lustig films. Neely is such a hoot, and it's not hard to root for her during the finale, especially since she makes a funny sight riding a Harley.Perhaps the coolest element is the atmospheric electronic score composed by Jon McCallum.To give you an indication that "Surf Nazis Must Die" is intended as tongue in cheek, I'll tell you that one actor is billed as "guy who has surfboard stolen and looks into the camera".Six out of 10.
John Reeve If you don't like this film, it is because you don't really understand. Go pay your seven or fifteen bucks and plop down at the local cinemark, because if you don't stuff like this, it just isn't for you.But if you can take a joke, then the thing is interesting. I haven't seen a bunch of Troma's catalogue, but I think it is one of the more memorable flicks there; it certainly isn't Tromeo and Juliet or Terror Firmer, but I don't understand the claim that it isn't a typical Troma film. At least it wasn't something like "Outlaw Prophet" (which put Troma on a blacklist with my wife). It was a genuine trash film, and taken as such seems as good as any other work of trash.What makes this movie good is the fact that the kids have all given themselves new names, a fact that comes up when Smeg is talking to his mom (who claims he shouldn't call her mom). That is just choice.Or the fact that the Nazis are all queens in hiding. I like the not so subtle homo-eroticism.Of course, not only could both of these elements been mobilized more effectively, but there are other things it could have hit on. The apocalyptic oil pumping could have been used better, along with placing Leroy as part of the energy company pumping the beach dry. I was hoping that the fact that there is a big disjunction between the bourgeoisie expectations of Leroy and the ludicrous turf wars of the surf gangs could have been put to better use.So to all you people who didn't like this because of the film making-- you are just wrong. This is what good ol' not so Hollywood film looks like. Like all real films, it's flaws are that it doesn't exploit everything that it could.
Ehrgeiz Because many people wrote about how "cult" this movie was, I rented it one time at the video store. I don't care if its made by Troma or not, it is just a whole load of sh*t... The basic story may be great, a surfer gang of Nazis trying to invade Californian beaches. But the outcome - forget about it. The whole movie shows only the inability of the makers, especially in the ridiculous "fighting" scenes. They could not even make the Nazis look like real Nazis, with Uniforms and so on or at least in Skinhead Style. Despite some senseless dialog, the movie has not much to offer. No sex, no gory violence, except for the basic idea a very conventional story - Surf Nazis take over the beaches, the "oppressed" other surf gangs take revenge. There are lot B- and C-Movies of the 80ies which are much better.
kingofchelmsford For, amongst other things, the excellent soundtrack, for having a character called "smeg",for the lush shots of the sky and the bunker area, and for the immortal line "taste some of mommas home cooking Adolf", this films deserves 10 out of 10.I think the films worst enemies were Troma themselves for the misleading cover art and hyping up the title by adding the "must die" part. I think many people will be disappointed because they are taken in by the cover and blurb. Here in Britain the film was originally released simply as "Surf Nazis" and featured a less sensational cover, you knew more what to expect, although the "a clockwork orange for the 1980's" tag line was a bit of a joke.