Prismark10 The contrast with this feature length episode and the much later ones cannot be more stark.Despite the longer running time, The ABC Murders does not feel padded. The art direction is exquisite even for small street scenes. More importantly it has dashes of humour even though the storyline is dark. I actually laughed several times. Captain Hastings returns to London from South America with a smelly stuffed crocodile as a gift for Poirot. Almost immediately Poirot's little grey cells are being tasked.Poirot receives a series of anonymous letters from a killer who calls himself ABC who taunts him by telling Poirot where he will strike next. The killer leaves an ABC railroad schedule at the scene of the murders, the victims appear to be random but the killer seems to have an obsession with an adherence to alphabetical order both in the names of the victims and the town or city the deaths occur.Poirot gets the friends and families of the various victims together to look for any common clues in order to find the serial killer. Suspicion falls on a shell shocked war veteran who is a door to door stocking salesman. The press are going hysterical with alliterative headlines.Poirot suspects that not all of the victims were random.The ABC murders is an intriguing episode which was simply well made, the characters are comfortable with each other, Japp joking about receding hairline to Hastings, it tries to divert you to a cul de sac but Poirot is too wily for that.

kaberi-893-642316 Did they have serial killers in the 1930s? Of course they existed, Christie even makes reference to Jack the Ripper here, but I don't know if the modern concept of the serial killer, the killer who kills multiple people that he's never met before, for reasons that only make sense in his deranged brain, I don't know how popular that was in Christie's time. In the novel, she spends quite a lot of time talking about the psychology of such a person, mostly with the idea of hopefully being able to predict and warn the next victim. Poirot has multiple conferences with the police and an "alienist"; Poirot himself has always supported the idea of understanding the psychology of a criminal, but there are a few characters in this story who pooh-pooh that notion, who come from the "right is right and wrong is wrong" school of thought. These days, whenever I read a Poirot novel, I can't help but compare it to how such a crime would be treated on Law and Order, or, in this case, Criminal Minds.The concept is an unusual one, even for Christie. Poirot is receiving taunting letters from a killer. In each case the killer gives Poirot the date and place of the murder in advance. The first murder is of Alice Ascher, an elderly lady who keeps a small shop, not a very prominent crime. But shortly afterwards, the killer attacks a pretty young girl, Betty Barnard, and then a rich art collector, Sir Carmichael Clarke, and in each case he leaves at the scene of the crime an alphabetical railway guide known as an ABC, the same initials as those of the anonymous letter writer. Hence the various discussions about the mind of a "homicidal lunatic" and how to warn any potential future victims, and to catch the killer before he strikes again.I liked that this episode is faithful to the novel is almost every aspect. Due to the nature of the crimes, this is not one of the more light hearted episodes, which is a bit of a shame; these longer episodes need a little levity to relieve the grim tension involved. There is an amusing running joke about a stuffed alligator that Hastings has brought back from South America, and Suchet has some of his best moments when Hastings presents it to him as a gift. For me this episode was good for the same reasons that the book itself is good, but could have been better if they had found a few more ways to make it interesting.

Paul Evans Serial killer ABC plots their murders using an apparent infatuation of the alphabet to choose their victims. ABC opts to taunt Poirot by writing to him, goading him, bragging of their successes and the failings of the Police and authorities. With the assistance of The Police and the nearest and dearest of the victims Poirot sets about catching the clever and dangerous ABC.I think in all honesty it's this one that got me hooked in Poirot. It has all the elements necessary for an outstanding murder mystery. It looks wonderful, the 1930's are wonderfully recreated, lots of Art deco to admire. Some of the settings are lovely too, the scenes in Bexhill and by the promenade look beautiful. The story is really intriguing and intelligent.I love the music throughout, it works so well at building up the tension.Suchet made the role of Poirot his own, nobody else even comes close, he is fabulous in this one, particularly in the conclusion. The trio of Poirot, Japp and Hastings (and Miss Lemon when she's there) work brilliantly well together, but the plaudits in this one have to go to Donald Sumpter, he portrays Cust brilliantly, he's hugely troubled, guilt ridden, scared and his world is falling apart around him. A quick mention for Vivienne Burgess too, only a small role as Lady Clark, but she was excellent.It's wonderful from start to finish. It shows just how clever Poirot is, Christie's genius shines through, one of the best adaptations. 10/10

gridoon2018 A serial killer strikes in London: he selects his targets in alphabetical order of name and location. He also sends letters to Hercule Poirot, signing as "ABC", boasting about his "accomplishments" and challenging Poirot to find him.Reportedly this is one of the favorite Poirot episodes of David Suchet himself, and you can see why. Agatha Christie has rarely been more audacious in her misleading and manipulating the (reading & viewing) audience than she is here. Halfway through, you may feel a slight disappointment, that the film has told you too much; stick with it and you'll find out why this is not the case. They often say "seeing is believing", but in this story sometimes you shouldn't even believe what you can see with your own eyes! All this, and some priceless Poirot-Hastings interaction as well: a top-notch episode. (***)