volker_77 This was very informative and enjoyable, but one problem. I would have to agree about the teller getting in the way of the story. But more importantly, Jack's daughter complains about the lifestyle her father lead. One that left a gap in their relationship. The typical he was never there story etc. My problem is the fact that she's making a documentary about this gap. The whole premise is not very genuine. I mean if he was an asshole, and your going to exploit that to further your career, then do that. Rather she complains about him, makes a documentary, to me, that proves otherwise. I guess that if I was upset with my father and the career that he led, I wouldn't showcase the very "root of the evil." Seems like she was trying to make a buck off of her father, and in the process tried to force some, "my daddy was never there" story to put herself in it. Which is generally a no, no for directors/writers.

ssim766687 I eagerly started to read the review of Sumland from San Francisco regarding this film and was was turned off two thirds of the way by his biased rambling and criticisms of Elliot's daughter Aiyana...Sumland seems to think women should just "put up and shut up" regarding the actions of emotionally immature fathers and husbands who may be charming performer and musicans but lousy family members...Women don't have enough assertiveness , ego, and self esteem to begin with regarding relationships, they are expected to carry all the responsibility for relationships and then are blamed when they fail...Hooray for Aiyana for her candor , honesty, maturity and sensitivity regarding her father...Too bad people like Sumland cant handle the truth and would rather have women sugarcoat the reality of their experiences that excuses poor parenting and spousal behavior...."If women all told the truth of their experiences, the world would split open"...Audra Lourde

balfund Until I saw this film, I'd never seen Jack Elliott "in concert." I've seen Dylan, many times; see Arlo Guthrie once a year when he plays Harrisburg, Pa., with his daughter Sara; saw Dave Van Ronk when he played here a couple of years ago with Rosemary Sorrels; never saw Jack Elliott. Until now.And what a concert. No back-up singers; no jazz; no fancy lighting; no special effects. Just Jack Elliott, playing and singing and talking about his life and his times and his adventures, picking away on his guitar for punctuation, singing deep and throaty about where's he's been, who he is and making fun at a lot of ideas about what other people think he means. No apologies; no excuses; a living tribute to what Henry Ford II once said: never complain, never explain.It's hard to believe that this film was made by his daughter. It's a true, genuine, open statement about a man who has lived his life with absolutely no plan in mind about what he would do or say or where his choices would take him or what effect it would have on other people or things, but never hesitated to follow his heart, follow his curiosity, outrun his shadow with every step. Pick up and leave; pick up and go; never look back and never let go. Never stop working, never stop playing, take every breath and every encounter and every day and tell other people about it on a guitar. Invite them in for dinner and some stories while sitting on a barstool. That's Jack Elliott in concert. It almost sounds as if his life has been selfish and self-serving, but this film clearly makes the distinction between living a life of greed, which is what drives selfish people, and having a sense of self, which is what Jack Elliott has worked on and what he devoted himself to and has shared with us through his music. He meant no harm; he has always just been looking.The film evolves into a masterpiece of objectivity despite the potential for the obvious pitfall of a daughter trying to understand her father and asking the whole world to watch with her while she searches. What courage. She's made of the same stuff her father is and this "road trip" they took together is made singularly more sweet because they invited all of us along with them.Folk music is all about the stories, recording people and events musically, in common terms and without the frills, just straight up stories. And this film tells a great story and in the telling, has itself become a story.My sons and I are going to a Bob Dylan concert on August 16th. I'm bringing a tape of this film to them to watch before the concert. Music helps us understand who we are, where we've been and where we're headed. Having seen this film, I'm going to listen to Dylan with a whole new set of ears. And I've been listening to him for forty years.This film is an important guidepost in the history of American folk music because it gives us the life's work and "ramblings", up front and on a personal level, of a true American folk legend.

kid-17 The BORJ is a revealing and well told of story of the great Jack Elliott. Jack, a folk/country legend, is a hard one to figure out. The documentary takes you on a tour throughout his life, from his childhood up until the very present. His daughter (who directed this feature) has Jack, family and friends tell his story.The film allows you to judge for yourself what kind of man he really was. A musician, a cowboy, hard traveller and a father. The documentary will help you understand and appreciate his place in music. As a companion to Woody Guthrie to his influence on Bob Dylan.What's nice is nothing is pushed in your face. The viewer is left to reason out for themselves why he distances himself from his family and friends. Although, it's never clear what makes him click as a person or a father you can't help but want to know why.It's a well done film that will have you asking questions and leave you wondering about Jack. I came out of the theater a bit sad but appreciative that there are people in the world like Ramblin' Jack Elliott.