cricketbat The Baxter starts with a really great idea, but it doesn't follow through. I'm afraid that the weakest link in the movie is the main character (who is also the writer and director) - he just didn't work for me. Still, it has some cute moments and it is fairly original.

Amy Adler Elliott (Michael Showalter, who also wrote and directed this nice film) is at the altar when suddenly chaos erupts. His bride, Caroline (Elizabeth Banks) has turned away from him to meet a gentleman, Bradley (Justin Theroux) who has "not held his peace". How has this happened? Well, Elliott gives us a backwards peak into the years leading up to this catastrophe. First, E has had the unfortunate luck to always be a "Baxter". This is a pejorative term describing a man or woman who is always a boyfriend/girlfriend's second choice. When you can't be with the one you love, you settle for a Baxter. Poor Elliot. However, in his life story, the viewer can clearly see that there has been one lady of his acquaintance who probably likes him very much. That would be Cecil Mills (Michelle Williams) who temped for E one day when his secretary was ill. As these two were just beginning a conversation about mutual interests, in waltzed the more flashy Caroline, needing accounting advice. So, Elliot gave Cecil short shrift and placed his more eager attention on Caro. Alas, Carrie is interested in E more in the abstract, having had her heart broken by Bradley. In the year before the wedding, Elliott and Cecil would meet again, but it seems E can never see the good thing in front of him and favors the more snooty and financially successful C. But, wait, as E is ultimately jilted, will Cecil still be around when E comes to his senses? This is a very fine film that will please fans of comedy and romance. Showalter is not star-handsome but as the writer-director-leading man of this small gem, one has to hold him in admiration. Banks, Theroux, Peter Dinklage, Zak Orth, Paul Rudd and, most especially, Williams back him up him very well. In fact, Williams steals the show once again as the sweet but non-assertive Cecil. She sings, too! One will also enjoy the Manhattan setting, the great costumes and the other film amenities. Therefore, if your are in search of a new film to give you a bit of rest and relaxation, The Baxter fits the bill.

Keith Gardner I will never give a movie a 10 except my favorite movie of all time, and for that one I won't cast my vote until my final year of life (and so I really hope that I don't get hit by a truck or something before I have a chance to do that! I mean, I'm kind of assuming that I'll know when I'm about to meet my demise so that I'll have a chance to enter my comments here on IMDb!). (Well, actually, I'll probably forget this decree way before then and I'll give some movie or other a 10 and it won't be this excellent film and it won't be that one-and-only most favorite movie of my life, and so the occurrence of my 10-posting will diminish my overall credibility; but I enter these comments knowingly.)So, about this movie. What do you look for in a movie? I know people that just look for escape. They want something that's going to take them away from the world. Then there are those that are looking for entertainment. They just want to laugh, and, well, I guess there's a certain escape factor there as well. And then there are those that look for themselves, or look for some kind of explanation of it all in the cinema. Will you find any of those here? YES!!! You'll find all of them here! This is a great movie! I mean, it's a great sort of high B movie, maybe a great B+ movie, or, god, I'm nervous and sweating, maybe, OK, maybe an A- movie. OK, this is really a great, fun, honest, stupid, silly, funny, realistic, embarrassing, revealing showcase of a fine American film. There's nothing that Truffault or Fellini made that's better than this; we all are just so enamoured of black and white that we think those are all better. ***Possible spoiler here*** (but I won't give it all away, I promise!). At the 55 minute mark, pay attention. This is such a great moment, it's sort of the denouement of the film. It's where they're all (and you'll have to actually see the film to understand who is included in this "all") sitting in this bar and a miraculous turn of events takes place. Is it ridiculous and preposterous? Yes! But has it happened in real life! Well, all I can say is: it's happened to me! There they are, I can't even parse the relationships at this point, but one party from each of the quasi-relationships is here, in this bar, and they all meet up in this one illustrious moment, and they wind up sitting together in this bar and getting drunk and playing some sort of drunken charade, and... well, that's all I'll say. It is marvellous. Maybe Woodie Allen- ish, as others have written, but I dunno; I think it's its own thing. You will have to dunk my head in the toilet to get me to say that I'm wrong about this movie, and good luck catching me! It's just a great movie, period. Small, simple, sweet. Please, don't even tell me how jaded you are if you don't like this film.** (I am not a part of or related to or otherwise in any way affiliated with anyone in or involved with this film. My opinions are my own, I do not wish to quibble.)

pagen Is it just me, or was this an homage to The Apartment (Best Picture – 1960)? Baxter, was played by Jack Lemon in the Billy Wilder classic. I got a feel for it here, but it was a tad shy of a full load for my tastes, but the subtly in places and the "everyone is a Baxter" message were warm and sincere. Recently I have been spoiled by faster and smother paced silly, love stories by the likes of the Friends' cast, Sandler, and Stiller. Even the classics from the 50's through the 70's often found a more stable pace to encourage us to follow along. The glacially slow development of the main characters' true desires takes something away from this movie for me. But perhaps that was just the point. Sometimes it takes us to be pushed to the edge to face what we want to do with our love. A little better pacing, a better mixing of the silly and the subtle would have made this an exceptional movie. I will wait hopefully for Michael Showalter's (director/writer ) next effort.