Christmas-Reviewer BEWARE OF FALSE REVIEWS & REVIEWERS. SOME REVIEWERS HAVE ONLY ONE REVIEW TO THEIR NAME. NOW WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE MOVIE. IF ITS A NEGATIVE REVIEW THEN THEY MIGHT HAVE A GRUDGE AGAINST THE FILM . NOW I HAVE REVIEWED OVER 300 HOLIDAY FILMS. I HAVE NO AGENDA.In this film Sam Whipple, a broke lawyer who is young at heart, meets Santa Claus and learns that he's upset because he has a new landlord named Phineas T. Prune, to whom Santa owes a lot of rent. Prune has threatened to confiscate Santa's toys and have him, Mrs. Claus and the elves evicted. In order to raise money, Sam and Santa get jobs at a department store. Santa is nervous at first, but when the children arrive they naturally gravitate to him and he becomes a big success.Prune schemes to thwart Sam and Santa's plans. He buys the department store, has his butler destroy several toys and takes the damages out of Santa and Sam's paychecks. He gloats that Santa will never be able to pay his rent on time. Children of the world then unite to save Santa. Now is the acting great "No" Could the story be better? "Yes". Is it family safe "Yes". Does this film tell the story well? "Kind of" There is worse movies out there with a Santa Theme story and there is of course much better films however this film is safe for small children and has a strange almost Tim Burton feeling built into the cinematography of the entire production.

MARIO GAUCI This obscure Italian musical fantasy was actually made in the then-prevalent style: elaborately-mounted, garishly-colored and broadly comic in tone (bringing to mind both THE GREAT RACE {1965}, with Rossano Brazzi's Phineas T. Prune looking quite a bit like Jack Lemmon's Professor Fate from that film and CHITTY CHITTY BANG BANG {1968}, which also involved a child-hating villain) – in fact, it comes complete with an animated title sequence! Incidentally, the anti-Christmas feeling inherent within the film would turn up again the same year in Chuck Jones' animated rendition of Dr. Seuss' HOW THE GRINCH STOLE Christmas (by the way, I will be checking out the 2000 live-action version as part of my ongoing Christmas binge)! Writer/director/star Brazzi – who, curiously enough, died on Christmas Eve 1994 – had already proved his vocal mettle (in heavily-accented English) with the popular musical SOUTH PACIFIC (1958). For the record, this was his first of only 3 directorial efforts – the others being no less intriguing, and admirably versatile, namely the caper CRIMINAL AFFAIR (1968) and the giallo PSYCHOUT FOR MURDER (1969; which I have opted to acquire in its original cut, since a 'harder' version was commissioned for the overseas market that reportedly saw the involvement of cult figure Renato Polselli!).Anyway, while the film under review emerges as no unsung gem, it was a harmless and surprisingly engaging addition to the Yuletide movie lore, its plot also recalling the seasonal perennials MIRACLE ON 34TH STREET (1947; in view of the fact that the real Santa Claus seeks employment in a department store to fill just that role!) and the much-filmed "A Christmas Carol" (given Prune's eventual softening). The songs (music by future Jess Franco{!} regular Bruno Nicolai and lyrics by one Paul Tripp, who also co-stars as the lawyer – Brazzi's own neighbor! – helping Santa thwart the villain's plans to disrupt the eagerly-awaited festivities) are hardly classics, but the title tune in particular is quite pleasant. Being an international production (here presented dubbed in English albeit still sporting the original Italian credits), Father Christmas is played by an unknown Italian actor (Alberto Rabagliati) – who, amusingly, gets the shivers in having to deal with children, since he usually encounters them while they are asleep (similarly, he and Tripp get carried away trying out the toys in the store, which merely elicits a head-shaking reaction from prospective customers)! His spouse, then, is played by Brazzi's own second wife (Lydia) and the wiry elderly clerk at Santa's workshop is the ever-reliable character actor Mischa Auer in one of his last films. Typically, a number of midgets are behind the bearded fat man in the red suit or, more precisely, the toys he distributes door-to-door all around the world every Christmas Eve.With respect to Prune's beef with the Christmas period, it transpires that he has purchased the entire North Pole so that, knowing Santa will not be able to pay the lease, he can evict the latter (which Brazzi takes great pleasure in, turning up every day like clockwork expressly to upset the old man's meal!) and, therefore, no toys will be manufactured and delivered from then on! In fact, Santa takes up the extra employment in order to meet his new landlord's demands (which the latter nips in the bud by purchasing the establishment too and firing St. Nick and his attorney on the spot!). Incidentally, one quibble I have with films purporting to present the Real McCoy: if Santa is supposed to be the be-all-and-end-all of Christmas gifts (in that he has to bring them personally to kids, with his herd of reindeer and all), where do the plentiful toys in sundry department stores across the globe come from?! As expected, Brazzi's scheme (aided in his nefarious exploits by cadaverous butler John Karlsen) is ultimately foiled, with children everywhere willingly giving their pocket money to save Santa from his predicament. Prune, on the other hand, is revealed to have believed in Father Christmas himself once upon a time…but his letter asking for a sail-boat had gotten misplaced, and this was the reason he grew up detesting all things connected to the proverbial 'jolly' season!

dancing15bear I remember the commercial for this movie more than I do the film itself! It featured the line where Rossanno Brazzi would bellow, "Merry Christmas I don't think!!" It was very scary for someone just starting school! The commercials would show up each December on the Birthday House show with Paul Tripp. The movie would run as a matinée at local theaters, and I remember the place being pretty crowded. My sisters and I dragged our poor mother out to see it for a few years running. I guess it was great marketing. It must all be pretty arcane, because every now and then I'll quote the bellow, and no one seems to know what I'm referring to.

chewynugit This was a fantastic film. I wish to this day that I could have my own kids see it. I'm almost in my thirties and I found out that the movie is out of print. It is one of the few things that profoundly sticks out in my mind from my young childhood years. This is one of two films when I was growing up that my parents allowed my brother and I to stay up late on a school night to watch. (the other was The Wizard of Oz). If anyone ever has the chance to see this movie, I highly recommend it.