richard-1787 I've always loved the music of Johann Strauss. Years ago I drove to a small theater in South Milwaukee to see the 1938 MGM movie *The Great Waltz*, a schmaltzy but well-made concoction with the inimitable Meliza Korjus and the very aggravating Louise Reiner that was very loosely based on Strauss's life. Also years ago I bought a recording of the 1949 musical *The Great Waltz*, on which this movie is very loosely based. Like *The Song of Norway*, which had been a huge success on Broadway in 1944, mostly because of its elaborate dance numbers, "The Great Waltz" was a Robert Wright/George Forrest concoction that used music by the composer whose biography was more or less the subject of the show.I never saw that show, so I don't know how similar this 1972 movie is to it. What I do know, however, is that this movie is a lavishly staged disaster. The script, what there is of it, is all cliches. (The scene where Strauss comes up with the idea for *Tales from the Vienna Woods* is stolen, poorly, from the 1938 movie.) It is interrupted repeatedly for no clear reason by a series of elaborate but not very interesting dance numbers. (Imagine an unimaginative *Seven Brides for Seven Brothers*.) Worse still, most of the characters are not likable. Strauss Jr. comes off as an unfeeling womanizer, like his father before him. Strauss' wife isn't likable enough to earn our sympathies, even though he is not good to her.In short, there's really nothing to like in this movie other than Strauss's music, which is well performed, and the scenery and costumes. (Much of the movie was evidently filmed in Austria.) The 1938 *Great Waltz* is not a great movie and has more than its share of chiches, but it's still a lot more enjoyable than this sad remake.

John Kenrick Forrest & Wright, made magic adapting classical themes into the Broadway hit KISMET and before that for Eddy & MacDonald's screen operettas. They created a score based on the often ravishing music of the Strauss family, but it is not among their best efforts. This remake of THE GREAT WALTZ was filmed in some spectacular ballrooms, but all the hoop skirts, marble and crystal chandeliers cannot make up for a witless screenplay, wooden acting, and incredibly unimaginative camera work. As a longtime fan of the Strausses and operetta, I found this a profound disappointment. No wonder this is blamed for helping to kill off screen musicals in the 1970s.

timrued This movie failed on several levels, most importantly on not knowing what its audience would enjoy. It was a big budget movie, with great stars, and a plot based on a true story of ambition, jealousy, betrayal, pride, and great music - seemingly the ingredients for a terrific film. The story, while intriguing, was not directed in a style that fit either the lavish Austrian locales or the wonderful music of Johann Strauss. It was more of a musical in the style of Broadway, with the music treated that way. Hardly any of Strauss' waltzes were played in their entirety, the main exception being one sung by opera singer Mary Costa. In the movie, when the composer's greatest waltz was being debuted at a dance, the dancers all stood still and started swaying back and forth with the music rather than waltzing - totally unbelievable for a "Great Waltz"! This same scene was then interrupted by a non-Strauss sequence showing printing presses, with a song about how popular the composition became. The last half of the Strauss music was never presented.If the movie was aimed at people who wanted to hear Broadway-style songs, it was marketed wrongly as the story of light classical music, so that audience did not go to see it. If it was aimed at people who wanted to hear Strauss waltzes, it tantalized without satisfaction.It is no wonder that this big-budget potential blockbuster closed early in theaters, and has all but vanished from public memory, never even having been put on VHS or DVD.

Bruce McGee This film is about the life of Johann Strauss Jr. Horst Bucholz is good in this role. He ages well over the course of the film.Mary Costa plays his eventual wife Jetty. Miss Costa was an international sensation in her day as a major opera star. Her beautiful soprano voice is heard on the soundtrack here.The direction here is unintentionally funny.The music and the singing by Miss Costa are the main attraction of this film.