TheLittleSongbird The main appeal of 'The Daughter of Rosie O'Grady' is the cast, my main reason for seeing it in the first place and after watching it was the main reason why it is as worthwhile as it is. Gordon McRae and Debbie Reynolds were major talents that lifted any film they were in with their presence, June Haver was also very talented but is pretty underrated now and SZ Sakall has proved numerous times that he can be a cuddly and amusing scene-stealer.Luckily, the cast don't disappoint. Haver is poised and charming throughout, while Reynolds is her usual peppy, adorable and spunky self. McRae sings a dream as always and acquits himself well in the acting stakes, while solid support also comes from Gene Nelson and a touching James Barton in a rare screen appearance.Only Sakall disappoints somewhat, with his fumbling schtick gradually coming over as annoying and overdone. Jane Darwell also doesn't register particularly strongly in a role that gives her little to do.Handsomely mounted production values and quaint photography are further things to like, as well as more than able direction and pleasant and beautifully performed music and songs. The dancing is suitably energetic and poised, and 'The Daughter of Rosie O'Grady' has its amusing and poignant moments. The film moves quickly with very rare a dull stretch.Really, Sakall, some at times rather insipid dialogue that really comes over as corny and sometimes stilted and a story that has great atmosphere but is also very slight to non-existence and with one too many routine parts are the only real issues here in 'The Daughter of Rosie O'Grady'.All in all, a charming and easy to like film that isn't great but doesn't try to be or do any more than needed. 7/10 Bethany Cox

jjnxn-1 Pleasant, light headed nonsense still has its pleasures. Chief among them is Gordon MacRae singing beautifully and so handsome. He really should have been at MGM with the Freed unit to take advantage of his gifts, Warners never had the quality productions his talent deserved. Even though made on loan-out to Warners this was made at the height of 20th Century Fox's big push to make June Haver the new Betty Grable. June had a pleasing way about her, sang and danced adequately but didn't have the punch of Grable nor the vulnerability or flesh impact of the girl who would replace her within a couple of years, Marilyn Monroe. She's serviceable in the lead but not memorable.Debbie Reynolds in her first featured part is pert and bursting with her special brand of energy. Her role is small but even with that she registers on screen in a way Haver never does. A good illustration of star quality and the lack of it in one film. Gene Nelson stands out in the dance department although he is made to look ridiculous in some awful costumes but his footwork compensates. The rest of the cast all perform well and the film is loaded with color but it's all a bunch of malarkey.

weezeralfalfa My title is a quote from 'Cuddles' Sakal, who is showing his Irish coworker Dennis O'Grady(James Barton) his prized Hungarian sausages(wurst). For once, this inimitable old fuss body Hungarian refugee plays a Hungarian, and appears periodically throughout the film as a background character, mostly fruitlessly attempting to inject a bit of humor. Dennis is the father of 3 marriageable, or nearly so, girls, played by June Haver, Marcia Jones and 17 y.0. Debbie Reynolds. The latter is barely recognizable, as June's tag along younger sister, in her first Hollywood speaking role, giving no hint of her potential, realized a few years later in "Singing in the Rain" : still very much a work in progress even then.Papa O'Grady, along with Sakal's character, are driver/conductors for horse-drawn trolleys in NYC. He used to be a vaudeville performer, until his wife partner, Rosie O'Grady, died. He claims she died from overwork as an entertainer and hence forbids his daughters to think about becoming a musical entertainer. Problem is Patricia(June) obviously has such an ambition and has to sneak her forays into the theater distinct. Meanwhile, eldest daughter Katie is secretly married to a returning soldier from the Spanish -American War, whom she soon tells she is pregnant. Pat happens to encounter Tony Pastor(Gordon MacRae), owner of a vaudeville theater, who invites her to become a singer/dancer, while strongly hinting a romantic interest in her. Problem is he has to improvise a story about who he is and what he does to pass the severe criteria of Papa O'Grady, in a comedic scene. After tentatively approving him, papa suggests a possible union with eldest daughter Katie, rather than Pat, unaware that she is married and pregnant! After he finds out the truth about Katie and Pat, he disowns them. But , he finds he is miserable without his daughter's company and cooking. Tony and Pat have a falling out over Pat's concern about her father vs. her commitment to Tony's show. Tony also insults her dancing partner, played by Gene Nelson, who consequently announces his intention to soon quit the show. Everyone is mad at each other at this point. But, as this is Christmas season, they gradually make amends , and even papa is invited to take part in the long winter-themed finale.This was the second and last pairing of June and Gordon, as well as June and dancer(primarily) Gene Nelson. Gordon and Gene were contract players for Warners, whereas June was on loan from Fox. June is her usual smiling effervescent self, when given the opportunity, and Gordon's singing was quite impressive for the limited material provided. June's acting was also good, while Gordon's tended to be a bit wooden. He had a more extensive presence than in his first pairing with June, which was also his first Hollywood musical.... Gene got his new Hollywood start as June's dance partner in "I Wonder Who's Kissing Her Now". In the present film, he got much more dance time, he and June making a great -looking dance team, as well as performing several of their own dances. He and Gordon would be rushed into a series of musicals, mostly with Warners' up and coming musical star Doris Day. The first; "Tea for Two", also costarring Sakal, was released later that year, and is generally regarded as more entertaining than the two films in which Gordon and June costarred. For one thing, several well recognized standards were included, instead of the less memorable songs provided in this film. Also, Gene's mostly solo dances were more innovative and exciting to watch. Except for her last Fox musical with Dan Dailey, June was typically cast with one or two other female musical talents, with or without musically -talented male stars, as was the pattern for most Fox musicals of the late '30s through early '50s. This is in contrast to her two Warners' films, where she was the sole female musical star, cast with distinct singing and dancing male stars.The comedic highlight of this film is provided by an unheralded man & woman comedic acrobatic routine: very Charlie Chaplin-like. Otherwise, the humor mostly relates to Papa O'Grady's unraveling relationships with his daughters. James Barton(papa) was an old time vaudevillian, as he plays here. He also played a similar character in the Betty Grable film "Wabash Avenue", also released in '50. He probably gets as much (too much!) screen time as June in this film, certainly more than leading men Gordon and Gene. We could have done without his drunk period, over his daughter's disobedient romantic shenanigans. Jane Darwell("Grapes of Wrath") fruitlessly tries to provide a bit of humor as neighbor Mrs. Murphy, heckling papa.Gordon's character's name: Tony Pastor, is the namesake of the generally recognized founder of the vaudeville show format. However, the real Tony was in his 60s at the turn of the century. We might imagine this Tony to be his son.Should not be confused with the prior Fox musical "Sweet Rosie O'Grady", starring Betty Grable. Is currently available as an on-demand printed DVD.

edwagreen Another musical teaming up Cuddles Sakal with Gene Nelson and Gordon MacRae. However, Tea for Two, was far better. Why? Sakal was given much funnier lines in the latter film and of course it had Doris Day, Eve Arden and Billy De Wolfe giving fine support.In this 1950 film, MacRae and Nelson are reduced to actual supporting roles. The major role has got to be the Irish father, whose strict code of ethical behavior becomes the forefront of this rather childish film.The movie, taking place after the Spanish-American War ended, is rather silly at times. Daddy doesn't know for a year that his daughter has married the typical Irish policeman and is about to have twins, or is it triplets?The singing and dancing are rather benign here. There is really no catchy tune here. June Haver gives her all but the script really does everyone in.As was the case with 'Tea,' you don't know who the girl will wind up with until the very end. Apparently, we needed a tea for the Rosie O'Grady clan.