The Scarf

1951 "They had nothing to lose but life...and they knew how cheap that was!"
The Scarf
6.7| 1h33m| NR| en| More Info
Released: 06 April 1951 Released
Producted By: Gloria Productions Inc.
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Budget: 0
Revenue: 0
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Synopsis

A man believe to have murdered a woman, escapes from the insane asylum to find if he was the one to actually kill her using the scarf she was wearing.

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Gloria Productions Inc.

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fanbaz-549-872209 Some of the dummies who don't get this movie should take the day off and do something useful. Like get a brain. The guy from Florida who thinks the plot lacks credibility should be stopped from going to the movies. You suspend credibility when you see a movie. That is the whole point. Seriously, pal. Superman can't fly. This is a terrific picture full of interesting dialogue that moves away from the cliché. I ask you, when did you last see a turkey farmer with pistol and cello? I won't do the review because others have done it already. I just want to take a pop at the airheads who post on this site and wish they wouldn't.
bkoganbing John Ireland and Mercedes McCambridge who were together in All The King's Men are cast together in The Scarf. Ireland plays an escapee from a mental asylum who is there because he strangled a woman allegedly. Mercedes McCambridge plays a woman who helps him out as does James Barton who gives him refuge at his turkey ranch.Ireland reasons that while he has no memory of the event he also has no feelings of guilt and would if he actually did the deed. From this premise he seeks answers.A lot of very good players are in this story, but it could have been a lot better plotted than it was. I was also not satisfied with the ending, it was definitely a let down. It's also obvious who the real killer is.Fans of any of the cast members should like The Scarf, but it definitely deserved better writing and direction.
secondtake The Scarf (1951)A peculiar but sometimes charming movie, filled with empty moments, people sitting and talking, the wind whistling through trees in the desert, and a possible killer on the loose. The best parts for me were the odd pairing of a loner woman played by Mercedes McCambridge and the leading man on the run, John Barrington (John Ireland). Later, both of these characters appear in different places, sometimes crossing paths. McCambridge is a sharp, funny, slightly tragic actress, and Ireland is a super sweet guy. They make a surprising pair.The setting for all this is a nice little village on the edge of the desert, and a dry turkey farm out of town. As Barrington suffers with his guilt and doubts about having committed a murder (strangling someone with a scarf), he bounces from place to place, just barely avoiding trouble. People are rough and Barrington can't get his head together, but he plugs along, butting against McCambridge at times, and the tensions grows before you realize it.It isn't quite a Hitchcockian innocent man on the loose. We doubt him, too. We are unravelling the problem as they go. It isn't always a remarkable unfolding of events, but it has remarkable moments, and a strange, spare mood that is possessing. At first I almost stopped watching it because it was a bit clumsy and raw, but that becomes smoother and more essential over time. Eventually it becomes downright idiosyncratic in the best ways, just on the happy edge of weird. There's even a barroom scene with McCambridge singing a simple blues song, pretty amazingly.The plot takes on some forced twists toward the end, but they are still dramatic ones. "The doctor is allergic to irrelevant laughter."
David (Handlinghandel) This weird item begins on a turkey farm. The farmer is a philosopher.The movie is a turkey with pretensions of philosophical wisdom. Every line, virtually, is an epigram, but, though it was made around the same time, this sure ain't no "All About Eve." The dialogue is like that of a mediocre off-off-Broadway play: full of meaning, full of -- well, something else.The story is interesting enough. Nice guy framed by friend. Nice guy is, inexplicable at least in the surviving print, son of rich man. Decent men triumph and reveal the guilty party.Among the other oddities is the casting of Mercedes McCambridge, a fine character actress, as the gorgeous dame. Gorgeous she ain't, though she turns in a game -- no, not gamy -- performance. She was a far better actress than, say, Cleo Moore, but surely someone more convincing was available.The whole thing is entertaining but annoying. It could have stood on its own, minus the pretension that abounds.