The House in Marsh Road

1960
The House in Marsh Road
6| 1h10m| en| More Info
Released: 01 November 1960 Released
Producted By: Merton Park Studios
Country:
Budget: 0
Revenue: 0
Official Website:
Synopsis

When a woman inherits a valuable house, her nasty husband and his mistress plot murder. But the house has a protective poltergeist who thwarts the wicked pair.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Merton Park Studios

Trailers & Images

Reviews

trimbolicelia Not a bad little early 60's British-made spooker/thriller. A woman inherits an old rambling house from an aunt. She right away likes the house and even its resident ghost. Her wastrel husband does not. A real rotter that drinks and carouses with other women more than he works at a job or his marriage. He would like his wife to sell the house so he can go through the money at the speed of light. When he gets fed up at his now independant wife and her refusal to do what he wants he picks up whith the town tramp. The they start planning to do away with the cumbersome wife. They don't count on the ghost doing everything it can to protect the wife and punish them. Not overly atmospheric or spooky, but the supernatural goings on seem believable and not over the top. Good performances by all. Always liked this film. I found a fair condition DVD-R. Hopefully someday it will be released re-mastered. The film (not necesarily the DVD-R) is highly recommended.
Leofwine_draca THE HOUSE IN MARSH ROAD is a low budget British potboiler with a supernatural edge. The storyline is a predictable one about a seemingly normal husband and wife who move into a new home. Unbeknownst to the wife, the husband has a jealous lover who plans to murder the wife so that she can take her place. However, a supernatural force in the house has other ideas.It's quite unusual to see a film like this which plays up the thriller aspects of the storyline while downplaying the supernatural elements. Certainly there are no special effects or anything here, just a few spooky scenes of plates smashing and the like. As a film, THE HOUSE IN MARSH ROAD feels quite dated in comparison to the likes of THE HAUNTING which came out three years later, but it has elements of interest for the British genre fan. Patricia Dainton gives a typically assured performance as the put-upon wife, and Sam Kydd is reliable in support as always. Hardworking director Montgomery Tully keeps things moving nicely along as well, so at least you can say that it's never boring.
Spikeopath The House in Marsh Road is directed by Montgomery Tully and adapted to screenplay by Maurice J. Wilson from the novel written by Laurence Meynell. It stars Tony Wright, Patricia Dainton, Sandra Dorne, Derek Aylward, Sam Kydd, Llewellyn Rees and Anita Sharp-Bolster. Music is by John Veale and cinematography by James Harvey.When Jean Linton (Dainton) inherits a house in the country she hopes her hard drinking novelist husband David (Wright) will settle down and make something of himself and their marriage. However, when sultry Valerie Stockley (Dorne) arrives on the scene it's not long before David's head is turned and he begins to plot the murder of his wife. Jean is in trouble, but she has an ally, the resident poltergeist of Four Winds House...Simplicity of plot and economical of running time and technical attributes, The House in Marsh Road should not be sought out by any "horror" fan craving poltergeist terror. This is a quaint and fun chiller for the most part, even with an air of jauntiness for the first half, in fact very much like The Uninvited (1944) in how the presence of a ghost is not seen as something to be outright feared. Then the mood for the latter stages of the play notably shifts into darker territory, here the dastardly David starts to put his plans in motion, something which signals time for the poltergeist to take a hand in proceedings. Which leads to a very good and genuinely edgy denouement at pics finale. It never lacks for atmosphere or period flavours, or indeed for competency of performances and direction, where although it never breaks out into the upper echelons of other classic British chillers, it's still something of a "B" chiller worthy of inspection by those who don't need to be jolted out their seats. As for "Patrick the Poltergeist", he's rightly kept off screen, or is he? One scene appears to show him? Either that or a prop guy is guilty of standing in the shot? See if you can spot the moment and judge for yourself. It's just another fun part of a movie that provides gentle chills and honest entertainment. 7/10
kevin olzak 1960's "Invisible Creature" was one of the numerous foreign titles (British, Japanese, Mexican, West German) issued straight to television in the US by American International Pictures, who even hired home grown talent to supply them with product (Larry Buchanan in particular-"Zontar the Thing from Venus"). The American copyright is 1964, and the film debuted on Pittsburgh's Chiller Theater on May 8 1965 (paired with 1959's "A Bucket of Blood"), shown again July 23 1966 (paired with 1958's "It! The Terror from Beyond Space"), and finally on August 2 1969 (paired with 1958's "Terror in the Haunted House"). Constantly shown throughout that decade, few of these have survived the test of time to be revived anymore. Today, "Invisible Creature" is deservedly obscure, as it is very low key, with a tiny no name cast (Sam Kydd a welcome presence) and nonexistent budget. Also, the new American title rather gives the game away, the original British version called "The House in Marsh Road." Patricia Dainton stars as Jean Linton, the wife of a once successful author (Tony Wright) now drinking more than he writes, who inherits a two story country cottage inhabited by a ghost. Once the husband's wandering eye settles on an attractive widow (Sandra Dorne) who prefers the company of wealth, he begins to plot a way to bump off his unknowing spouse so he can rid himself of her ancestral home. What the pair don't know is that the never seen spectre appreciates Jean far more than they do, watching over her while she remains under its roof. The exotic Sandra Dorne would meet a similar fate in 1963's "Devil Doll." I've always held a certain fondness for this one even though it's fairly predictable, but those who never viewed it back then may find it unrewarding.