The Last Great Wilderness

2002
The Last Great Wilderness
5.6| 1h35m| en| More Info
Released: 09 May 2002 Released
Producted By: TLA Releasing
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Budget: 0
Revenue: 0
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Synopsis

Charlie's wife has left him for a successful pop star, and he wants revenge. He sets out for Scotland's Isle of Skye, where he will burn down the star's mansion. In a cafe, he meets Vincente, a Spaniard who asks him for a ride. With his new friend in tow, Charlie soldiers on, only to run out of gas in the middle of nowhere. They walk to the nearest residence--where they are greeted by a suspicious and motley group of people who may or may not be part of a bizarre cult that lives in the area. Charlie and Vincente will be staying longer then they expected, and it is going to be a strange visit!

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Leofwine_draca THE LAST GREAT WILDERNESS is a weird little Scottish movie. The copy I saw of it was so cheap that it looked like it had been filmed on somebody's Camcorder, although I'm sure that wasn't the case. It's a film that's heavily indebted to THE WICKER MAN in terms of storyline, which sees a pair of disparate characters heading up to a remote village and encountering some very weird locals.If I'm honest I didn't enjoy this film at all. The script is sub-par and the quirky character work doesn't really add anything to the experience. Most of the second half, which is where the interesting stuff lies, is shot in the dark so that it's difficult to see what's going on. None of the characters are remotely sympathetic, and come the end I didn't really understand or care what was happening to them either. Other than minor roles for TRIAL & RETRIBUTION tag-team David Heyman and Victoria Smurfit, THE LAST GREAT WILDERNESS has very little going for it.
Callum Berry Watched it knowing very little about it, ended up extremely pleased! Merging many genre's in the process, this film isn't for everyone, butshows the mainstream how its done! Shows the beauty of the low budget films focus on mood, aesthetics and acting to ensure full engagement. The charm of the Scottish landscapes also adds a delicious, raw edge. On top of superb performances all round, very likable characters and the mystique element of the narrative that builds up, creates a fairly original vibe. Very interesting film for those interested in the more rewarding realms of British cinema. Also features The Pastels which just adds that extra sweetness
djsmokingjam I bought an ex-rental copy of this as an impulse buy after reading about the soundtrack, which features several indie favourites (Pastels, Eugene Kelly, Jarvis Cocker, etc.), and having expected just a bit of fun - "Straw Dogs meets The Wicker Man", as it said on the case - I was very pleasantly surprised. In many ways it acts as the antithesis of both those films; at first it seems like a surefire Wicker Man ripoff, before defying all expectations, and rather than take Straw Dogs' hoary "you must take up arms and taste blood to be a real man" shtick, it offers quite the opposite.Is it a scary film? Not really, and if that's what you're expecting, as "Donald Darko" was, then you'll be disappointed. Rather it's a unique, atmospheric film full of new ideas concerning gender and sexuality, as Charlie begins his journey from a cuckolded man desperate to violently reassert his masculinity to discovering a new way of doing so when he gets into the lodge. Admittedly, I had just read Carol Clover's "Men, Women & Chainsaws" when I first saw this, so all the symbolism as regards castration anxiety seemed quiet obvious, but this is a film that stands up to repeated viewings and offers new insights every time you see it. I'm not going to pretend I understand all of it yet - Vincente's arc still eludes me - but this is one of the reasons to keep coming back to it.Again, if you're expecting "Dog Soldiers", this film isn't for you. But in short, what is right about it: cracking dialogue; beautiful DV photography by Simon Dennis; one of the most tender, erotic love scenes in years; the butterfly symbolism; ace performances; a lovely soundtrack... oh hell, you get the idea. Ignore Philip French's snotty review - this is great modern, refreshing low-budget British film-making, and if there's any justice in the world, it will find its audience in time.Conclusion - rather than being a predictable, violent thrill-ride, TLGW is possibly the most intelligent, subtextually rich British horror film since Don't Look Now. Seek it out now!
tracenodent I thought this movie was excellent in every way. I didn't find it a one-actor movie at all. Although it focused a bit on Charlie, Vince and all the characters in the lodge were just as important. I thought all the actors did a great job. (I've not seen Monarch of the Glen, but I want to now!) Wonderful movie...wonderful, wonderful, wonderful. Hopefully at least a few people outside of Edinburgh will see it! :)