JohnHowardReid Copyright 1956 by 20th Century-Fox Film Corp. New York opening at the Globe: 21 September 1956. U.S. release: September 1956. U.K. release: November 1956. Australian release: 15 November 1956. Sydney opening at the Plaza. 99 minutes.SYNOPSIS: Set in the Arizona territory in 1875, the story tells what happens to a small group of people, mostly teenagers, who, quite by accident, survive an Apache attack on their wagon train and endure terrible hardships in the long trek to safety.NOTES: Fox's 62nd CinemaScope feature. Locations in Sedona, Arizona.COMMENT: This rugged western, filmed against picturesque backdrops in Northern Arizona, was not highly regarded in its day due to its somewhat protracted and overlong story-line, as well as its too verbose and even pretentious moralizing. Widmark's over-intense acting did not help either. I'm sure the movie would go over much better with a modern audience who will tolerate any amount of pretension, garrulousness and thespic hamminess, so long as these stretches of tedium are occasionally enlivened by bouts of blazing action. I'm amazed that Fox have not theatrically re-issued "The Last Wagon". I'm sure that admirers of director Delmer Daves ("Broken Arrow", "Jubal", "3:10 to Yuma", "Cowboy") would welcome the opportunity to re-assess this one.

MartinHafer This film begins with Richard Widmark being chased by a posse. In the process, Widmark kills several of the deputies until he is ultimately captured. The sheriff (along with Widmark) soon meets up with a wagon train and tags along with them until he can get his prisoner back to town for a proper hanging. As for why Widmark did all these nasty murders, he is supposedly part Comanche (he sure doesn't look it--that's because he was a white orphan raised by the tribe) and has a total disregard for society--and somehow this entitles him to kill with abandon.Problems soon develop with the settlers. They are devout people and can't stand the way the sheriff takes pleasure in tormenting Widmark (who is now handcuffed to a wagon wheel). What happens next with Widmark and the sheriff is something you'll need to see for yourself.Soon another parallel story begins as well. One of the ladies in the wagon train is angry because her father was previously married to an American-Indian and she has a half-sister as a result. There is obviously much hatred of the 'half-breed' sister and the racist feelings the white sister feels is a parallel to the story of Widmark. Occasionally this tension seems a bit overdone--especially since you'd think the angry white sister would have come to terms with her half-sister and the white settlers would get tired of using words like 'savage' so much. Subtle its message ain't and the one young lady in particular plays a character too unlikable and annoying to be real--the one and only real deficit in an otherwise good film.Unfortunately for the wagon train, the land they eventually enter is Indian land. Soon, it appears that the Indians are angry about their land being invaded and it appears that all of the settlers' lives are about to be snuffed. At this point, the tables are turned and it's up to the cold-blooded killer, Widmark, to save the day--escorting the survivors to safety and teaching them to live off the land like natives.By the way, as you watch Widmark chained to the wagon wheel and doing some stunts as well while connected to the wheel, you are impressed by how much he was willing to do for this role. Occasionally, you assume it's a stuntman doing some of the scenes but in many cases it is clearly Widmark being tossed about in this very uncomfortable manner. What a guy...and what a good film.Overall, a very good film that is worth watching for its fine performance by Richard Widmark as well as an interesting and thought-provoking script. As I already said, the story isn't always subtle nor are a few of the characters, but it still is an earnest and enjoyable flick.

gmcgibney Though he never achieved the status of John Ford, Delmer Daves was responsible for elevating many average scripts into films that became more than the sum of their parts (Dark Passage, 3:10 To Yuma). This is a film I can first recall seeing on the late show in my early teens with my nine-year-old brother. Thirty years later we still call each other when we see it listed in the TV guide. In Commanche Todd Richard Widmark gives us one of his most likable and unforgettable characters in what could easily have become a throwaway performance in a "B" movie. The supporting cast is excellent especially Felicia Farr as Jenny. She took what could have been a potentially thankless role and turns Jenny into a strong and extremely desirable woman. Despite the sappy Hollywood ending that is somewhat at odds with the tone of the rest of the film this is a film that holds up after almost fifty years.

whpratt1 It was great viewing this 1956 film and enjoying the great acting of a very young Richard Widmark,(Comanchi Todd), "Garden of Evil",'54, where he plays a very well experienced man who can deal with almost any situation and understands the Native Americans like a book. The film has great photography through out the entire picture and brings you back to the Old West and the troubles that men and women had to face in the wilderness. Susan Kohner,(Jolie Normand), gave a great supporting role along with Nick Adams,(Ridge), both these characters had their own feels toward Comanchi Todd and some doubted if he was man enough to get them out of many death threatening situations. Comanchi Todd had his problems with a Wagon Wheel and I thought he was never going to get himself away from its burden of weight. If you are a fan of Richard Widmark, you will greatly enjoy this film which he made into a great Western Classic.