Kirpianuscus a well known text. and more that. impressive realism. and touching poetry. a masterpiece, without doubt. but on who inspires so emotion than transforms each moment in a surprise. because it is more Hemingway than Santiago in this story about memories - dreams, confessions, terrible fight, disillusion, pain and broke of expectation. it is almost a Hasidic story. or a parable. out of lines of text, out of expectations of viewer. a kind of magic. not surprising for the public of Alexander Petrov. but out of words. because his art has him. a gift. a miracle. open of new perspective of reality. that is all. and it is enough. because The Old Man and the Sea by Alexander Petrov is more than a magnificent adaptation. it is one of the most impressive confessions as part of unique art.

Rectangular_businessman This short is one adaptation of the book of Ernest Hemighway, by the Russian animator, Aleksandr Petrov (Which, along with Yuriy Norshteyn is one of the greatest Russian animators of the history) The visual technique of the short is paint on glass, and it looks absolutely beautiful, filled with a incredible level of detail. Every single frame looks like a painting, but not only the animation is beautiful to look at, but also the narration used by Petrov it's simply wonderful and mesmerizing, combining dream-like sequences with a unique, fantastic animation. I highly recommend this short to anyone, especially those who enjoy different styles of animation. No wonder why this won the Academy award to Best short in 1999. This short is a masterpiece.

Galina "The Old Man and the Sea" (1999) directed by Aleksandr Petrov is a 20 minutes long animation based on Ernest Hemingway's 1952 novella of the same name. Petrov's film was awarded Academy Award for Best Animated Short Film in 2000. More than two years of painting on glass sheets, using brushes but mostly his own fingers, resulted in over 29,000 paintings that enabled Petrov to produce this absolutely awesome, one of the kind feast of colors, images, and emotions that celebrate the famous work of literature and its creator. I have watched it perhaps ten times during the last weekend. I am still overwhelmed by its beauty and depth, and the admiration for what human imagination, creativity, and talent are capable of producing. The extremely rare technique made the film both incredibly realistic and magically dream-like. The director himself gave us the key to understanding his work when he explained that painting with his fingers instead of brushes, "is the closest way from the heart to the cartoon". He put his own heart in every scene of the film, and that's probably why every image is alive, breathing, and shining.

ackstasis Based on Ernest Hemingway's 1952 novella of the same name, Aleksandr Petrov's 'The Old Man and the Sea' is a masterpiece of animated short films, taking a classic story and offering it a beauty that only Petrov could accomplish. Completed over two and a half years, the film was created using paint-on-glass animation, a technique which uses slow-drying pastel oil paints on glass sheets. Running for approximately 20 minutes, the film is comprised of more than 29,000 paintings, each frame a veritable work of art. 'The Old Man and the Sea' was the first animated short film to be released in IMAX format, and I can only imagine how breathtaking it would have been on such a large screen. Alas, I was forced to settle for my minuscule computer monitor, but perhaps I'll get my chance someday.The film traces the fortunes of an old man named Santiago, who has had a proud, adventure-filled life, and now whittles away his days fishing alone on the ocean, usually without catching anything. His young apprentice, Mandolin, despite being forbidden by his parents to go fishing with the old man, visits everyday, and the old man would often regale Mandolin with the exciting stories of his lifelong travels, of elephants and tigers and the ocean. On this particular fishing trip, Santiago comes up against a magnificent marlin, which takes the bait but refuses to give in. The old man feels that, despite he and the fish being brothers, it is his duty to kill the marlin, and only in doing so can he prove his worth.The wonderful animation of 'The Old Man and the Sea' is startlingly realistic, but the effect of the oil-on-glass also gifts it with a certain dream-like quality. The ocean is a vast heaving body of blue, a character in itself, and the marlin which lurks in its depths is an immense creature of great dignity. The moment when the struggling marlin tries unsuccessfully to escape by hurtling itself magnificently into the open air is truly affecting. The beauty of this film must be seen to be believed, and the 2000 Academy Award for Best Animated Short Film was certainly not undeserved.