Leofwine_draca THE RUNAWAY BUS is a lightweight British comedy feature with some nice mystery and thriller aspects in the mix. The story is set on a foggy night of the year, the location an airport transport bus which is taking the usual diverse group of passengers to a remote location but struggling to find a route through the obscured country roads. There's a bit of a light Agatha Christie feel as it becomes apparent that at least one of the passengers is merely masquerading and actually a robber involved in the theft of some gold bullion. This is a notable feature for the always likeable Frankie Howerd, playing the replacement bus driver involved in all manner of pratfalls and goofy humour; his brand of comedy acting is well established even by this stage of his career. The film is low budget but has lots of humour and a very good supporting cast. Margaret Rutherford is the loudmouth, Terence Alexander a shady rival. Petula Clark is very young, unrecognisable in fact as the friendly but pushy stewardess. George Coulouris is another shady character, and there are bit parts for film regulars Marianne Stone and Sam Kydd.

JohnHowardReid One of the foundation stones of conventional movie wisdom is that only seven possible story scenarios are suitable for a mass audience. Recently, screenwriter Blake Snyder has expanded this concept to ten: Monster in the House, Dude with a Problem, Fool Triumphant, Superhero, Buddy Love, Out of a Bottle, Institution, Golden Fleece, Rights-of-Passage, and Whydunit.You'd think that Mr Snyder had taken The Runaway Bus as his model, for Val Guest was inspired to use all but one of the above basics in constructing his heavily-laced plot: Monster in the House? Yes, we do have a major variation on a haunted house sequence. Dude with a Problem? Yes, a big problem. He's lost his way in the fog with a bus-load of eccentric passengers. Fool Triumphant? I'll say! Superhero? No, I'm glad to declare, but it's the only one we miss out on. Buddy Love? Yes, there's a girl on the bus. Two girls to be precise: perky, petite-as-a-picture Petula Clark and emptyheaded-but-wow-of-a-figure Belinda Lee! Out of a Bottle? Not quite the sort of addiction that Snyder implies, but cranky-as-a-hoot-owl Margaret Rutherford certainly gives that impression. Institution? Definitely! The characters find themselves in a "prison", and even the airport itself is virtually cut off and isolated. Golden Fleece? A major strand of the plot. Rights-of-Passage? That's also what it's all about. And Whydunit is actually a Whodunit here and this is the number one element of Guest's scenario. In fact, comedy really takes a second place to the mystery.For what is to all intents and purposes his movie debut, Frankie Howard seems most fortunate to have gained a big assist from writer/producer/director Val Guest who has surrounded him with a fine cast and great production values. Oddly, although the movie won critical praise, it did only moderately well at the British box office. For once, the critics were right, and picturegoers wrong. Howard's comic gifts are considerable and he comes across as a comedian with a genuinely original and amusing style.Producer Guest was taking no chances, however. In addition to Frankie, he has cast Margaret Rutherford at her eccentric best, Petula Clark (no, fans, she doesn't sing in The Runaway Bus, but you can't have everything), Belinda Lee (inclined to over-enthusiastically over-act in this, her first feature film, but who's complaining?), Toke Townley (a first-class character actor who spent most of his career playing bit parts), and perennial Hollywood heavy, George Coulouris. Although he doesn't share a single scene with his wife, Margaret Rutherford's real-life husband, Stringer Davis, has a small role as an airport official and one of the funniest lines. Explaining that the emergency bus can only be used in an emergency, he's told that at the reception desk an old lady is haranguing the staff with an umbrella. I love his laconic reply: "That's an emergency!"Producer/writer/director Guest has also hedged his bets with the screenplay itself by making the mystery and thriller angles of the story as intriguing and suspenseful as other episodes are chucklesome and amusing. The identity of the mystery "Banker" is cleverly disguised, whilst superbly film noirish photography and grand-scale art direction (that must have strained Southall's comparatively small studio space to the limit) contribute splendidly to the spooky atmosphere.

chris_hardisty This film is a must see for any fan of the following movies: The Cat And The Canary (Bob Hope), Any Agatha Christie Movie (Margaret Rutherford ONLY!), Ask A Policeman (Will Hay, Harbottle & Albert), OH! Mr Porter (Will Hay, Harbottle & Albert) or What A Carve Up! (Sid Jmes & Kenneth Moore), The House In Nightmare Park (Frankie Howard). Brilliantly shot movie, fog rolls in and creates a real feeling of horror. Add to this brilliant performances by Frankie (Very Young) and Margaret Rutherford. Watch this film in bed when it's dark outside! Subsitute bus driver (Howard) takes a group of passengers from the airport (where its very foggy) to another destination. Once the bus sets off we hear news of a robbery (done by THE BANKER) bars of gold bullion have been stolen and the other place the police think the gold could be is in the boot of the RUNAWAY BUS. Frankie loses his way the thick fog and soon the RUNAWAY BUS is in the middle of nowhere! The small number of passengers are all behaving very odd for various reasons but is one of them THE BANKER? Brilliant, who done it?

alexgreig Certainly not one of the classic 50s comedies, but it allows Frankie to give full reign to his unique talent. There are rather too many unbelievable plot twists and many of the characters are two dimensional, but there are some good chuckles. Nice to see a young Petula, and also Belinda Lee, one of the many blonde bombshells of the 50s who were hyped as Britain's answer to Marilyn Monroe. Disappointingly, if you enjoy watching 50s films for their shots of towns and villages in the post war period, this one seems to have been shot almost exclusively in the studio and backlot Verdict : If you are a big fan of Frankie Howerd's style, go for it.