Chris Smith (RockPortReview) Not to be confused with the 2013 Oliver Stone movie "Savages", 2007's "The Savages" stars Philip Seymour Hoffman and Laura Linney as brother and sister dealing with their aging father. The story is all too familiar to some as the baby boomers continue to age it's up to their children to care for them. The film is written and directed by Tamara Jenkins in a very honest and sincere way that will resonate with many people.We start out in the warm and sunny senior utopia of Sun City, Arizona. Lenny Savage, played by Philip Bosco, is the elderly antagonist in a story that starts out with a "bathroom incident". Not to long after that his girlfriend of many years literally drops dead. Since he was living with her and her kids can't stand him he is kicked out to fend for himself. His daughter Wendy Savage lives and works in New York City as a struggling author and playwright who is having an affair with an older, balding, and more importantly married man. Her older brother John Savage lives in Buffalo, he writes, teaches, and has PhD in philosophy. Both sibling are single and muddled in mid life crisis territory when they receive a call to come and do something about there estranged father. Lenny was a terrible father and their mother left the family when they were little, so it is quite amazing to see how relatively normal Wendy and John turned out. They meet at Wendy's place, then board a plane to Sun City.Lenny has dementia and is pretty dependent on others so they make the big decision most people dread. They have to choose a nursing home were they prey on peoples guilt. Wendy asks John "Are we horrible people?" They each deal with things in their own way. Wendy feels enormous guilt, while John can only think of what his father did to him as a child. Can he forgive the abuse? Are they doing the right thing? "The Savages" is also darkly comedic. The indignities of getting old and the many awkward moments that ensue. While bringing Lenny back to New York, they have quite the embarrassing moment on the plane. Later on at a coffee shop they have a very tough and awkward conversation about what to do with him when he eventually dies. The film is a rare and realistic approach to death and how it affects the living. It forces Wendy and John to get together and work out there problems which eventually brings them closer together. Philip Seymour Hoffman's performance earned him the Award for Best Male Lead at the Spirit Awards, while Laura Linney nabbed a Oscar Nom for best supporting actor. Tamara Jenkins also got a nod for best screenplay.

Red_Identity The Savages is a very nuance and quiet little film about the journey of two siblings in taking care of their father. It is very well-made, with great cinematography and use of lighting, and the music score is very limited and quiet and only used in poignant scenes. It is very much a character film and study. Both Laura Linney and Philip Seymour Hoffman have great chemistry and deliver two great performances representing their flawed characters. I am surprised at the label as a comedy though. I did think it had a few moments of subtle humor but I wouldn't call it a dramedy at all, and for those expecting an indie film that balanced both drama and comedy in a Juno type of way will probably be disappointed. Instead, The Savages relies in the smooth direction, good writing, and great acting to deliver it's message.

jerzyrex Philip Seymour Hoffman and Laura Linney give us a pair of performances right out of their standard playbooks...and the remarkable thing is that they both work so well. Hoffman's slobby demeanor, unshaven face, red eyes and a delivery so bored you can tell it just feels like his character can barely stand the idea of talking are nothing new...but they are still effective. Linney gives another over-energized, on-the-edge but super intelligent performance...again, nothing new...but still very welcome.These two play siblings of the Savage family, who, while not exactly estranged, probably aren't spending much time with each other either. Hoffman is a Brecht scholar and professor in Buffalo, and Linney works as a temp in NYC, while waiting for a grant that will allow her to pursue her dreams of playwrighting. They are brought together when they have to bring their father (Philip Bosco) back to New York after his long-time girlfriend dies. Dad is suffering from early stages of dementia and has other ailments, so Hoffman persuades Linney that the only place for dad is a nursing home.I fully expected this movie to be an indictment against our treatment of the elderly, or one of those family dramas where everyone yells at each other all the time. Instead, the siblings are mostly uncomfortable with each other. Each is in the end-stages of relationships and neither feels comfortable sharing much about their personal lives. They agree to live together for a little while, so they can trade off looking in on dad. The movie mostly explores their brittle relationship with each other. Dad clearly wasn't much in the parenting department, and no doubt his kids owe a lot of their failures and foibles to that fact...but Dad is now mostly a non-entity. He sometimes recognizes them, and sometimes he resists efforts to move him or change his clothes...but mostly he is lost and passive. He's hardly the man they both grew to dislike...he's mostly an obligation. To the credit of the brother and sister, they never argue over who will "take care of dad" or spout clichés like "you're getting off easy." They both understand that this burden has fallen to them, and while not happy about, they will handle it.Hoffman is more practical. He finds Dad a nursing home near his house. It's got a plain exterior and feels like a hospital. They take medicare and can provide for dad. (In fact, I really enjoyed the fact that this home, while still somewhat depressing, actually cared for its patients, treated them with respect and didn't generate any enmity from the audience.) To Hoffman, the place is fine. Linney wants dad somewhere "nicer," preferably a place in Vermont. She is somewhat driven to find her dad a nicer spot...probably out of some misplaced guilt.Not a lot happens in this film. Director and writer Tamara Jenkins is very blessed to have these two great actors, because they make all their interactions crackle with wit, sadness and believability. They love each other...but not in a way that gives them much joy. They are siblings who share little beyond an appreciation for theatre and a dieing father. Yet in many ways, the movie shows them jockeying for the approval of the other. Linney wants to be successful in her brother's eyes, because she thinks he looks down on her. Truth is, he doesn't look down on her all that much...but he's pretty down on himself too and that drags everyone under. Hoffman and Linney are a great cinematic team, and I'd love to see them work together on something again. They whole time I was watching them, I was imagining seeing them in a play together...that would be worth seeing.Philip Bosco is also VERY good as the father. His expression alternates from confusion to anger to disappointment to sadness to emptiness to very mild happiness. He's not an easy guy to like...but he is by no means the clichés dementia victim so many movies dish out. In fact, Jenkins has made all three characters very specific and unique. While it's always a bit heavy-handed to see characters who are writers or "in theatre," even that works for this film, because these two have to live out pretend lives because their real lives hold so little joy. (It's a very nice touch that Hoffman is a Brecht scholar...Brecht was all about the head and not the heart. He didn't want his plays to have real emotion...Hoffman's character is somewhat afraid of real emotion too.) This isn't an earth-shattering film. It has moments of great humor and also some sadness. Mostly, it just feels like a fairly believable slice-of-life. It's not an important film...but it has some great performances, and that makes it very worthwhile.

Claudio Carvalho In Sun City, Arizona, the grumpy Lenny Savage (Philip Bosco) has dementia and lives with his mate Doris Metzger (Rosemary Murphy). His son Jon (Philip Seymour Hoffman) is a professor of drama in Buffalo that is writing a book about Bertold Brecht. His daughter Wendy (Laura Linney) is a thirty-nine year-old freelancer and aspirant writer of screenplays for theater that lives in New York and has an affair with the middle-aged married man Larry (Peter Friedman). Wendy and Jon are estranged from their abusive father but when Doris dies, the siblings travel to the funeral and are surprised by her family that informs that Lenny must leave the house. Wendy and Jon bring Lenny to Buffalo and leave him in a nursing home. Along the days, they visit their father and try to improve his life."The Savages" is a pointless, unpleasant and bitter drama of dementia, family responsibilities and end of life. The performance of the charming Laura Linney and the outstanding Philip Seymour Hoffman are top-notch but the subject of this film is not attractive and Philip Bosco performs a non-charismatic character and when he dies in the end, the viewer feels absolute indifference. My vote is six.Title (Brazil): "A Família Savage" ("The Savage Family")