katzcrazy1984 It took me a long time to find this movie and as it started, I considered turning it off. It seemed very poorly made and the characters grated me. As I gave it a second chance, it did not need a third. The story is simple but effective and you start really caring about Blue and all that is happening to her. There was no twist, so don't look for one. It was highly enjoyable and the characters became more full as it went. Not so much development, just stronger. The story was that of a camp fire tale,in my mind that went directly without any twists, turns or red herrings. I enjoyed this film but won't watch it again.

trashgang I only picked it up because Alex Chandon wrote this horror, and I knew him as a director of Inbred (2011) and Cradle Of Fear (2001), two nasty British horrors.This is a slow starter, you really have to wait until the last part before things really go wrong but for me it was a bit too late. I was waiting and waiting to see the horror coming in sadly it didn't until as I said the end and even that wasn't gory like i expected from Chandon.Clocking in under 80 minutes was a good choice because it didn't became a boring flick. And i must say that it was well shot and the acting was okay too but the script kept is in a waiting line to really see some action. To bad.Gore 0,5/5 Nudity 0/5 Effects 2/5 Story 2,5/5 Comedy 0/5

Nigel P To me, an out-of-season sea-front is an ideal place for horror stories. Ever since MR James' 'Oh, Whistle, And I'll Come To You, My Lad' perceived such a location as an isolated, ghostly, shunned arena for supernatural phenomena, it has amazed me the location hasn't been utilised a lot more within this genre.'The Sleeping Room' makes excellent use of Brighton sea-front for such a premise, for both interiors and exteriors. The retro tackiness of some of the decor in various rooms conveys a nice suggestion of timelessness into which this somewhat standard story is set.Of the cast, Joseph Beattie as Bill really impresses, transforming from being shy and slightly awkward, into a 'The Shining'-style lunatic with great skill. Sadly, there is an occasionally lacklustre performance from scratchy voiced Leila Mimmack as Blue, who nevertheless comes to life in moments of tension. Julie Graham, David Sibley and Chris Waller provide excellent support.The secret room in Bill's new apartment carries ghostly remembrances of 'Frisky' Fiskin, a terrifying perverted murderer. It's a fairly routine story given extra flourish by the director. It rushes through the events somewhat, leaving little time to dwell on the threat – especially during the climactic events.

Simon Stapleton This is a masterpiece in independent film making. The Sleeping Room is exquisitely fast paced and takes viewers through a Hammer-style plot thickly laden with mystery. Set in Brighton, Blue is an escort who gets more than she bargains for when she arrives at the home of her client Bill who is doing up a house. Together they discover something in the house that sets the story from sleaze to screams! For those that like deep character development, you might be disappointed, but if you like a well written story with imaginative use of narrative and effects that frequently creeps you out, then this is for you. The use of sound is chilling. Great acting, and a brilliant example of directing by John Shackleton, despite this being his first feature film.