Equinox23 Like Gordon or rather Peter says: "There was only one fiend after all." - and it's almost too late when he discovers the truth. In retrospect it feels like she's been setting this up from the very first moment she meets him and executes it with cold precision. Definitely a wonderful little thriller even with some satirical barbs against teetotalers.

robert-temple-1 This film stars Lex Barker, who in 1949 became Tarzan in succession to Johnny Weissmuller and made a succession of Tarzan films. He was very tall, handsome, and impressive, and was in constant demand as a leading man in B films (he appeared in 81 films). He died at the age of only 54 of a heart attack in the street in Manhattan. He does very well in the lead role in this film, though the acting laurels go to Lisa Gastoni as 'Marny'. I have recently praised her as an underrated actress in my review of WRONG NUMBER (1959, see my review). Carole Mathews and Nora Swinburne do very well in their creepy roles also. As someone who likes amnesia films and tries to see all of them, I was disappointed that this one was so corny. Lex Barker lives between Nice and Cannes. He is attacked and knocked unconscious by a thief whom he picked up as a hitchhiker, and he suffers total amnesia. This is made worse by the fact that he has no identification on him as a result of the robbery. A doctor at the hospital says he knows who he is, and he takes him to a huge villa for private nursing. But this is all a scam, for Barker's amnesia is convenient in enabling the household of women there, together with the dishonest doctor, to persuade him that he is the head of their family. The motive is to pretend that he is that person in order to complete the process of inheriting a large amount of money and property. Then they would get rid of him. Barker slowly begins to realize that something is wrong, and the plot thickens. It is a pity that the film is not at all convincing, and is just a run of the mill low budget 'product' directed without a trace of inspiration by Montgomery Tully, who did a much better job the year before in directing THE HYPNOTIST (1957, see my review). In the 1950s, Tully was directing as many as ten films a year! No wonder they were not all good, as he had become a mere factory hand. He must have sleepwalked through THE STRANGE AWAKENING, without himself waking up. And I bet he had total amnesia for half the films he had made the year before. We can perhaps be forgiven for not knowing much about most of them.

filmalamosa A British B or quota movie. Some of these are not too bad but this one rates a Z rather than a B.The acting was atrocious it was wordy there were holes every where in the plot. Production values couldn't have been cheaper except for the burning house at the end which was kind of neat.A man with amnesia is spirited out of hospital with fake casts to take the place of an alcoholic playboy so 3 women can inherit a share of their teetotaler father's 2 million dollars.I can't think of any thing good about this thing... but as another reviewer stated it wasn't bad enough to be funny it was just boring dull and irritating. Combine bad acting and talkiness and you've got a real lemon.DO NOT RECOMMEND

secondtake Strange Awakening (1958)First off: this is a bad B-movie with some fun quirks. That will thrill a few of you and chase the rest away. Good!The plot, as improbable as it is, has some curious elements, the main one being, what would you do if you woke up and remembered nothing? And started to suspect that the people around you were creating a false history for you? And a few cracks in their story started to show? And you had two or even three attractive women loitering about? And there was a lot of money attached to it all? And your life was in danger?Well, this movie comes at the nadir of Hollywood and British movie-making, and it's a horribly contrived formula movie that pales next to Twilight Zone and other B-movie dramas with psychological twists. Even the main character's last names are pushy: Friend and Chance, not to mention the burly Swede name Sven. The opening sequence where our hero picks up a hitchhiker and then gets whacked in the head by him is irrelevant, except for the whack. And the amnesia. Then the hospital scene, the mother (so-called) at bedside, and the realization that all is not right. But hey, there are those pretty girls, and one of them is bound to sympathize with you and fall into your arms, right?And it's only an hour long. You might think of it as just an old t.v. episode where your expectations are different. It bustles along with mediocre acting, reasonable filming, crack editing, and some cool and brief montage effects (including an airplane propellor merging into a tabletop fan). And the original title, Female Fiends, is pretty good, though there are Male Fiends on hand, too (remember Sven).Director Monty Tully isn't about to have a boxed set of his work, but it's great fun just to read the titles of all the movies he made this same singular year, 1958: The Diplomatic Corpse, The Electronic Monster, Female Fiends, Print of Death, Crime of Honour, The Crossroad Gallows, The Long Knife, Man with a Gun, and I Only Arsked! What a year.Strange Awakening, here before you, isn't all bad!But mostly. Enjoy it in proportion.