jjnxn-1 For an Elvis movie his presence here is strictly secondary and he is sidelined throughout. The picture seems like it wanted to be more than it was, which is a run of the mill mystery with a few songs thrown in. It tries to tell a couple of different stories at once, none really compelling, and sort of limps along until it just ends. Of more interest as a chance to spot the familiar face in small parts than anything else. Hey look there's Vincent Price and Buffy from Family Affair and Cindy Brady and WOW look how young Dabney Coleman is! At least the film is loaded with reliable performers, Sheree North, Edward Andrews, Marlyn Mason, John Carradine etc. they just aren't given much to work with. Not a ghastly film just very ordinary and not terribly involving.

iweise Strictly for fans of the King this movie is one of the worst I have ever seen. It looked as though it was written and directed by Ed Wood without the props falling over. Elvis' hair changes from one camera angle to another, there is no real plot, all of the characters are predictable. The only saving grace was.....well....there was no saving grace. It's bad.

Michael O'Keefe Walter Hale (Elvis Presley) is the manager of a traveling show, a Chautauqua, in the 1920's. Amongst the entertainment, trouble starts to develop. Hale is troubled by a Worker's Union rep, played by the gorgeous Marlyn Mason. A college girl played by Nicole Jaffe, wants to go on the road with the show. And a female citizen kills a man in self defense only to become the highlight of the Chautauqua. A cigar smoking Elvis, dressed in white sings a few novelty tunes and the hit song, "Clean Up Your Own Backyard". This comedy/drama also stars Sheree North, Joyce Van Patton and Vincent Price. A fun movie and a whole lot better than the bad rap it has received.

Brian W. Fairbanks Although this film is ultimately a dreary, draggy bore, it is not an embarrassment, providing as it does a distinct change of pace from the swivel-hipped singer's wretched films of the mid-60s. Set in the 1920s, the only bikini in sight is a one-piece worn by "guest star" Joyce Van Patten, and the few songs are performed in an appropriate setting--a stage (a rarity in the later Presley movies). Elvis is the manager of a travelling tent show rocked by mini-crises and a murder. It's all very lightweight and lethargic, but it does mark a significant change from the godawfal tripe to which Presley lent his name and talent in previous years. M-G-M, however, apprehensive that an Elvis movie called "Chataqua" was too drastic a change for his fans, re-christened the film "The Trouble with Girls" (and added a subtitle--"and how to get into it"--that does not appear on screen), which has nothing to do with the movie and makes it sound like another Presley potboiler. It's a little better than that, though it now ranks as nothing more than a memento, as significant to his accomplishments as one of those scarves he doled out to the adoring females who populated his Las Vegas performances. It's a souvenir that says nothing of the man's talent or his revolutionary achievements.