in1984 That and there's no spaceships or nuclear holocaust involved (contrary to other reviewers who apparently didn't actually bother to watch the film).In current terms, the film is probably closest to a zombie film where the world has gone through a "plague" killing off most of the population and making it impossible (nearly) to grow food. If you can imagine your favorite apocalyptic virus-zombie film combined with Lord of the Flies and produced as more of a 1960s film than a film just a couple years before Star Wars, that's what you get.Yul is convincing in the lead roll more because the population is starving to death than because he looks like or acts much like a warrior, though he's much more convincing than Charlton Heston would be in the same roll or in the Apes roll had he played that.Although the story is strangely insightful in some ways, especially if you've just seen Food, Inc. or The Informant or Winged Migration, there are holes in the plot (set in 2012 being one of them) that leave a lot open and causes the film to not age very well.

Raegan Butcher This is the movie that virtually set the template for all post-holocaust action films. Yul Brynner, pushing sixty at the time of filming(!)has enough old school movie star charisma to more than make up for the rather pedestrian fight scenes. It is a shame he died when he did because he is loaded with charm and presence and he could have made a much better action movie hero than the lame wanna-be's who followed in the 80's. And how often does one get to see an actor of Max Von Sydow's caliber in films like this? He brings an air of dignity and authority to the film. If one could quibble with anything it would be the sheer cleanliness of everyone--they all look like they just got their freshly laundered clothes from Wardrobe--but this is small potatoes. Take the cool story, cool post-apocalyptic sets and Brynner's and VonSydow's presence and add b-movie legend WILLIAM SMITH as the heavy and you have a rather enjoyable way to spend 90 minutes. One final note,the cinematography by Gerald Hirschfield is quite lovely, contrary to my memories of earlier viewings, where I thought the lighting flat and TV movie-like; not at all; Hirshfields cinematography creates an eerie, diffuse beauty out of the images of a decayed, empty metropolis.

lemon993 Hiring a warrior to protect your leaky compound after a worldwide plague can be an iffy proposition. Having to fight off a menacing gang lead by a man named Carrot is also a dangerous endeavor. Yul Brynner is ably cast as "The Ultimate Warrior." He wields a knife with the precision of a rabbi. The film's final reel will confirm this. And Max von Sydow is always fun to watch as he wrestles with the dialog and the ultimate fate of the barricaded parish. I admire the fellow who tends the garden on the roof. A movie like this needs a ray of hope cracking through the grim reality taking place. Stephen McHattie, who played James Dean in the break out role that didn't pan out, has the thankless role of a father who is desperate to feed his family. The film's climax takes place in the city's subway tunnels and is honestly brutal in its resolution. Bravo to the director for his use of still photos at the end. He releases the frame briefly for a burst of light--and coastal bliss. Lastly, my "summary" can be rendered mute if the towers are rebuilt before the date established by the makers of the film. Lets go!

c_price This relatively obscure film is, it has to be said, under-rated. There's the usual fine performance from Max von Sydow as the 'Baron' while an old-looking Yul Brynner does well as Carson, the Ultimate Warrior.The future looks bleak. In 2012 New York is a city devastated, with rival gangs living in communes. By appearance alone, you might be forgiven for thinking that this is a western - with von Sydow, particularly, looking like he's going to burst into a saloon bar, guns blazing. He plays the leader of one of these communes, desperate to secure a better life for his pregnant daughter Melinda (Miles) and enlists Brynner to this end.Clouse manages to build up the tension nicely as Brynner & Miles race along the derelict New York subway to get to a fabled island, chased by a gang of nasties. The end, however, is abrupt, to say the least and you may feel cheated as about ten minutes before the end the movie seems actually quite good.As I said before, this is an obscure film that will have a definite novelty value for fans of Sydow and Brynner. Viewers today will see the irony in the opening sequence of a supposedly devastated NY, with the Twin Towers promenantly still standing in the background.7/10