jamesmkruger Maybe I'm a sucker being a Don Ameche fan, but, I completely enjoyed the flick. It was light, great entertainment. There was no message or hidden meanings, nothing that is going to be compared to Citizen Kane or The Godfather. It's fun seeing William H. Macy in an early role. It's fun seeing Joe Mantegna in a role he perfectly fits into. I had a smile on my face at the end of the movie. That is a winner in my book.No big twists in the movie, it pretty much turns out as you expect it to. But, if you don't have a great liking, if not a love, for Don Ameche's character by the end of the movie, then you probably hate Frank Capra movies, also.

Michael Neumann In David Mamet's taciturn comedy of errors a simple Sicilian shoe-shiner is hired to take the prison rap for a mob hit man, in return for anything he desires after his release (all he wants is a boat). But the plan goes quietly haywire when his minder decides to treat him to a final weekend fling at Lake Tahoe, where the old man is mistaken for a mafia don from Chicago. Any other director might have played it for easy laughs, but even in such a whimsical mood Mamet is still a very careful, very deliberate filmmaker, and he approaches each scene with the same attention to nuance emphasized in every line of his trademark dialogue. It's a comedy of smiles more than belly laughs, summed up best by Shoe-shiner Don Ameche's childlike air of bewilderment and naïve trust in everyone around him (shades of Chance the gardener in Jerzy Kosinski's 'Being There'). Nothing seems to trouble him, because he knows a secret most people take for granted: the more things change, the more they stay the same.

George Parker "Things Changes" is a light-hearted look at what happens to an old Italian shoe shiner (Ameche) who's a naive patsy for the mob when a mafia flunky (Mantegna) takes them two of them to Tahoe for a last blast. This Mamet film has a lot of pluses not the least of which is Mantegna and Ameche together in one of Ameche's last films. The story is a cute comedy with a kind of sentimental "feel" to it. The kind of movie that's hard not to like.

pfanz In "Things Change" David Mamet applies his direct, unique directorial style to the classic "Being There." Each is similar thematically, and each leave the viewer with a sense of wonder and affection (for either the film or the characters), however Mamet is not quite as effective as Hal Ashby in that respect. Mamet uses his friends in many of the roles as in many of his movies, and they all fit perfectly. The cast is as strong as the writing and direction, which you know Mamet has filled with surprises. This is a movie that is entertaining and rewarding, a combination seen all too infrequently in modern films.