Gautham Jayan The fastest thriller I have seen in Malayalam movies and with a middle aged lady calling the shots. WOW. The connecting leads were good, so was the meeting of that saved small girl in the end. Though a feel of 'Taken' can be felt, also of words holding secrets and key behind Gandhi's pictures reminds of those of 'da vinci code', but it can never lessen the sheen of the thriller. No moment is wasted, fast editing & good camera work with a fitting score (the inspirational tone was good). The story told by the child in beginning (the same happens in climax) was too good unimaginable (we are to understand it at end only). No bit of sentiments is felt, out as the issue is this, but here though we feel little sad but director doesn't want us to mourn but want us to be inspired to hope for a good end. The fast cut at climax with prayer, the man drinking, the church was a picture of contrast of different people praying for. When the 'real' bus gets delayed in procession of church the belief (God helps in needing times) was clearly a nice statement. The chase section didn't evoke much fire. and there was no need to show that her husband was never a Shobana on her return shows she is one of those who can easily pull of saving lot of lives of girls not just male heroes with masculine power. She also points out the fact fewer films are made with female having a say or get their due. Vineeth proves he's not just a Rom-com wonder, nor a feel good friendship story. He shows promise and tows to be one of the few young filmmakers to look out in future. Though Dyan is always on run, I'm convinced he's to establish a name for himself on the screen. Never on any scene he was down and played the son with regret, caring bro, reacting at police for inaction and person with a kind heart. An angry young man out to find his lost sister. It was one of the best debut roles to get. An awesome movie that gives you satisfaction at end and makes you eager for the sequel(It was the first Malayalam movie to say before releasing it was going to be a Trilogy).

sohansurag In a day and age where domestic violence and violence against women are at large and far-flung, topics like rape, assault and sex trafficking are still considered to be a taboo on screen. Agreed, its a sensitive topic to be visually presented but its high time that the mold be broken, especially in Malayalam cinema. Pardon, my knowledge regarding Malayalam movies tackling similar topics, but I found it amusing that Thira handled the genre pretty well.Directed by Vineeth Sreenivasan, Thira tells the story of Dr. Rohini Pranab who's on a race against the clock when some of the girls she'd taken under her wing, gets abducted. Herself caught neck-deep in a conspiracy and accompanied by Naveen whose sister got abducted among the girls, the plot moves at a brisk pace from start to end.A ravishing Shobana makes a come back in the shoes of Dr. Rohini Pranab. Shobana effortlessly plays the character which screams for an applause. From a sincere doctor, to a caring social activist and at times adorning shades of power and intimidation, Shobana does shine in her role. There was this particular scene where Rohini, amidst all the troubles she's in, returns to the hospital for a surgery. While the distinct line ain't anything new, it tremendously reminded me of a scene from Sangeeth Sivan's Nirnayam. Vineeth's sibling, Dhyan Sreenivasan, despite the initial and occasional nuances of a newcomer, stands out with a commendable débutante performance. While Deepak Parambol who played the very amiable youth communist, Manoj in Thattathin Marayath was menacing and nefarious as ever as in this one.The visuals were all exquisitely shot and is worthy to be labeled 'grim and elegant'. While the movie had tense moments, it lost some in its second act and the chases were a little less adrenaline pumping but it served the purpose of thrilling you. Complemented by an excellent soundtrack Thira is bound to keep you on the edge of the your seat till end.My only qualm was regarding the linguistic choice that happened throughout the movie. I take it that it was to make it accessible for a wider audience that Hindi was prominently used, but its ever too hard to digest when localites as well as other characters spoke such fluent Hindi.Just like Vineeth's previous Thattathin Marayath, Thira doesn't break any new grounds but a Malayalam movie almost on the same page as a Hollywood thriller is something that deserves more than a clap, a standing ovation maybe? Being the first in a planned trilogy and ending in a cliffhanger, it remains to see if the sequels would pack the same punch, nonetheless Thira was an entertaining ride from start to end. I watched this just after Philips & The Monkey Pen and I am rather glad at how Malayalam movies are getting out of their banal, cozy family soap/romance couches.

Vivek Don Thira is undoubtedly one of the better movies released in 2013.It belongs to thriller genre,not the usual suspense thrillers you see in malayalam.The story is not what we haven't heard or seen before but the treatment is quite different and interesting.Director Vineeth has improved a lot from his previous outing tattathin marayathu.This is his best work so far IMO.In this genre,Director has to work a lot to satisfy the audience.Inspite of flaws in the script,the movie has come out as a decent thriller which deals with the issue of human trafficking.The story goes like this.Rohini is a cardiac surgeon who also runs a welfare home for women.She is dealing with the mystery behind her husband's death.Things go haywire when the girls at her welfare home is kidnapped by some people and she is on the run for bringing them back.On the other hand,Naveen is on his way to meet his sister only to witness her kidnapped right before his eyes.At some point,these two characters meet and together they set out to recover the girls.clearly the storyline bares some similarities to Taken about the kidnapping but it ends there.The movie also shows how the so called police and law enforcers shows its back to common people when there is a problem Shobana returns to the silver screen with an electrifying performance as the bold Rohini.Although she did a small role in Sagar alias jacky,it was rather unwanted.She proves again that she is one of the best heroines in malayalam.The media,which has been giving cheap publicity to those heroines whose expressions makes you just throw up seems to have forgotten about the veteran actress.The film did require an actress of her calibre and she just provide that.Dhyan gives an okay performance even though in some scenes like the one he shouts at the policeman went slightly overboard.His action scenes were good.Rest of the cast doesn't have much to do.Most of them are not familiar figures in malayalam.Despite being a malayalam movie,malayalam dialogues are few.Subtitles are provided for Hindi dialogues though.Camera work was rather irritating at times due to the camera shakes.Soundtrack was refreshing with teerathe neelune track at the titles and Thaazhvaram song near the end.Background music was in fact a part of teerathe neelune track which worked well at parts.Script has some flaws but direction has been able to overcome that to an extent.The first half was pretty racy and enthralling.The second half however slows down a bit even though its engaging towards the end.There are some things in store at the climax for the sequel.Thira is not a must watch or magnificent flick.Its worth a try for those who like this genre.

Giridharan GM Excellent job by Vineeth Sreenivasan. As we already knew that its a trilogy, its obvious that the climax of this first part will end up in some suspense..! and yes, its deep..! now eagerly waiting for the next part. :)And about Shobana ma'am, simply Wow! brilliant acting. Dhyan was also good in the movie.The movie plot is good. Relates to current affairsAnd the next remarkable thing about this movie is its background score. Awesome work by Shaan Rahman.Well done Vineeth, expecting more from you