Writer_Mario_Biondi This is a marvelous piece of theater (yes: theater) put on a roll of film and released as a movie. The images are not that important, the real importance lies in the WORDS: the way the words are connected one to the other in the text, with silences, spaces, italics and all, and the way they are PRONOUNCED. This is a work for voices, conceived by Dylan Thomas (I think) for the radio, not for the TV (1954). As a matter of fact the subtitle says: "A Play for Voices". And here you have almost the best as far as voices are concerned: Burton, O'Toole, the others. You could as well shut your eyes and simply listen. I did it, and found myself dreamily trying to follow the rhythm of the voices

swanjac a beautiful adaptation of Dylan Thomas' "Play for Voices". An amazing cast, beautifully shot by people passionate about the project. Do notice the "second voice", the wonderful late and much lamented Ryan Davies, an actor and comedian revered here in Wales, probably the biggest star who never became known outside his own country, he sadly died in 77 at a tragically young age, 42 i believe. An educated and cultured man, his loss was a dreadful blow to all of Wales. Also look out for a very young David Jason as "no-good Boy" and topless performances from a young Susan Penhaligan and Ruth Madoc!So much to see in this film there just arent enough words! Peter O'Toole was brilliant as Captain Cat, and Elizabeth Taylor wonderful as raunchy Rosie....vulnerable, sexy, sad all in one delicious bundle! Do try to catch this film...you wont be disappointed.

didi-5 Dylan Thomas' play for voices has always worked best as a radio text, where its rich poetry can be fully appreciated. This film version is indeed true to the text but as a visual medium, is saddled with the need to open out and show scenes as described in the text - with sometimes risible results.However, there are certain strengths that even the filmed treatment can't ruin. Chief amongst these are Peter O'Toole's interpretation of the blind Captain Cat, dreaming of his lost love, Rosie Probert (played by an overly made-up Elizabeth Taylor); and O'Toole's then wife, Sian Phillips, as Mrs Ogmore-Pritchard, abusing both her dead husbands as they lie with her. Polly Garter and Myfanwy Price, Thomas' corrupt and innocent, are well-played by Ann Beach and Glynis Johns.Richard Burton is 1st Voice, as he was in the memorable radio production of the 1950s. But here he is also a malevolent presence wandering quietly round the village of Llareggub, influencing the action at some points (the scene in the barn seemed out-of-place and slowed the pace of this film). I'm not knocking Burton's voice, which was superb for the material, but perhaps his presence would have been better restricted to a narrator.

ahothabeth Dylan Thomas sub-tilted Under Milk Wood with "A Play for Voices".This is where this is best. With the words allowing the listener to develop some lovely images. The film as little if anything to the Argo or BBC recordings (or should I say soundscape?).Buy either of the audio tapes or CD and enjoy.The film is best left alone.