MBunge When Stand Up Stood Out purports to tell the story of the Boston stand up comedy scene from the late 70s through the late 80s, but it really never rises above a guy looking back at his glory years.Fran Solomita was one of those Boston comics and he starts out this film by justifying it. Solomita references the comedy club explosion of the 80s and says it was due to the emergence of an aggressive comedy sub-culture in Boston, but he never provides any evidence or reasoning for that assertion. The film never really examines its subject matter in any real way, or tries to actually tell us what Boston stand up comedy became in that era and why it did and didn't succeed. There's no real narrative or insight to this documentary. It's just the collected reminiscing of the comics from that span of time.When Stand Up Stood Out focuses on a few individual subjects and intersperses that with brief asides. The main subjects are the Ding Ho, an infamous Boston comedy club that operated out of a Chinese restaurant, and Lenny Clarke, who is cast as the heart and soul of Boston comedy. If you want to hear a lot of stories about those two things and the people who orbited around them, you'll get it. If you're looking to understand any of it, you'll be left out in the cold. Watching this film is a bit like going to your spouse's high school reunion. You watch a bunch of other people tell a bunch of stories that you've never heard, and you feel excluded.There are a few moments in the film when it seems like Solomita is trying to get beyond the "Old Home Week" stuff. Janeane Garafolo shows up a few times and tries to get under the surface of Boston comedy, but she clearly wasn't a significant part of the era being focused on and her inclusion seems like Solomita did it just because he got to interview her.Ultimately, the film raises more questions than it answers. Why did Boston stand up comedy become such a potent force so quickly? What sort of an environment produces both the cerebral Stephen Wright and the boorishly aggressive Lenny Clarke? What role did the overwhelmingly white, male, catholic nature of Boston stand up comics play in shaping their material and performing style? Why did some Boston comedians succeed nationally and others not? When Stand Up Stood out is almost like a prologue to a better documentary coming at some point in the future. It doesn't do much on its own but it does whet your appetite for even more.

tillzen As someone who WAS there, this film is merely a compilation of old video, brief talking heads, and the pure chance of a reunion concert. Something DID happen in Boston at this time, but the director missed it by a mile. Instead he built a film around the footage he had, instead of doing the real work of a documentary. The focus on Lenny Clarke exemplifies this laziness. There was the most old footage of Lenny, so Lenny gets a lot of play here, that should have gone to others with far more talent and impact. The women get short-changed, as do the Emersonians. Before there were comedy clubs, there was improv, and except for Denis and Steven Wright, none of these drunken hacks could have created anything but the testament to chemical courage this film documents. The director missed the chance to illuminate the perfect storm that was Boston in those years. Instead he wallows in nostalgia instead of linking how those years rewrote comedy AND punk music, just as Greenwich Village did in the 1960's. Perhaps someday a filmmaker will correctly connect the dots, and link Boston '75 to '85 with the earth shaking cultural changes that we not only witnessed, but managed to live through!

Gary Trahan I enjoyed this film, finding the latter part of it quite accidentally one night while channel surfing. A few nights later I sat and watched it from the beginning and consistently enjoyed myself even if I didn't agree with the dark alleys some of the talent went through in their lives. Those dark alleys, though, make their survival today, their perseverance and the fact that some are putting up quality work, all the more interesting.I laughed quite a bit and enjoyed seeing people in their beginning years before weight was gained and hair was lost. I did not recall or even consider that so many comic minds came from the Boston area. (I grew up in Attleboro, MA and went to college in Amherst from 78-82.) There are quite funny bits from all, notably Lenny Clarke and Steven Wright. There are also shocking moments like when Clarke tells a story of almost killing a fellow comic/club owner for short changing him on the night's take. There is also a comedian getting so frustrated with a heckler that he smashes his guitar on the heckler. I don't believe we've heard of that comedian since then. Come to think of it, probably not the heckler either. Not that he was drawing a lot of fans.The film really gives you the feel of being in a smoky, sweaty, really sweaty club. Much of the archival footage is from video tape, some black and white. I get the feeling that it was as if these tapes were their "vaudeville" document. A short clip of Denis Leary has his long hair drenched with perspiration. While moments like this did not make me wish I was there, I certainly was glad that I got to see people working in the trenches as sometimes that is where some of the best work is born.My one criticism had to do with how the film follows a timeline of sorts, beginning in '78 or thereabouts and traveling into the '80s. I felt clearly at one point the film refers to the mid-to-late eighties and then notes that the death of John Belushi (circa 1981) is what got some people to shape up (or not). Soon after that we see a clip from 1989. It just seemed like odd placement given the way the story that was being told (unless people were going into rehab for 6-8 years).All in all, I'd recommend this film to anyone who has an interest in stand-up or particularly, in Boston comedians.

cosbyshowfan What up with the quote on the back? It says something like this movie is the antidote to Jerry Seinfeld's Comedian. I don't get it. The documentary Comedian is a more focused film, basically just showing a year in the lives of two comics. When Stand up Stood Out is a long winded, unfocused historical documentary about some pretty irrelevant comedians in Boston. Steven Wright is the only comedian in the whole lot who anyone cares about whatsoever. Lenny Clarke is an annoying, unfunny idiot that thinks he is edgy because he says rude, inappropriate things. Wow. Not impressed. The guy who made this movie is obviously pretty narcissistic and lame for making such deliberate self-promotion. There are plenty of great comics to come from the Boston scene (Conan, Leno, David Cross, Steven Wright, Janeane Garafalo) but this doc mostly just focuses on the director and his friends. Not as bad as the unwatchable Aristocrats, but not nearly at the same level as Comedian.