dougdoepke Wacky programmer that fails for the most part. Looks like WB was trying to rival Charlie Chan with the much prettier Anna Mae Wong, except Mei Lei (Wong) uses astrology to crack cases instead of logic. Well that is a different approach, and the script's not shy about reinforcing Mei Lei's star-gazing powers. To make their premise go down easier, science is treated as supplementary to Libra, Taurus, et al, and not in conflict with them. I wonder how that goes down at Cal Tech or MIT. Wong is the best thing about the 65-minutes, treating a troublesome part with genuine authority. It's really she who deserves top billing even though Lindsey and Lane furnish abundant eye candy. Maybe my planets are in the wrong house, but I found the whodunit a messy bore. There's not much action, while the talkfest seldom leaves interior sets. All in all, I can see why there were no movie sequels, at the same time the ladies went on to bigger and better things. Anyway it's an oddball idea even for adventurous WB. (In passing-- Watch for Clayton Moore, TV's Lone Ranger {1949-57}, in a minor part as Ass't DA, but don't look for the mask or Tonto.)

GManfred Or, at least, the story's the thing, and this is a murder mystery - and the story is pretty good. At 65 minutes it goes by quickly, so the viewer must pay attention or something will be lost. Nowadays, we have DVR's and can rewind if needed - and it's needed. The solution hinges on a specific time frame and several characters give the times of their alibi, and it's hard to keep them straight.The plot is a good one, but much is made of the fact that Anna May Wong's character is an astrologist, which was very popular around the time this was produced. She has a habit of giving people the pros and cons of their zodiac sign after asking the title question, and it becomes tiresome. Her acting seems stilted, as though reciting from memory and not natural. In any case, you won't guess the murderer; as I said, the story is a good one. Two things; it is told at breakneck speed, and the time frames of the alibis are crucial to solving the murder. As I said in the beginning, pay attention, especially towards the end.

xerses13 ...because of ANNA MAE WONG!!!Typically tight (65") WARNER BROTHERS' mystery 'B' programmer that was churned out from the 1930s' till the mid 1950s', when T.V. took over. This story is wrapped up in the 'pseudo science' of Astrology. Which each character is given a sign and a sub-plot of the Zodiac. It starts off with the 'horoscope' of Nita Kenton (Lola Lane/Cancer) whose character disappears after the proclamation of doom for Philip Corey (James Stephenson/Libra). The rest of the story weaves around his murder and how it is deciphered by Mei Lei Ming (Anna Mae Wong/Aquarius) and her astrological expertise.Though billed second after Margaret Lindsay (Doris Kane/Leo) it is ANNA MAE WONG that drives this story. Ms. Wong gives her usual professional performance dominating every scene she is in. Unfortunately like most of her Hollywood productions of this time it is in a 'B' effort. Most of her more accomplished efforts having been done earlier or in England/Europe. This was because of the racial discrimination of the time. Today her career would have had a entirely different course.Due to how Chinese or Oriental characters where portrayed at that time Ms. Wong appeared in what was considered traditional dress. While all other characters appeared in period apparel. It would have been better if she had been shown off in some of the 'chic' fashions she normally wore. There is no doubt of her physical appeal, Ms. Wong being strikingly attractive.For those who have not seen Ms. Wong this is a good start, but do not stop here. See her early work like THE THIEF OF BAGDAD (1924), PICADILLY (1929) or the SHANGHEI EXPRESS (1933). She is a wonder to behold.

cinema_universe This B-movie murder mystery is unquestionably different than most films of it's time. The clap-trap about using astrology as a crime fighting tool is an odd gimmick, but what the heck?This sort of programmer benefits from the unusual astrology "window-dressing", and though it is supposedly solved by using astrology, this pat little mystery can be figured out by the characters simply using their heads, anyway!The cast is entirely competent, and the pace is swift. The pre-war San Francisco Chinatown background, the hidden passage-ways in the Chinatown home, and Miss Wong's monkey, all add to the enjoyment of this film.As a devoted fan of B-movie murder yarns of this period, I may be somewhat prejudiced, but I loved watching this film, and highly recommend it to fellow fans of the genre. --D.--