Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland

2006
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
6.2| 1h40m| R| en| More Info
Released: 08 September 2006 Released
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Synopsis

In the spirit of the old west variety shows, Vaughn played host to the ensemble of comedians and performed improvisational sketches with surprise celebrity and musical guests. The film chronicles the journey of Vaughn and the comedians as travel over 6,000 miles and perform 30 shows in 30 consecutive nights in cities across the nation.

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meeza Vince Vaughn please (with my sincere apologies to Ray Charles): "Hit the road jack, and do please come back for more for more, hit the road jack and do please come back for more". Why? Because "Vince Vaughn's Wild West Comedy Show" was a comedic trip a la crop from the Hollywood to the Heartland. In this delightful documentary, Vince recruits four extremely talented but inexperienced comedians in his comedic posse for a Comedy Tour: the Arab jokester Ahmed Ahmed, the chunky foul-mouthed John Caparulo, the Italian man's man storyteller Sebastian Maniscalco, and the charismatic charmer Bret Ernst. The Vaughn Gang also includes best friend and producer partner Peter Billingsley, and the always fluid Justin Long. However, the comedic shows in the tour primarily feature the comedic performances of the aforementioned Funny Fearsome Foursome. This gang of laugh providers hit the road on a tour bus for 30 days and implausibly enough did 30 shows within that time span; even overcoming hurricane warnings in a few cities. Being an obsessed fan of the cult classic film "Swingers", the most money part of the "Vaughnumentary" for me is when Vaughn reunites with Swingers pal Jon Favreau and they both have Justin Long take a swing on reciting Vaughn's infamous money lines in the film. Not to say I did not enjoy the laugh-out-loud comedic routines from Ahmed, Caparulo, Maniscalco, and Ernst; the capping edge going to Caparulo's hilarious ruthless sets. These are four genuine (or in second thought maybe not too genuine) comedians; but whatever they case, I do stand up for them and vouch that they will have bright stand-up comedic futures ahead of them. Nevertheless, the charismatic laugh ringmaster of the "Wild West Comedy Show" is Vince Vaughn himself who is the V-Great King that orchestrated this dandy documentary that had all our funny juices flowing! You are still money, Mr. Vaughn! ***** Excellent
David Ferguson Greetings again from the darkness. Not a bad idea from producers and best buds Vince Vaughn and Peter Billingsley. A documentary road trip with four comedians doing 30 shows in 30 cities over 30 days sets the stage for a wide range of emotions and activity. The first misstep was going with four mostly unknown comedians. Because of this, the movie really needs to help us get to know them ... which we just barely do.The second misstep was that the actual stand-up was sparse and frankly, just not that funny. The back-stage stuff proved much better. I was actually kind of let down when the acts were performing.Because there were so many cities, we really never get a flavor of any one particular town, although Buck Owens in Bakersfield was kind of cool. Sadly we get more shots of Billingsley sleeping than we do much interaction offstage between the comics. The side trip during Hurricane Katrina could have been much better.Vince Vaughn is a very charismatic and talented guy so that gives the film a slight edge over what it probably deserves. The reality is that most of these guys just aren't very funny onstage and come across here as a bit sad off-stage.
jdesando In Vince Vaughn's Wild West Comedy Show: 30 Days & 30 Nights—Hollywood to the Heartland, if the four relatively unknown comics (a "Guido," an Ohio rube, an Arab, and a non-descript guy) accompanying Vaughn on a 30 day tour of 30 cities had been better, the documentary would have been better as well. Sadly this tepid montage of the trip is rarely funny, rarely imaginative, although the infectious good will of Vaughn saves it from total banality.Jerry Seinfeld's Comedian (2002) and the arch Aristocrats (2005) have far more humorous moments while also revealing the humanity of the performers. Vaughn tries with limited success to show the heart of the comics between acts, but, alas, not one is interesting enough to have more than a beer with.As with most of these documentaries, there are only snippets of the acts and then cutting to another performer or a personal note. Thus, we can never understand fully why a comedian will or will not make the big time. One thing I do know, this January graveyard toss off will not make it big time. I'll ask you in December if you think it should be nominated for best documentary; you'll haveto research it on IMDb to remember.
closeupman I went to a preview screening yesterday and I must saw I was presently surprised. There was a negative review here and I thought it wouldn't be that good.It was a great movie, and the serious side (as short as it was), made it even better. They give free tickets to Katrina survivors(although I'm disappointed that Vince didn't go out there with the other comedians and help hand out that tickets, he just took a photo after the show with some of the survivors), I think it was a poignant moment and helped to not make the movie just one continuous cavalcade of laughs. It's trying to show not only the human side of the comedians but of the audience as well.One of the funniest moments is when one of the Katrina survivors, a young teen, recognizes Keir by saying,"You're the gay guy!" The audience was laughing so hard at that! I think too that Ahmed Ahmed didn't get enough time. The irritating comedian got way too much screen time...how much of his 'swearing' do we need to hear.I think though that the short 'montages' without audio need to go, either have the audio of the stick or cut it out, it's no fun to just watch the comedians do something and not hear it.8/10