Amy Adler Ethan (Corey Large, very handsome) bar hops in the Los Angeles area and is, in general, a womanizer. However, he learns that one of his best pals from high school, Brad (Luke Kirby) is about to take the plunge and get married. Wondering how the two of them now have such different agendas, Ethan travels back to his hometown and reconnects with Brad. These gents, along with other old male friends, rehash the past and go out on the town. But, Ethan is slow to learn one important fact. Brad is marrying Ethan's old high school flame, Stephanie (Jennifer O'Dell). When this comes to light, Ethan rushes to meet Steph again and see if she is truly in love with Brad, who has turned into something of a stuffed shirt. Wouldn't she still prefer a handsome, independent guy like Ethan? I watched this film as I was sorting through mail and paying bills and its a good thing, for it has many deficiencies and would hardly do for a "good view for two". However, it is not the fault of the cast, Large, O'Dell, Kirby and others, for these young "lookers" are pretty engaging. Also, the scenery and costuming are good, too, and the film's production values are high. It's downfall is its ending, which is very disappointing and vague, and its "theory". The film's premise is that one should meet the love of one's life before age 24, at least if you are a woman, because after that, the "window" of opportunity starts to shut and becomes smaller with each passing year. Ho, ho, ho, what a great thought! If you adore romantic comedy, especially with good-looking actors, you might want to give this one a try. But, truly, it is not just a theory of mine that few will embrace this one mightily, it is pretty much of a fact.

Richard_vmt This is about a playboy type whose ego gets in the way when he discovers his best friend is marrying his former high school girlfriend. The entire story falls flat for anyone who went beyond high school because it is all about the inviolability of those allegiances and the heroes they raised. I found it impossible to like him. He resorts to his fists twice in the film simply because someone disagrees with him. All characters in this film including the women systematically include "fucking" in every sentence. Take away the nice homes and the trendy night spots, the recent showers and good grooming, and wouldn't you have a bunch of coughing, spitting, farting, possibly pimple-y-faced losers? The film did convey a sense of bravado, which is always a pleasure, but the excessive loyalty seemed servile. What was supposed to be a comedy turned into a long groaning attempt to overcome a mole hill in the road of social development. All through the film I diligently tried unsuccessfully to find it amusing on the basis of its description as a romantic comedy, but only in the final moments did it occur to me the film makers might have been trying for social realism, eg., Saturday Night and Sunday Morning or Alfie. To paraphrase the words of Lloyd Bentsen: 'Mr. Putschoegl, you are no Tony Richardson.'

devonmann33 Hello All,I enjoyed this film I saw it when I was in England. The people I was with also liked it, i do not think they got some of the humor but were excited to see Errol Flynn's Grandson in the film. I hope other people rent the film and give it a shot. I wish you all the best. I also recently watched the other film done by these lads, much different then this one but showing very good Range, a bit of a complex plot but great twist, I am looking forward to the Errol Flynn project as well as the Toxic film as well. Great young film makers and it is good to see. I also thought the location of Window Theory was gorgeous almost worth renting just to look at the locations. I understand that this is supposed to be Washington State but is actually in Vancouver, Canada home of the 2010 Olympics have yet to go but is now on the top of my list.

exodus_999 i wouldn't even give it one star out of five. how many movies do you watch where you actually hate the main character? i can't even begin to list the things that were wrong with this movie. why do production companies pick such awful scripts to make a movie with? thousands of scripts are given each year, and of those thousands, around 10% are actually made into movies. can it be that the other 90% were WORSE than 'window theory'? how is that possible. awful script, horrible dialogue, no chemistry between any of the characters, lines are delivered like kids in a bad high school play, the music doesn't fit with any of the scenes, even the wardrobe was terrible! it hurt to force myself to watch the rest of this movie to see if anything was salvageable... but no. no doubt the worst movie i've ever seen. lets hope people don't watch this movie, otherwise these actors will never get work again.