S.W.A.T.

1975
S.W.A.T.

Seasons & Episodes

  • 2
  • 1

EP1 Deadly Tide (1) Sep 13, 1975

Hondo and his team go after a gang of jewel thieves who make their getaways under water.

EP2 Deadly Tide (2) Sep 13, 1975

Hondo and his team close in on the gang that has been committing robberies using SCUBA gear.

EP3 Kill S.W.A.T. Sep 20, 1975

Following a training exercise with S.W.A.T. officers from another division, Hondo and Street find the dead body of officer Frank Crane with the words ""Kill S.W.A.T."" pinned to his chest. The murder of Crane is the forerunner of a series of attempts to wipe out S.W.A.T. by brothers Mike and Simon Bishop and their fanatic sister-in-law, Joanna, who is convinced that the death of her husband was the result of S.W.A.T. ""brutality.""

EP4 Dealers in Death Sep 27, 1975

Two officers go undercover to catch drug dealers.

EP5 The Vendetta Oct 11, 1975

Mel Lang and Ralph Costa have served sentences in prison after being framed by one Carl Rigby and arrested by Hondo Harrelson. When S.W.A.T. is called upon to assist police in evicting heavily armed brothers Will and Johnny Brewer from a home taken over by Rigby, Lang and Costa plan to execute Hondo and Rigby and create evidence pointing to the Brewer Brothers.

EP6 Criss-Cross Oct 18, 1975

Runaway teenager Kathy Benson, seeking shelter in the warehouse, calls police when several men break in. Before fleeing the scene, Kathy gets a clear look at the leader, Gregg Colby, a prominent citizen and former U.S. Senator, attempting to solve his money problems by stealing from his own warehouse, collecting the insurance, and later selling his own ""stolen"" merchandise. He pretends to offer assistance to police investigating the case so that he can silence the only eyewitness, Kathy.

EP7 Vigilante Oct 25, 1975

Radio repairman Paul Julian has patched in on the S.W.A.T. radio band so he can show up at a scene of police action, where he can observe and judge each case from a concealed position. when Julian decides to punish two disarmed gunmen who have been talked into surrendering by Lt. Hondo Harrelson, S.W.A.T. is suspected of causing the senseless killings.

EP8 Courthouse Nov 01, 1975

Howard Wilson is jailed and his partners, Mike Simon and Frank Peterson, escape before S.W.A.T. moves in to combat a race track heist involving a female hostage. Wilson is on the brink of revealing the names of his partners when a high-powered attorney, Jason Bridges, assures him that Simon and Peterson are planning to free him at all costs--even if the price involves the lives of court personnel when Wilson goes to trial.

EP9 Ordeal Nov 08, 1975

Hondo and a convicted dope dealer are stranded in rough terrain when syndicate thugs who want to keep him from testifying sabotage their helicopter.

EP10 Strike Force Nov 15, 1975

Hondo and his team are assigned to handle security for a demagogic former general who now leads a racist paramilitary group.

EP11 The Swinger Nov 22, 1975

D.A. Ainsely Stevens holds secret information which could convict two syndicate chieftains of capital crimes. Because Stevens insists on saying nothing until the grand jury convenes, and because police believe the mob has put out a ""major contract"" on Stevens, S.W.A.T. is assigned to guard him. But enforcer Mario Rosetti plans to abduct the prosecutor's daughter, Tory, and keep the girl until the father cracks. Oblivious to the danger, Tory is out for kicks as police and crooks try to track her down.

EP12 Terror Ship Nov 29, 1975

A man steals a tugboat laden with explosives and threatens to blow up a famous marine biologist unless he is given a million dollars.

EP13 Murder by Fire Dec 06, 1975

Marco, an arsonist-killer posing as a fireman, engineers a fire during Southern California's dry season in the area's most affluent neighborhood. While looting the evacuated home of a wealthy couple, one of Marco's men kills a fireman. When S.W.A.T. is called in to locate a possible sniper, T.J. McCabe is shot and Marco escapes with a truckload of loot.

EP14 Silent Night, Deadly Night Dec 13, 1975

Millionairess Doris Bristol has brought gems into the hospital where she is undergoing cosmetic surgery. Her bodyguard, John DeLeon, is slain after he spots criminal Frank Malloy posing as a dying patient (part of a plan where a woman doctor and he plot to steal the jewels from the socialite). Hondo and his men, who are at the hospital putting together a Christmas party in the children's ward, find themselves on duty when the discovery of DeLeon's body leaves Mrs. Bristol unprotected and in apparent jeopardy.

EP15 The Running Man (1) Jan 24, 1976

Syndicate hit men stalk an undercover officer, who plans to testify against the mob.

EP16 The Running Man (2) Jan 24, 1976

The SWAT team protects a key government witness against an organized crime boss.

EP17 Lessons in Fear Jan 31, 1976

Hondo Harrelson and his team are called upon to investigate robbery-homicides in which powerful drills and cutting equipment have been stolen. Meanwhile, Dom Luca is dating a student, Sharon Merlingdale, who is being carefully watched by Mark Worth, one of the killer thieves. The more Sharon sees Dom Luca, the more convinced North becomes that the girl must be eliminated.

EP18 Deadly Weapons Feb 07, 1976

Bud Haskins, disowned after marrying a girl whom his father, John Haskins, disapproved, decides to help three ""professionals"" crack open the safe in the elder Haskins' warehouse. Bud is unaware that the thieves are actually after a huge arsenal of sophisticated, unmarked weapons that have been secretly imported for sale. Bud is slain after helping the criminals burglarize the warehouse. Although S.W.A.T. is assigned to investigate the burglary-murder, John Haskins recruits members of a tough Eastern mob to find the killers of his son.

EP19 The Chinese Connection Feb 28, 1976

Lt. Eddie Chew is assigned to aid Lt. Hondo Harrelson when an elderly shop owner is fatally beaten by an illegal Chinese alien working as a shakedown man for Albert Parker, the Caucasian leader of what appears to be an all-Oriental crime syndicate, a deadly drug and protection ring. Hondo begins to doubt Chew's integrity when it becomes obvious that Chinatown criminals are being given secrets of his investigation.

EP20 Dragons and Owls Mar 06, 1976

Clues to the perpetrators of a series of rapes are a religious medal and a Biblical quotation overheard by one of the victims.

EP21 Any Second Now Mar 13, 1976

A group of militants take over a radio station and demand that their jailed leader be released or they'll blow it up.

EP22 Soldier on the Hill Mar 20, 1976

A mentally unbalanced veteran touring a movie studio suddenly thinks he is back fighting in Vietnam.

EP23 Dangerous Memories Mar 27, 1976

As Lt. Harrelson lies in a hospital bed, severely wounded, the other members of the team reminisce about their best moments together in clips from previous episodes.

EP24 Officer Luca, You're Dead Apr 03, 1976

Luca is charged with manslaughter after he is forced to kill a man who was holding his own wife hostage at gunpoint.
6.7| 0h30m| TV-14| en| More Info
Released: 24 February 1975 Ended
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Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

S.W.A.T. is an American action/crime drama series about the adventures of a Special Weapons And Tactics team operating in an unidentified California city. A spin-off of The Rookies, the series aired on ABC from February 1975 to April 1976. Like The Rookies, S.W.A.T. was produced by Aaron Spelling and Leonard Goldberg.

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Reviews

Sparky48 "When you need help, you call the police. But when the police needs help, they call S.W.A.T." I vividly remember this tag used to advertise this then-new TV crime drama, which debut in 1974 when I was 13.Having watched a number of detective and conventional police crime dramas on television, S.W.A.T. was indeed a different type a crime-drama TV series about the quasi-military arm of the Los Angeles police department, assigned to respond to extreme/emergency situations. The show became an instant hit, with its theme song even becoming one as well on many radio stations during the mid-seventies.A strong cast lead by Steve Forrest, who plays the stern, level-headed Lt. Dan "Hondo" Harrelson--and featuring Rod Perry as "Deacon" Kay, his loyal right-hand man, Marc Shera as Officer Dominic Luca, the free-spirited Italian, James Coleman as Officer T.J. MaCabe, the expert marksman, and Robert Urich, as the no-nonsense young Officer Jim Street--provides solid and intriguing drama that would hold the TV viewers' attention in almost every episode.However, I recently viewed the series again in re-runs on TVLand, and as a middle-aged man now instead of a young teenager, I've become a bit more critical. When watching the series now, it seems quite unrealistic how in certain episodes a S.W.A.T. team member had personal connections to an individual who was involved in a particular case that the S.W.A.T. team responded to.In one episode, T.J. reunites with his former high-school basketball teammate and introduces him to the other members of the S.W.A.T. team. Later that evening, T.J.'s buddy, who's now a pro basketball player, plays a basketball game at the local arena and thugs kidnap his team. They hold the players hostage in the locker room, and you can guess--by the strangest coincidence--what particular law enforcement unit comes to the rescue.In another episode, a college professor of a university is also held hostage by extremists with the S.W.A.T. team responding to the emergency. Interestingly enough, the professor just happens to be Street's instructor of a course that he's is currently taking in night school at the university.Yet in spite of these "Hollywoodish" moments, the show still holds up fairly well after 35 years. It can still captivate TV audiences with its action-packed, dramatic moments and provides sufficient entertainment to merit viewing.
lyndafan I wish that they would make shows like this today. I don't know about everyone else my age but I'm sick of these shows today like CSI, Cops, N.Y.P.D. BLUE etc. We see that on the news every night. I'm ready for shows to become fun again! And who wants to see blood and guts during dinner? But anyway S.W.A.T. has a wonderful cast, great action and is worth a look for fans of Starsky & Hutch and The Rookies.
dorothea-2 This was my favorite show as a kid! It's one of the best of the '70s cop shows, and never fully got the recognition it deserved. It gave the audience a look at a police unit many didn't even know existed at the time. Aaron Spelling and Robert Hamner showed them as a group of men who had to depend on each other and work as a team in very difficult situations.Back then, people WANTED to see action shows, but the writers still had a lot of restrictions on content and visuals. What's called `violence' in this show you can find in children's television these days. This show managed to get the violence of crime across without the gore most shows rely on today.SWAT also had a very good ensemble cast. Steve Forrest (as Lt. Harrelson) obviously had a bit more to do, but the writers did a great job of showing the personal and professional sides of all the characters. In the '70s, these shows were truly episodic - there were no story arcs or follow-ups to an episode, unless, of course, it was a two-parter. A story began, developed, and wrapped in an hour. Yet, the writers managed to give some depth to these characters (and the actors something to work with) from time to time.Robert Urich (Jim Street) was a good actor, and I think because he was considered the `GQ' man of the group, he was given a bit more screen time than the others. I absolutely loved him in `Vegas'. Rod Perry (`Deacon Kay'), Mark Shera (`Dominic Luca' - the object of MY personal teenage crush), and James Coleman (`T.J. McCabe') ALL gave consistently good performances and delivered in every episode.In my opinion, SWAT is a great example of '70s police action episodic television. And personally, I'm VERY glad they've put it on DVD.
ciecie When I was a kid, that's what the viewers wanted in the police show. At the time the most realistic police show was Adam-12. In the 1960's and 1970's, Jack Webb produced the most realistic shows on television. Aaron Spelling did his thing even back then. One thing about SWAT was that they did function as a team.