LuvDemBrooders I really liked seeing "Sparkhouse" for many reasons. But there were some weaknesses that annoyed me. Overall, I enjoyed much more about the series than I disliked.The story was interesting and pretty hard hitting in some "not so run-of-the-mill" ways. It began as a story about a privileged "Romeo" and his rough-edged "Juliet." For me, it quickly became a triangular affair once the character of John was fleshed out. And that's when I really became interested. Andrew and Carol were two mismatched people who kept clinging to each other for non-discernible reasons.The main reason that I sought it out was because I wanted to see Richard Armitage (John Thornton in the BBC's "North and South" 2004 mini-series) in the role of John Standring. I had seen screen caps and little mini music clips which whetted my appetite.JS is really a "Cinderfella" in some ways. He undergoes an amazing transformation from shy, scruffy-looking, coverall-clad farm hand to tall, dark, handsome, blue-eyed "strong shoulder to lean on" hunk.But more important, Carol needs his help and he steps right up to the plate to give it to her to save her family farm, Sparkhouse. He had always been around, somewhat like the family dog pining away for her, while she was off in the moors with that lame excuse for a boyfriend, Andrew. And when she gets JS properly clothed, followed by a haircut in a salon, I couldn't believe my eyes at his profile. Watching RA show the amazing swan transformation with his excellent acting, line delivery, and body movements was a real joy. He is a master of the perfect look, pulling back in volume to deliver the key word(s) quietly for emphasis rather than shouting them, and moves his body very well for a big guy! And he has gorgeous, piercing blue eyes and a shy, sweet smile. He is a very nuanced performer and I couldn't take my eyes off of him whenever he was on-screen.Watching Joe McFadden (Andrew) google eye his way through the role of Andrew was less of a joy. It was the stark contrast between watching a boy-man and a manly man. Why on earth would any semi-rational woman, even Carol, want the former when she could have the latter? She didn't need some dreamy-eyed idealist; her needs could only be met by a realist. Even she slowly grew to accept that idea later on in the game.OTOH, Sarah Smart (Carol) had some really outstanding moments on screen as she showed all of the messy parts that made up the whole of Carol. Somehow, even though she was constantly showing me her hard edge, I found her a very strong and sympathetic character. She was as solid in her way as JS was in his. Perhaps, that was ultimately the attraction between them. Two hardworking pragmatists with good work ethics. Once Andrew had been replaced in her day2day life by JS, I really enjoyed the story more.Personally, I got really tired of watching the emotional excess and self-indulgent behavior of Andrew as he alternately yanked Carol's chain to reel her back in and then just seemed to drop it in pursuit of his own follies, leaving her to spin in the wind. Then, there he'd be again reeling her back in. Carol seemed too self-sufficient to keep buying his line of self-serving and manipulative hooey without question.I know that the core story was supposed to be about their backNforth tugs but I just didn't buy that these two people were lovers of the century. It wasn't a tug of love between two equals. She was far stronger than he.Carol was a much stronger character and I found it increasingly harder to believe that she'd have allowed herself to be pulled back into that obviously poor excuse for a love relationship. Every time he'd come stomping around Sparkhouse demanding answers, I wanted her to cold cock him like she finally did in the last episode. I was practically cheering by the time she planted that fast, hard punch right on his twitching nose.The dialogue was well-written, and the whole cast was very well put together. But when isn't it with such talented British actors in all the roles. However, I do think there were too many comparisons to "Wuthering Heights" though. The story might have flowed a little freer if it hadn't had those strands so obviously threaded throughout it.I've watched "SH" several times now and I really feel as though I like the characters even more. Except Andrew. He still annoys me with his childish, self-serving temper tantrums.The ending is sad and thotprovoking but I feel that Carol's "Scarlet O'Hara" spirit will rule the day. She'd already survived some tough body blows and always struggled back to her feet to face the new day and its challenges.I'd love to see a sequel to Carol's quest. Perhaps, a "Sparkhouse Revisited."

Knight_Shade OK, I'm sick to death of people whining, and saying "Oh, it's so PREDICTABLE, oh it's so MELODRAMATIC, oh it's so UNORIGINAL". Guess what kids - EVERY THEME HAS BEEN DONE. It's no longer a question of fresh, new concepts or ideas, the art is in the FORM. The show had wonderful performances, it was well put-together, and I enjoyed it. Yes, the plot twists have all been done before, the story has been done before (not surprising, since it's a lovely modern retelling of Wuthering Heights), but so what? Just about every flick I see is predictable and hackneyed from a plot perspective, but the WAY the film plays out is what draws my attention.Watch it, it's another example of a production that would never fly in the US because it's much too basic. Personally, I think Sarah Smart is lovely and very talented, but in the States, they would have selected someone with a following, someone ridiculous like Sara Michelle WhatsHerName and completely ruined it. Not to mention the big budget sets, the cheesy one-liners, and the farm-girls that look like they all stepped out of the Elizabeth Arden spa.

elvsted Sparkhouse is an update of the classic Wuthering Heights in which the roles of Cathy and Heathcliff are reversed i.e. it is the female character Carol who is the rebellious one in the relationship and is set in present day.This is one of the most moving TV dramas that I have watched in a long time which owes both to the excellent script and the acting of the cast. Sarah Smart (Carol) and Joseph McFadden (Andrew) have such strong chemistry between them that you really believe in the intensity of heir relationship and are able to understand the motives for all of their actions. Beyond this, what really makes the story so is emotional is the supporting characters. Alun Armstrong plays Carols father with such sensitivity that although you know you should hate him as much as Carol does, you can't help feeling some of the pain he is going through.On the other side Andrew's, parents add more depth to the story by their constant arguing and hate of each other yet their resilience to stay together both because of Andrew and because they do not know what to out outside of the marriage.Sparkhouse emotionally illustrates differences between love and sex and shows that while some relationships are necessary for survival, others are so raw and uncontrolled that they can become a destructive power to all involved. There is a fine line between love and jealousy

rlmac fantastic series inspired even if not adapted from Wuthering Heights I was glued to the screen for the first episode and was distraught to find I had to wait a whole week for the conclusion. gripping, dramatic, emotional. the two lead characters had few scenes together, yet the connection between them was unmistakable. A review in the Newspaper was scathing, mocking the writer for claiming it was a modern day Wuthering Heights; I found this odd - the similarities are plainly obvious for anyone to see. Maybe its better to say it was beautifully inspired by the classic, which is itself woven throughout the programme. From the trailers I expected Sparkhouse to be an average run-of-the-mill story of teen lovers, but I was wrong. It is a brilliant dramatisation of TRUE love.