garyj-15 Predictable, very bad stories, Mr Swayze looks ill, how do they expect us to believe he is a tough cop? Casting flaws; Victoria Tennant as a 10 yr old kid mother? Did not like it AT ALLWhen action happens, there are no people in the streets! Did someone really liked it? Bad stunts Worn out cases Slow scenes I already wrote what I think of the series and this thing still wants me to write more to be able to make a post, there is not anymore to write about that boring series. I have to keep writing until I fill 10 lines of comments, hard to do The only good thing about the Beast is that it only has 1 season

Elena Toledo This is really a great and awesome new show, i like the way they created the episodes are always entertaining, and i love watching my dear Patrick. Great to see him back on the screen and with a totally new acting style. God bless Patrick and all the others on the show. I pray to God that you can make all the shows that you desire and that this show has the best rating like many other ones. Patrick I pray too that you get better and make us happy with your awesome and amazing performance.My dear Pat, I love 'the beast'Elena Toledo

peterquennell Kudos to Christine Moore for how she put together the Nadia episode of The Beast on A&E with Patrick Swayze. If she ever needs a demo reel of how extraordinarily good she can be, this one surely is it.An astonishing bit of directing, and best of all it surfaced the remarkable actress Angela Gots (who I never seen before except without recognition in a House episode) in the role of a lifetime. I see she has worked in movies and TV for 8 years and repeatedly shown flashes of extreme brilliance in small parts, but this is where she really gets to let it all hang out.Nadia is a really driven character - a Rumanian woman driven to "traffic prostitution" in the United States in hope of tracking down her baby which her family had sold to illegal American adopters when the family were desperate for cash. And she achieves her comeuppance in taking down the villain of the piece - wow does she get her comeuppance! Everything about this Christine Moore episode is just perfect. Script, casting, locations, lighting, music, and on and on. And she picked Angela Gots and directed her, in this astonishingly compelling and fearless performance - her scene in the warehouse is a classic.May they both go to showbiz heaven for that.

Tridentmovies This review is based on an early impression (episodes 1 and a small part of 2, before i switched it off) and so i realize there is the possibility of improvement down the road. Although judging by what i've seen so far, i seriously doubt the people involved with the show would know how.Whereas the synopsis of the show sounded interesting in a "The Shield" sort of way, the execution of it is quite dire. A couple of FBI-agents, one experienced and shifty (Patrick Swayze) and a rookie (Travis Fimmel) are teamed up to work together on cases. The first two cases involved sales of weapons and drugs. There is no real point going into the plots of the episodes as they play out pretty much exactly as you would expect. There is a subplot involving internal affairs wanting the rookie, who's name is Dove, to cooperate with them in keeping tabs on the experienced agent, called Barker. It is implied that Barker might be involved in some dirty business even outside of just bending or even breaking the rules.This show comes across as being as mediocre as you could imagine. And that's only when it tries to be good. The camera-work is horrible. Aside from being a bad student of the "NYPD Blue" school of shaky-cam, the picture often looks blurry, and depressingly under-lit or dark altogether. It is as if the producers hired an amateur and told him "give it your best shot" with a digital camera. It tries to look hard-boiled and gritty, but it just looks annoying, especially because thanks to the limits of television it simply isn't allowed to be as gritty as it may want to be. As a result it just comes off as a poseur of a show.The show, from what i've seen, is horribly clichéd and the music score is utterly predictable in what mood it wants to set a scene in as well as when it swells up to give a scene or shot fake tension or emotional resonance. The acting ranges from mediocre (Swayze) to downright awful (Fimmel) with both of them channeling performances that have been done millions of times before by much better actors. Fimmel in particular is a twitchy, constipated-looking hybrid of Matthew McConaughey and Leonard DiCaprio, and seems selected to play the part for no other reason than to give the female audience a "hunk" to root for. The guy twitches and smirks his way through the show and we are supposed to think it is "acting".The characters they play are as hackneyed as they get, without almost an ounce of originality in behavior. The experienced guy knows all and makes the rookie do his bidding, and the rookie apparently has no problem putting his career on the line by defying internal affairs in favor of loyalty to a guy he hardly knows, except that he in fact DOES break a large number of rules and laws, which makes the investigation by internal affairs completely logical. There is no reason whatsoever for Dove to potentially sacrifice his career for this man and yet he does. Why? Because the plot requires that internal affairs be "wrong" or mistrusted by default as they always tend to be in cop shows, and the rookie to show "loyalty" to his fellow agent as if it somehow more honorable than remaining honest as a law enforcement agent. Dove inexplicably seems to think that not the bureau but his partner has given him his job and puts food on his table, otherwise there is no logical explanation why a rookie would put his job on the line for a near-total stranger. To make a long story short: the writing, much like almost everything else, stinks to high heaven and offers neither anything fresh and original, nor anything of quality even in its redundancy. Plenty of shows offer the same thing that has been done many times before, but at least they do it with quality. "The Beast" is just a TV-version of every bad B-movie in the action-section of the video-store.The only positive thing that could be said is that at least the action on display is adequate (i liked the RPG in the pilot) and if mediocrity is no hindrance in wasting some time i guess you could do even worse than this show.With "Flashpoint" for instance. But that's another story.