13 West Street

1962 "EVIL ENTERS THE HOUSE AT 13 WEST STREET... IT'S SHOCKING AS A SCREAM IN THE NIGHT!!!!"
13 West Street
6.3| 1h20m| NR| en| More Info
Released: 09 May 1962 Released
Producted By: Columbia Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Walt Sherill is attacked and beat down by a group of juvenile delinquents on his way home from work one night. The boys who attacked him are not previously known by the police and are therefore hard to track down. As Sherill starts getting impatient he begins his own investigation. Meanwhile, Detective Sergeant Koleski does his best to track down the culprits.

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Wizard-8 "13 West Street" would make an interesting double bill with movies like "Death Wish", "The Exterminator", and other modern movies that make the idea of vigilante justice look appealing. In this particular movie, we get the opposite message. As Alan Ladd obsession to get justice continues, we get to see that people get hurt along the way, both directly and indirectly. Even Ladd's character himself gets hurt in several ways, from getting suspended from his place of employment to his relationship with his wife suffering. Ladd is quite good showing how his character slowly gets so obsessed he is blind to much of what's going on around him. I do wish that we got to see a little bit more of his character before his initial assault, so we could see better how his character changes. And the ending is kind of unbelievable; in real life, Ladd's character would be arrested for what he did in the final few minutes of the movie. There are a few other nitpicks, like the fact that the "teenagers" in the movie are all played by actors who clearly left their teen years a long, long time ago. But the movie as a whole works well; it definitely showed that acting as a vigilante brings in a lot of problems, both with the individual and with the society he belongs to.
RanchoTuVu Alan Ladd plays an aerospace engineer on his way home from a late night at the office when his car runs out of gas on a dark street and he encounters a group of high school teenagers. The encounter leads to his being beaten up pretty badly and sets in motion his quest for either justice or revenge. Rod Steiger as a police detective represents the justice part, but the wheels move too slowly for Ladd, who engages in his own investigation to avenge his humiliating experience. This sets up a conflict with the law, the school system, which leads to several consequences. The film's proximity to the end of Ladd's career and life seems to be a major factor and makes it difficult to conclude whether his role either detracted from or added something to a film that is, in any event, still definitely worth watching IMHO.
MartinHafer As Alan Ladd's last starring role, this was a pretty good way to finish his all-too-short career. While it's not the best thing he ever did, it is one of his better films. Unfortunately, for me, a real fan of Ladd, it's also a bit tough to watch because he's obviously suffering the effects of advanced alcoholism--with a puffy look about him and slightly slurred speech. In addition, at times his performance was a bit limp--though at other times, particularly at the end, he was able to rouse some of that old Alan Ladd energy and anger.The film is about a decent man who through no fault of his own is badly beaten by a group of young spoiled rich thugs. The problem is that the information on who did this was scant so catching the thugs looked uncertain. Plus Ladd had a lot of trouble getting on with his life--particularly when members of this little gang began threatening him and his wife. From that point on, Ladd is a bit like Captain Ahab--with an almost incessant need to find and punish the teens. Surprisingly, Rod Steiger underplays the role of a decent detective who is investigating the case (he sometimes seemed to overact in some films--here he was perfect). He's trying his best to find the boys AND keep Ladd from getting himself in trouble for being a vigilante.Add to this basic plot decent acting, a very good and suspenseful script as well as a very adult plot for 1962 and you've got the formula for a very good drama--far better than many of the mediocre films Ladd had been making through much of the 1950s and 60s.
sol1218 **SPOILERS** Out of gas in the seedy and non residential side of L.A aerospace engineer Walt Sherill, Alan Ladd, looking for a gas station is almost run down by a gang of drunken preppies. After giving them a piece of his mind the car goes in reverse and the well dressed and well spoken hooligans confront the startled Sherill who work him over where he ends up with a concussion and broken left leg. It's when Sherill gets in touch with the police that his young tormentors not only target him but his wife Tracey, Dolores Dorn, as well.The movie "13 West Street" is a lot like the Charles Bronson urban crime thriller "Death Wish" that was released 12 years later. In the film Sherill at first goes to the police and when he does't get the results that he wants goes on his own trying to track down and exact revenge against those who left him a crippled and later tried to both murder and rape his wife Tracey. Ulike in "Death Wish" Sherill goes after only those who did him in not just any street hood who gets in his way, using himself as a decoy, like Charles Bronson did in that movie.Trying at first to let the police track down and arrest his attackers Sherill gets impatient and hired a private detective Finny, Stanley Adams, to do the job. It turns out that Finny despite finding those who brutally beat Sherill tails them in his car losing control by driving some 80 to 90 MPH and ending up dead at the bottom of a ravine. The hoodlums themselves are lead by by this conceded and what seems like stuck up, on those who are law abiding citizens, spoiled brat named Chuck,Michael Callan.Chuck gets so carried away in tormenting both Sherill and his wife Tracey that even his fellow criminals try to distance themselves from him. Bill, Arnold Merritt, one of Chuck's hangers on gets so guilt ridden at what he did to Sherill that he's murdered by Chuck, who made it look like a suicide, in order to keep his fellow hoodlums in line and from talking to the police.Det. Koleski, Rod Steiger, who's on the case has so much trouble in keeping Sherill from going off the handle and ending up not only killing any of his attackers but even innocent persons who get in his way almost has Sherill arrested for his own good. Meanwhile Chuck, who wasn't all there upstairs to begin with, gets this bright idea to break into Sherill's house and show just what a man he really is by raping his wife Tracey which alerts the cops who catch him both red handed and with his pants down.Running back to mommy and daddy, who've been covering up for him all this time, Chuck is caught by surprise by a cane swinging Sherill who after breaking his head almost drowns Chuck in his parents swimming pool. Sherill has to thank Det. Koleski for coming to his rescue not that he really needed him but to stop him from killing Chuck and ending up behind bars himself.P.S With all the comparisons to the movie 'Death Wish" there is a scene in "13 West Street"that left me a bit startled. This happens when Sherill in his hospital room, with a cast and clutches, slips and falls on the ground and is unable to get up by himself. In pops this young man who at first you think is one of those who put him there in the first place. It turns out that the young man, Adam Roarke, is visiting his mom in the room next to Sherill who helps him up and gives him back his clutches. Adam Roarke looks so much like a young Charles Bronson that for a moment I almost thought that he was actually him!