Scarecrow-88 Well, if you enjoy Tyler Perry's brand of Madea humor, with the addition of Larry the Cable Guy's redneck shtick this might be to your liking. It has its message of "accepting those who love each other regardless of race" out there loud and clear. It also is quite vocal about keeping Christ in Christmas. There is plenty to annoy those who might consider Madea a loud and opinionated blunt force instrument, with no willy-nilly from her in regards to nonsense (well, nonsense she considers, that is). If you make it past Madea's outburst in a department store where she berates her boss, customers, and staff "wanting her money" after being fired, then this might be what you're looking for in a comedy. In order to supplement Madea's antics, there's a central plot regarding a school in dire need of help and the town Christmas Jubilee on the skids due to no funding available. It seems a dam stopped up the water that has caused a drought, and the company responsible will be funding the jubilee when a teacher (Tika Sumpter, who is a real beauty) requests financial assistance from an old boyfriend (JR Lemon). The company demands that Christ (or nativity scene tribute) not be mentioned during the jubilee as stipulated in the contracted signed by the city's mayor and city council…the town up in arms, Sumpter is eventually fired at the urging of a student's resentful struggling farmer father (Chad Michael Murray, of One Tree Hill fame) to the mayor. Also in the film is Sumpter's reluctance to tell her overbearing, controlling mom (Anna Marie Horsford; I know her from the Sherman Helmsley show, "Amen") that she is married to a white man who owns the farm she lives. Madea knows about it rather early and tries to urge the truth be spilled as the lies only cause frequent discomfort and aggravation, especially when Sumpter's in-laws arrive (Kathy Najimy and Larry The Cable Guy, who are quite a pair). Unusual and rather welcome is that the hick parents are actually okay with an interracial marriage while the African-American mom is the one who might frown upon such a union. Ultimately, of course, Horsford agrees to try and accept her daughter's choice of a husband. The interracial subplot is obvious in making its message important to the viewing audience, which doesn't bother me at all. In fact, I enjoyed how Madea is the one who tries to get it all out in the open and over with. Horsford and Najimy at odds was a lot of fun to me, and the blow up that eventually is resolved when Najimy and Larry go out to console Horsford in the hopes of getting her back in the house is rather amusing and sweet. If you are atheist, you might want to kind of stay away from this, although Madea does rather butcher the story of Jesus more than a little bit in a class. There's also a minor subplot involving a child Sumpter sees potential in (Murray's hard-working, bullied farm kid, with the mother played by Alicia Witt, who deserves better parts than this). With Eric Lively as Sumpter's "corn scientist" husband, given a lecture on milking cows by Madea and Larry, who was bulled by Murray and eventually retaliates. Included in the film is a groaner of a scene where Murray is pulled from a burning wrecked truck by Horsford so that he can redeem himself to all he's hurt. Perry knows his audience: those who love the wholly honest and unfiltered Madea with her own way of talking will find that character right here. If you don't: skip it or else.

shani_dayo This Movie brings nothing new to the table, but a different cast. I think Tyler Perry has lost His touch as far as comedy and offering a pleasurable experience. None of the Characters are likable and come off as idiots without an independent thought. The movie as a whole is to dry and meaningless for words, not to mention it only had a few moments that made me chuckle. Half way through the movie I lost interest and couldn't keep my eyes open to finish this sad attempt at a good film. There isn't much to say about it, mediocre at best. I wouldn't waste money or Your day to go see or buy this movie, nothing more but a cheesy mess. Tyler, You have most certainly lost Your touch! Stick to plays from now on!

mike48128 I don't like men dressing up like women. It's creepy. Also I don't like Eddie Murphy in drag and I am also not a fan of Mrs. Doubtfire either. When a black man dresses up like a woman he demeans and stereotypes black people. Period. I say this in all sincerely as I am "white". Worst movie of this "gender" has to be "White Chicks". Also not a fan of redneck-bashing movies like "Dumb and Dumber". Even the Naked Gun Series insults several minorities. Either I have no sense of humor, or I know what I don't like. "Blazing Saddles" was a break-though movie in this area, but it also opened up "Pandora's Box". The Christmas story here is actually better than expected, but the movie is not really that funny. What's funny about racial hatred? Best caught on cable next year or at Redbox. Save your money.

Hot 888 Mama . . . and going undercover to expose crime and racism in the American South. Though the switch from comedy to docudrama in TYLER PERRY'S A MADEA CHR!STMAS may go against Mr. Perry's forte, he is to be commended for this public service contribution to the citizenry of the U.S. In CHR!STMAS, we see how there are still as many Ku Kluxers as bed sheets in the South. We see a Black family (Eileen and Lacey) struggle to overcome decades of heartbreak after racist Dad has "moved on up" to a White woman. We see how a White man pretends to be a farmer (though he can't tell a bull apart from a milk cow) working on a new "corn syrup" formula, when it is obvious the main reason he married school teacher Lacey was to provide himself with "cover" for his Meth Lab operations. We also are warned that Ford pick-up trucks are liable to crash and burn for no reason at all, and we are shown the necessity for "brushing" away any evergreens planted too close to homes in wildfire country. Perry further exposes the conspiracy to steal Christ out of Christmas, and suggests that the American crime rate can be lowered by a return to crucifixion. The Madea writer\producer\director also lobbies for minimum wage workers to use any means necessary to obtain a "living salary" from their employers, even if it means raiding the till. The main "takeaways" from CHR!STMSAS: be suspicious of EVERYONE, and never sacrifice a "teaching moment" on the altar of humor.