Uriah43 This movie begins with a woman named "Belinda 'Billie' Clark" (Karin Mani) being woken up in the middle of the night by her neighbor and told that two thugs are trying to steal her car tires. So she immediately dresses and confronts the two men responsible. However, rather than stopping they attempt to physically assault her instead. However, this soon proves to be a big mistake as she possesses superlative martial arts skills and easily turns the tables on them. Not only that, but her grandfather also appears and upon shooting a gun at them causes them to immediately run away. Not long afterward these two hoodlums report back to their boss who is not at all pleased with them and decides to take matters into his own hands by robbing Billie's grandfather and fatally stabbing her grandmother in the process. If that wasn't bad enough, the next night Billie attempts to stop a rape on another woman by those same two thugs and for her efforts she is arrested by a corrupt cop and booked on bogus charges while the real crooks escape justice--at least for the time being. Now rather than reveal any more I will just say that this movie certainly had potential but it was somewhat limited by the cheap production values and some rather weak combat scenes. Likewise, although Karin Mani turned in a decent performance, most of the other actors weren't nearly as good. In any case, although I don't consider this to be a good film by any means, it wasn't totally bad and for that reason I have rated it accordingly. Slightly below average.

Scott LeBrun The amusing "Alley Cat" is a watchable low budget variation on the time honoured "Death Wish" premise with a female lead. It never really catches fire, but it remains a mild diversion anyway - a crude, formulaic, sleazy, cheesy diversion that does deliver some of the requirements of the exploitation genre.Karin Mani stars as Billie, a young woman living with her grandparents who works herself into a righteous fury when the old folk are targeted by criminal scum. The grandmother is fatally stabbed during a mugging and Billie becomes consumed with the idea of revenge. She meets cute with a nice guy cop named Johnny (Robert Torti) who indulges in some of his own vigilante tactics.Mani's clearly got what it takes when it comes to the ass kicking department, but in general isn't terribly appealing; Torti scores more strongly in terms of likability. (However, Mani looks so good sans clothes that it's doubtful many people are going to care that much.) Much of the acting is amateurish yet entertaining. Lovely Britt Helfer has a memorable bit as a hooker whom Johnny intimidates into giving up information. Both Jon Greene and Michael Wayne have fun roles as a jerk cop and the prime antagonist of the piece, respectively. Wayne, who sports a scar and is thus named "Scarface", is actually named Krug in the movie, which will amuse any fan of "The Last House on the Left".There's enough nudity to keep people happy as well as the required shower scene since a plot twist has Billie sent to prison (there's a message in here about the complete unfairness of an incompetent judicial system). One of the cons also makes lesbian overtures towards Billie. The fight scenes aren't the most slickly staged but are basically enjoyable. And the silly music score is just icing on this cake.It's easy to see why this might be somewhat obscure for its genre but if you're a die hard addict of trash cinema you could certainly do a lot worse.Seven out of 10.

Woodyanders This entertainingly tacky'n'trashy distaff "Death Wish" copy stars the exceptionally gorgeous and well-endowed brunette hottie supreme Karin Mani as Billie Clark, a top-notch martial arts fighter and one woman wrecking crew who opens up a gigantic ten gallon drum of ferocious chopsocky whup-a** on assorted no-count scuzzy muggers, rapists, drug dealers and street gang members after some nasty low-life criminals attack her beloved grand parents. The stunningly voluptuous Ms. Mani sinks her teeth into her feisty butt-stomping tough chick part with winningly spunky aplomb, beating jerky guys up with infectious glee and baring her smoking hot bod in a few utterly gratuitous, but much-appreciated nude scenes. Unfortunately, Mani possesses an extremely irritating chewing-on-marbles harsh and grating voice that's sheer murder on the ears (my favorite moment concerning Mani's dubious delivery of her dialogue occurs when she quips "Don't mess with girls in the park; that's not nice!" after clobbering a few detestable hooligans. The delectable Karin's sole subsequent film role was in "Avenging Angel," in which she does a truly eye-popping full-frontal nude scene, but doesn't have any lines.) The film's single most sensationally sleazy sequence transpires when Mani gets briefly incarcerated on a contempt of court charge and shows her considerably substantial stuff in a group prison shower scene. Of course, Mani's lascivious lesbian cell mate tries to seduce her only to have her unwanted advances rebuffed with a severe beatdown! Strangely enough, the lesbian forgives Mani and becomes her best buddy while she's behind bars. Given an extra galvanizing shot in the vigorously rough'n'ready arm by Edward Victor's punchy direction, a funky-rockin' score, endearingly crummy acting by a game (if lame) cast, a constant snappy pace, numerous pull-out-all-the-stops exciting fight scenes, and Howard Anderson III's gritty photography, this immensely enjoyable down'n'dirty exploitation swill is essential viewing for hardcore fans of blithely low-grade low-budget grindhouse cinema junk.

Bogmeister Despite a very low budget, which shows in the bad acting, dialog and poor photography (some scenes are too dark), this has the energy of the best exploitation pics and is surprisingly entertaining. The lead character (Mani) is a tough karate fighter and repeatedly kicks in the faces of several gang members throughout the movie. She doesn't hesitate to speak her mind, even in court where it gets her into trouble, and is an early example of the tough heroine in films, still rare today. There's also an abundance of female skin revealed, including inside a women's prison; this picture has all the right ingredients for this type of picture. This is pretty much a version of "Death Wish"(74) with a female instead of Charles Bronson. Justice is shown to be blind, as far as the law & the court system, and this 'cat-fighter' has to make her own rules. There's also a fight scene between two cops which, while it has you chuckling at the lame dialog, is still exciting. Most of the gang members, grimy & scummy, are also funny, in that stupid fashion.