Arena

1991 "For a thousand years no human has been the champion. He wants to be the first."
Arena
5.3| 1h34m| PG-13| en| More Info
Released: 18 September 1991 Released
Producted By: Empire Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

An intergalactic fighting competition between champions of various worlds has traditionally been won by a species much larger and stronger than humans. Entering the contest, a human finds he has to battle against not just his opponents and his self-doubts, but the corrupt system. Far in the future, on a distant space station, the legendary Arena is where the best fighters from every planet come to vie for the championship. But for over half a century, no Earthling has been good enough to be a contender. Until out of nowhere, comes an underdog: the great human hope, Steve Armstrong... and the best anyone's ever seen. He's been training all his life for a shot at the big time, but now he's up against some mighty big muscle: a ruthless extra-terrestrial crimelord who'll pull no punches to make sure he stops Steve dead. In the mood for hard-hitting sci-fi action? Arena will knock you out!

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Woodyanders In the future the best fighters from all over the universe compete in a brutal gladiator-type sport called Arena. Tough and resourceful Steve Armstrong (a solid and affable performance by Paul Satterfield) becomes the first human brawler to participate in the event in a long time. However, nefarious alien crime lord Rogor (nicely played to the slimy hilt by Marc Alaimo) plots to stop Steve from winning the title of champion. Director Peter Manoogian, working from a clever script by Danny Bilson and Paul De Meo, relates the predictable, but still engrossing and entertaining story at a brisk pace, squeezes plenty of impressive production value out of the modest budget (Screaming Mad George's extraterrestrial make-up designs and the special effects are surprisingly pretty good), and stages the big matches with gusto. The neat array of funky aliens are a lot of fun to watch while the colorful characters are drawn in engagingly broad strokes. Moreover, the game cast have a ball with the quirky material: Claudia Christian as feisty fight promoter Quinn, Hamilton Camp as Steve's hearty and loyal diminutive pal Shorty, Armin Shimerman as short-tempered lackey Weezil, Shari Shattuck as sultry and deceitful moll Jade, and William Butler as wormy small-time hustler Skull. Michael Deak cuts a fearsome figure as ferocious and formidable reptilian reigning champ Horn. Jack Carter has a lively small part as an enthusiastic announcer. Both Richard Band's robust score and Mac Ahlberg's slick cinematography are up to speed. A really cool little flick.
Scott LeBrun Filmed in Italy by Charles Bands' Empire Pictures company, the likably cheese ball movie "Arena" is good fun for an undemanding viewer, comfortably predictable and with the usual assortment of good guys and bad guys. It's your basic tournament-based action flick, but with a twist: it takes place in a sci-fi setting, and most of the fighters are alien monsters. The champion among them is an egomaniac named Horn (Michael Deak, "Abominable"). Our hero is nice guy Steve Armstrong (Paul Satterfield, "Creepshow 2"), who only really wants to return to Earth. But when he needs to come up with some money in a hurry to pay off a smooth criminal, Rogor (Marc Alaimo, "Tango & Cash"), he agrees to participate in the tournament.One gets no prizes for guessing what ultimately develops in this script, written by Danny Bilson & Paul De Meo, the guys who concocted "Trancers" among other comedies and genre pictures. But there's still a reasonable amount of fun to be had in watching this stuff. You sure don't have to spend any time exercising your brain. You just enjoy the comedy, the sets, the basically decent acting, and the impressive display of masks and makeup effects created by John Carl Buechler and company. There's a lot of variety in their work. Also lending his abilities is unsung talent Screaming Mad George. The fighting is never exactly that great, but it is good for some laughs here and there.Supporting Satterfield are a group of familiar faces. Hamilton Camp ("Evilspeak") is four armed Shorty, Steves' loyal sidekick. The stunning Claudia Christian ('Babylon 5', "The Hidden") and Shari Shattuck ("The Naked Cage", 'The Young and the Restless') as irresistible eye candy, Armin Shimerman as Weezil (buried under heavy makeup a couple of years before assuming his signature role of Quark in 'Star Trek: Deep Space Nine'), William Butler ("Night of the Living Dead" '90) as Skull, and legendary comedian Jack Carter as an enthusiastic announcer. Shattuck also gets to perform two songs.Overall, an amusing 94 minute long diversion.Six out of 10.
David Powell Yes, one could argue it looks a bit cheesy today, but hey, I like the 80s atmosphere, & one neat thing about this movie is the cast.If you are a Sci-Fi buff you'll find yourself going "No way!" a lot as you meet the actors playing these characters. A lot of the main cast ended up on other space stations a couple of years after they made this movie, namely Babylon Five and Deep Space Nine. In that way it has a bit of a neat "When Worlds Collide" vibe for the TV Speculative Fiction buff. Claudia Christian eventually became a regular on B5, and Shari Shattuck made a stopover there too. Both Armin Shimmerman and Marc Alaimo ended up doing yeoman service on DS9, Shimmerman as a regular and Alaimo as a recurring guest. It is neat to see them all together in this one a couple of years before they hit those series roles, and they and the rest of the cast seem to be having fun with it too.
lost-in-limbo Held in a space station is an intergalactic fighting competition that pits all kind of species in the arena of endurance, ability and strength. There hasn't been a human victor in over 50 years and Steve Armstrong decides to take up the challenge, after his friend finds himself in trouble. However to take that crown of champion he must defeat the hideously cocky Horn and overcome attempts by a devious promoter Rogor. Who's trying to stop Steve's advancement through the competition. I really wanted to relish in "Arena", because for an extremely low budget production (it simply tells), it illustrated a colourful universe and a magnificent range of distinguishable species (think of Star Wars). Sure it doesn't have state of the art visuals, but those limitations didn't worry it and the overall junky and tackiness of it play into its own hands. Who produced this low-end Sci-fi romp? Well, no other than full moon's Charles Brand. So the campy richness and b-grade fixtures were assured from the get-go. Though, I guess I better get to the point to why I found it to be lacking poise. From very beginning we know how the standard storyline will play out. An underdog theme trumps in as we watch our protagonist start small with obstacles standing in his way and then eventually end a big high note. This predictable pattern is made more foreseeable with the good guys vs. bad guys context. It's pretty old-hat stuff, but one gets used to after a while even if there's a change of scenery to the mix. But this was lesser of its worries. Its main showpiece was the arena and fighting competition itself. Too bad the fight scenes were too few and goofily staged. I was disappointed on this aspect. They lacked any real sort of adrenaline, force and at times completely drag with the same repetitive activity. The only real fight that stood out for me took place outside the arena, when Steve shows us what his made of. I wouldn't blame someone who thinks this is more so a costume show, as Steve is in one fancy looking nappy outfit.Peter Manoogian's direction is workably sub-par, but lacks flair in his vision. The photography is quite stuffy and trumping in is Richard Brand's cornball music score. Those filming techniques might not blow you away, but they are acceptably achieved. John Carl Buechler's make-up is detailed (though not always perfect) and adds the to the film's spirit. The cold script is flooded with ineptness, but thankfully it's laced with agreeably witty banter. The performances aren't anything special, but solid enough. Paul Strathfield makes a likable working class heroine, if not much else. There's the familiar face of the succulent and biting Claudia Christian. Eye candy is in the shape of Shari Shattuck. Marco Alaimo goes out of his way to look and act real sinister as Rogor. Hamilton Camp and Armin Shimerman play the supporting roles in mostly a comical tone. Dreams can come true, but that wasn't entirely the case here. Rather than be exciting, it's diverting at best.