TheExpatriate700 Women's Prison Massacre transcends the exploitation genre to become a genuinely good film in its own right. Although not for all tastes, those who appreciate this film would be well advised to seek it out.The film follows reporter Emanuelle (no, not that Emmanuelle)as she is imprisoned on trumped up charges. She finds herself trapped in a hell of violent inmates and corrupt guards and soon has to fight for survival. Things only get worse when a group of male death row inmates shows up.What separates Women's Prison Massacre from other WIP films is the extremely good filmmaking behind it. Bruno Mattei skillfully constructs a truly grim atmosphere, making excellent use of lighting and shadow, along with a superb soundtrack. Particularly noteworthy is the opening scene, which brings an artsy touch to this genre production. Run out and see it now!

Michael_Elliott Emanuelle Escapes from Hell (1983) ** (out of 4) Hack master Mattei directs this women in prison film that has Emanuelle (Laura Gemser) being sent to prison by a corrupt official. Once in prison she battles the warden as well as another inmate but soon things get out of control when four male prisoners take over the prison. Mattei and Gemser made another WIP film the same year as this one and the two movies share a whole lot in common. It appears most of the same cast and crew made both pictures and both remain mildly entertaining entries in the genre. The most shocking thing about this film is that Gemser doesn't take her clothes off, which must be a first in the ten or so films I've watched with her. The film is fairly sleazy but not near the level of a D'Amato or Franco film. The highlight include a rather erotic sequence when the men decide to have their way with the overly willing female prisoners. Gemser is her usual self, although, despite the title, this has very little to do with her Black Emanuelle films. The supporting cast features some good looking women but bad actresses but that's to be expected. Mattei's direction is certainly laughable and the screenplays has giant holes in it but all of this adds to the charm of the low-budget film. The dubbing is also extremely bad but adds a lot of laughs. AKA: Women's Prison Massacre, Emanuelle in Prison and its original title Emanuelle fuga dall'inferno.

Carlos_Lohan I saw this one a while ago and was really surprised by it I thought it was gonna be as bad as other Bruno Mattei flicks, but i was wrong. The last entry in the Black Emanuelle series is as good as Emanuelle in America (The best in my opinion) and maybe the best women in prison movie ever made (After Barbed Wire Dolls that is).The plot is about a gang of murderers who take hostage a women's prison, where they rape and torture the girls as well as the guards. Our favorite female reporter is an innocent inmate who is being charged for a false drug possession.The movie is very different from the Emanuelle series. For a start, there are very little sex scenes and the movie is hardly erotic. The violence is good and there are a few sleaze touches. The score is horrible (in the best possible way) and the acting is so over the top you'll have a laugh at it.My only complaint is that Laura Gemser doesn't get naked at all, but still very recommended. 9/10

Michael A. Martinez This is really a tough movie to forget, and surprisingly easy to watch considering how trashy and low-tech it is. Basically, Mattei uses his same grimy super-low-budget look as he did in NIGHT OF THE ZOMBIES and RATS: NIGHTS OF TERROR. However, in this film, much like it's predecessor CAGED WOMEN, this trashy look actually really helps it out, evoking some odd sort of fantastical feel to a usually mundane setting.The movie takes place in a women's penitentiary, but I honestly doubt any women's prison was ever in any way like it is presented. The convicts are almost all at least decent-looking and are a little too keen on fighting each other or having pseudo-lesbian exchanges, every-time showing off a little more than their panties for the camera. The one-up this film has over CAGED WOMEN is the fact that it actually has something resembling a plot as well as some pretty hard-edged violence. Four male prisoners (led by Gabriele Tinti, the only good actor of the group) take over the women's prison and proceed to terrorize the locals. The acting and music are a little less polished (read, pretty darn bad) but they actually really add to the atmosphere of the whole thing.I really enjoyed the quasi-utopic view of the four male prisoners basically having everything they want right at their fingertips (much like how the four survivors in DAWN OF THE DEAD had everything they wanted within an abandoned shopping mall). All four of the men are sick, depraved perverts and are in the most condusive environment possible for their sort of behavior. Just imagine what happens when you put sex-starved male convicts together with sex-starved female convicts? (A pretty good idea for a movie!) It's also funny to see a lot of fairly classy actors basically making fools of themselves. Lorraine De Selle looks extremely uncomfortable, as does Carlo De Mejo in his last major role.My only big complaint is that the good characters get killed off way too quickly and stupidly. The goofy guy who keeps the razor blade in his teeth seems to get the most horrible death imaginable, even though he was the most likable of the four male convicts, go figure. The ending is a little hard to decipher as well. Hats off to Mattei though, as his editing has never really looked better. There's also some surprisingly stylish sequences near the beginning and ending of the film, notably the oddly-lit Theater sequence and the flashback montage, which is aided greatly by Luigi Ceccarelli's simplistic synthesizer music. It's a pretty good film overall, surprisingly, if one takes into account the budget (or lack there-of) involved.