kellystacey1980 Camp Slaughter is a mix of all the old 80's camp flicks with an interesting twist. Camp Slaughter takes 4 students through the ride of their lives; if they live through it! The story starts back in 1981 and a killer is loose in Camp Hiawatha, after watching the kids get massacred we are fast forwarded into the present day with our 4 main characters. But they have no idea what is coming next as they are somehow thrust into a time warp where the kids of Camp Hiawatha have been reliving the same brutal night over and over since that summer in 1981. Now almost 25 years later the 4 main characters are part of the slaughter.The clothes, the music, and the smell of the 80's in everywhere in this great film. Alex Pucci does a great job in reinventing a genre that has had a long string of bad clichéd movies. The camp killer has always been a big part of the horror genre, but Pucci puts the spin of a time paradox on the age old horror story.It has all the right characters as you meet the kids from today and merge them with the kids of 1981. You have an annoying chick, a Jesus freak, a jock, and a person that is a little weapon happy in the crafts area of the camp. But that is just the kids for 1981, add in the quirky attitudes and terminology from 2005 and you have the makings of some of the best horror and comedy for a situation like this.Christian Magdu's "Adrian" is perfect casting and a great piece of acting on his part - if you like Friday the 13th or any other camp killer movies this is a must see!

PeeWee-16 This movie is quite possibly one of the worst to ever make it out of an editing room. It has nothing, lousy camera work (I think I found three shots that had some form of focus, no color correction anywhere... a complete mess), an even worse script and no acting whatsoever (and why, oh why did they do it in English?).I can try to find anything positive about this movie... and still fail utterly. Not even as a joke would this work. I've seen the pre-release of another Swedish b-horror called "The Unknown". It was made with 1/10 the budget, but is way way superior to this one in all aspects.To put this short: NO, do NOT see this movie. No matter what you expect, you WILL be disappointed.

Luisito Joaquin Gonzalez (LuisitoJoaquinGonzalez) Regular readers of my review list will already know that I am a great fan of the slasher genre. For the past thirteen years, I have thoroughly enjoyed hunting down the many rarities that the cycle has to offer and then sharing my opinions with other collectors across the globe. I personally was not over impressed with Wes Craven's Scream trilogy, but I must admit that I have paid close attention to the overwhelming effect that the three movies have had on horror cinema. Just like being transported back to the glory years of the early eighties, video-stores have once again been over-populated with masked killers and screaming teens. After John Carpenter's Halloween kicked off the boom years two decades earlier, the majority of the bandwagon jumping genre entries were American, British or Italian productions. But this time around we have witnessed slashers from as far and wide as Germany (Flashback), Thailand (303 Fear Faith Revenge), Korea (The Record) and even India (Sssshhh). This was the first of two Swedish entries that were released in the same year.Director Martin Munthe launches Camp Slaughter with an intriguing text that leads us to believe that the events we are about to witness are based upon a true account. Well it worked for the Texas Chainsaw Massacre, so why not? Next up we meet Constance (Karen Bertling), a middle aged woman who blames her husband for the fact that he never gave her the blonde-haired blue-eyed daughter that she so desperately craved. Instead the couple ended up with a rather dopey looking son called Adrian (Christian Magdu). They say that if at first you don't succeed then try again, and try again she certainly did. Only this time she swapped partners and tried with her own son! Constance's dream to have a blonde-haired and blue-eyed daughter was not fulfilled after her incestrial efforts and instead she was blessed with a hulking maniac that she decided to keep padlocked in an underground chamber for the rest of his life. Twenty five years down the line and we learn that (unsurprisingly) a remote woodland retreat has been built within walking distance of the madman's underground lair. Cue six dumb teens, plenty of beer and a broken padlock and away we go on a murder marathon! Camp Slaughter was critically ripped to shreds upon release and most of the unenthusiastic reviews that I've read came from Swedish authors. I was expecting something as bad as The Night Devides the Day or Carnage Road after reading so much negativity. The major critical point from the aforementioned scribes was that the cast struggle with speaking English, instead of their native language. I am fluent in Polish, Russian and English; but under the extreme pressure of trying to deliver a convincing dramatic display, I must admit that I'd feel much more confident speaking in my native Spanish tongue. That's why I guess it's somewhat unfair to criticise such a young cast on the quality of their performances. In this day and age, the majority of cinema fans don't have a problem with subtitled features, and perhaps that's something that the producers should keep in mind for future reference. But the biggest problem with Slaughter is Munthe's pedestrian direction. The movie seems to take an eternity to pick up the pace and then when things finally kick off, the shocks always feel somewhat half-hearted. The maniac is portrayed as a retarded bogeyman and he only kills the kids if he inadvertently bumps into them whilst wandering through the woodland. This immediately cuts out the suspense that's usually conveyed in stalking scenes, which only seemed to slow things down even more. It reminded me a lot of that other pathetic Swedish slasher Blodaren.Screenwriter Alina Warne made some of the most bizarre decisions that I've ever witnessed in slasher cinema. Her peculiar obsession with bunnies (unfortunately not the playboy kind) makes very little sense, and she even went as far as to call the killer Bunnyman? There's one point in the runtime where Constance begins singing (about pretty bunnies, naturally), and for a moment I had to double-check that this wasn't the first slasher musical. Even though its obvious that Warne knew the slasher guidelines inside out, she still breaks one of the most essential traditions of the cycle. Trudy (Erica Earlson) spends the majority of the movie without drinking, smoking and she turns down constant sexual advances from one of the randy guys. So we have an untarnished virgin amongst the group, surely she's got to be the final girl? Well strangely enough she won't be turning up for the sequel. It was quite a shock that she was murdered, especially when every other cliché in the rulebook had been underlined and dotted. Some of the dialogue is also hilariously inept at best and the feature was in places poorly scripted. Camp Slaughter has become impossibly rare outside Sweden already and it's only one year and a few months old. I was somewhat surprised then when I read that a sequel is in the pipeline, which must mean that this wasn't as unsuccessful as many would have you believe. I for one don't think that Munthe's slasher opus is as bad as its hideous reputation makes it sound. Unlike many of its cousins, it's competently lighted and beautifully photographed and it has the odd moment of credibility. In fact there's a couple of neat touches on display and as long as the director cuts out the mundane tekno soundtrack and learns from his previous mistakes, Camp Slaughter 2 could be a contender. But for the moment if you must see a Swedish slasher then get Drowning Ghost instead.

fredde800312 There simply are no spoilers in this "movie". Although the picture and sound is good for being produced for a B-horror film, the rest of it is poor acting and scenes you've seen in at least 50 movies before. To make things even worse, someone had the idea that Swedish kids speaking English was a great idea, probably so the movie would have a chance of getting shown in other countries!Here's the plot: A crazy lady has a son together with her own son(!) which is then being kept in a hole in the woods. Of course, this monster of a son escapes, and of course there's teenagers in the woods (sounds familiar?). You don't need a diploma to figure out that Bunny-man (that's what he's called in the end credits) will go Jason on the teenagers, but i guess that's what horror-flicks like this should be all about. The problem is that not once do you get scared, not a single scene looks real, and all acting is terrible. In the end, all you do is sit there and get angry at yourself for watching this, maybe, just maybe, you'll have a laugh at the poor acting, or the strange unreal scenes (There's one car scene that made me laugh like crazy, cause it's so unbelievably unrealistic)Watch it, don't watch it, that's up to you, i'd rather rent any part of the Friday the 13th-flicks and watch it again. I'm stealing my last comment from Comic book guy in the Simpsons: Worst movie EVER!