worldpieceprod Carried Away is nothing short of a masterpiece. Every single scene and piece of dialog in this film has a solid purpose. The camera work is the so gentle and subtle it crosses over from camera work to camera art. Every actor on screen is perfectly cast. The story of a Midwest farmer in the early 1960's whose life is jolted out of a monotony of safe boredom and into a dangerous moral dilemma. Not the kind of danger we see these days like CGI robots from the future, but the real danger of your entire life as you know it crumbling in front of you and your helpless to stop it, or yourself. The story unfolds before you like the slow blooming of a flower and in the first ten minutes I was so gripped by the subtle nuances, I felt like I was transported to the small town of Howardsville. I simply cannot say enough about this film. Watch it and you'll understand.

mysticalfemme I've been turned off by the braggadocio of Dennis Hopper's acting style before, so I was tremendously surprised by how much I enjoyed his performance in this movie. Bruno Baretto's direction was superb. He has a gift for conveying the feel of the time and place his story was set in. The overall themes were honest and the acting was earnest all around. It was a pleasant surprise to find Hopper's character choosing the authenticity of Amy Irving's time-worn beauty over Amy Locane's evanescent nubile hotness. Aside from the incongruities of Hopper playing 47 at age 60 and Amy Locane playing 17 at age 25, it was a beautifully done film.And yes, it is possible for the implausible dynamic of this film to find similar parallels in 'real life.' I met my longtime boyfriend when I was 26 and he was 57, and yes, I am a babe, and no, he has no money.

wrcong Okay, seeing Dennis Hopper naked is not something that was on my list of things to do in my lifetime, but it was not the abomination that some of the reviews make it out to be. I give Hopper and the director and screenwriter a lot of credit for fearlessly letting it all hang out, as it were, when that privilege is usually reserved for the "beautiful people" of Hollywood. That's what people look like -- it's just not such a big deal (no offense intended, Dennis).My vote places this film into what I consider the vast "average" category. There are some issues here. Casting is one of them. Amy Locane was 25 playing 17 in this film. No sale. I have a 17 year old son, and not a one of his female friends looks much like Amy Locane. She was just not a convincing teenager. I realize that there are issues with having an actual seventeen year old in this role, but the casting director should have worked a little harder to find a more convincing actor for such a pivotal role. Locane invoked Lolita's aunt that works at Hooters more than she invoked Lolita.Hopper was quite good as the male lead, acting out the fantasy that Sting and the Police put to music so many years ago. Amy Irving was quite good as the "comfortable" love interest.Still, this story was rather predictable. The middle-aged teacher climbs out of his routine by having a sexual fling with one of his students, with predictable unhappy results. Still, despite the unhappy results, the fling was life-affirming over against all those stifling impulses that compel us into the comfort and safety of the routine.This re-telling of the Lolita tale put a somewhat more human face on the lonely, love-lorn middle-aged man, but may have replaced that image with the notion that such relationships are really the fault of the young nymphettes who tempt them. That is a troublesome notion. Relationships such as this one need not necessarily be portrayed in terms of "victimization," but to the extent that there was a victim in this film, it was the teacher, the authority figure, who was the victim of the slutty teen-aged girl. In a sense, I guess that completes the Lolita fantasy -- that it is the young woman who creates and insist upon the relationship to the point that the resistant will of the older man is overcome. That image is a fantasy to the Nth degree.Nonetheless, this is a reasonably entertaining little evening's diversion for the thoughtful performances of Hopper, Irving and Gary Busey as Catherine's father. I wouldn't go out of my way to find it, but if it shows up again on IFC, it's worth a look.

jotix100 Sometimes it's completely incomprehensible to understand how "Carried Away", the excellent film by Brazilian director Bruno Barreto, is perceived by some of the contributors to this forum. "Carried Away" is a movie based on a novella by Jim Harrison with a fine screenplay by Ed Jones, who does a fine job in adapting it for the viewer. Mr. Barreto is not a timid man, as he has shown in his other films. While most people object to the graphic nudity, it is never in one's face, or something that is done for shock value, like some other directors tend to do whenever they don't have anything better to say.The story about a sensitive man who has been left somewhat crippled after a childhood accident in the farm where he lives, presents us a man in turmoil. His life, while not completely shattered, is in total disarray as one meets him, years after he suffered the foot injury. Joseph Svenden is basically a decent man. We watch him in the rural school where he teaches, and later on, working in the farm where he lives with his older mother. Joseph is clearly a man whose life has passed him by because since he never married, he has stayed behind with the mother, while his siblings are all settled and living away.Joseph is seeing Rosalee, another teacher from his school. They have a cozy arrangement. Neither of them is in a rush to formalize their relationship. At this point of his life, Joseph falls for one of his students, Catherine, who obviously is way ahead of him in being sexually active. She seduces the quiet man, who falls head over heels with this young woman, who comes from an unhappy home. In fact, we have no clue until almost the end, when Catherine's parents come to confront Joseph, what's wrong with the young woman.The kind Rosalee finds out in the worst way about Joseph's infidelity, sending her into despair because she loves the man. Joseph confronts Rosalee and owns up to his transgression. Joseph's feelings for Rosale make him finally see where his priorities ought to be. The last sequence of Joseph and Rosalee at the beach has to be one of the loveliest moments in the film.Dennis Hopper plays Joseph to perfection. Mr. Hopper is believable in his low key approach to the role. He is an actor who works well with any director, and it seems to us he is responding well to Mr. Barreto's guidance. Amy Irving, an actress of great beauty and inner power, shows a Rosalee that shows no emotion at all, but we know all is well under control inside her, until the explosion at the end when she feels betrayed by the man she loves. Ms. Irving does excellent work in the film. Amy Locane, plays Catherine as a brat who wants to get what she wants, when she wants it. Mr. Locane is a beautiful sight on the screen. The rest of the cast, Hal Halbrook, Julie Harris, Gary Busey, and the rest, are seen at their best.Thanks to Bruno Barreto for bringing this lovely character study to the screen.